STUDIA
CROATICA
Year III, Buenos Aires, 1962, No. 9
"The Fraternity and Unity of the Peoples of
Yugoslavia" Instead of the Right to Self-Determination
Socialism and Unemployment in Yugoslavia
The Personality of Ivan Mestrovic
Mestrovic the Innovator
Ivan Mestrovic
Croatian Renaissance Literature
The Failure of Titoism in Agriculture and the
Countryside in General
Mestrovic as Seen by Argentine Sculptors
TRANSCRIPTIONS
DOCUMENTS
Memorandum from the Catholic Episcopate to the
Communist Government of Belgrade
The Difficult Situation of the Islamic Religious
Community
The Subjugated Peoples of Yugoslavia and the Assembly
of European Captive Nations
Review of Croatian and Serbian Literature in the El
Ateneo Encyclopedia
Letter to the Editor
CHRONICLES AND COMMENTARIES
Exiles Demand the Right to Self-Determination for
Croatia
Discrimination Harmful to the Refugees from Communist
Yugoslavia
Yugoslav "Neutrality" and the Atomic Bases
in Cuba
Walter Lippmann, Cuba, and Yugoslavia
First Congress of Croatian University Students in
Exile
BOOK REVIEWS
Anton Zollitsch: Josef George Strossmayer
Ante Smith Pavelic: Kairska Afera
Hrvatska Revija, volume dedicated to Ivan Mestrovic
Charles Zalar: Yugoslav Communism - A Critical Study
Anton Knezevic: The Turcisms in the Language of
Croatians and Serbs
"The Fraternity and Unity of the Peoples of
Yugoslavia" Instead of the Right to Self-Determination
Ivo Bogdan, Buenos Aires
The Untenable Assumptions
of the Protests by the Yugoslav Communist Government Against the Activities of
Croatian Exiles in West Germany
On
November 29, 1962, "Republic Day" or the national holiday of
communist Yugoslavia, another anniversary of the proclamation of the
restoration of Yugoslavia and the communist government was commemorated. On
that day, in many capitals of the free world, where large groups of exiles from
Yugoslavia lived, there were demonstrations and incidents occurred.[1]
Their
actors were mostly Croatian refugees. In some cases, separate anti-communist
demonstrations were organized by Serbian exiles, supporters of the Yugoslav
monarchy. While their demonstrations were exclusively anti-communist, Croatian
exiles protested not only against the Yugoslav communist regime but also
against Yugoslavia itself, demanding freedom and the right to
self-determination for Croats and other oppressed peoples and minorities within
the multinational state of Yugoslavia.
These
incidents were primarily reported by the press in their respective countries.
However, the demonstrations by Croatian exiles in Bad Godesberg, where most of
the diplomatic missions accredited to Bonn were located, were covered by press
outlets worldwide. A group of about thirty young Croatians demolished the
offices of the former Yugoslav embassy, which, after the rupture
of diplomatic relations between Bonn and Belgrade, served as the headquarters
of the Yugoslav trade delegation. The demonstrators did not flee but proceeded
openly, carrying signs with slogans alluding to Croatia's right to
self-determination.
All
these incidents, which became frequent this year, forced the Yugoslav communist
government to launch a campaign within the country against Croatian émigrés
and, in light of what happened in Bad Godesberg, to accuse the Bonn government
of supporting the exiles' activities directed not only against the regime, but
also "against the integrity of Yugoslavia."
Furthermore,
the Yugoslav communist government, through a series of diplomatic notes and
protests, did not limit itself, as would have been logical, to demanding
compensation for damages and appropriate punishment for the perpetrators, but
also called for a "permanent and radical" ban on the activities of
all Croatian exiles, who number in the thousands, in West Germany. The Yugoslav
communist leaders justified this demand by claiming that the Croatian exiles
were working "against the integrity of Yugoslavia." It is glaringly
absurd that Yugoslav communists are demanding severe sanctions from the
government of Free Germany against Croats who claim the right to
self-determination, given that these same Yugoslav communist leaders, following
Soviet policy, oppose the integrity of Germany and its unification through free
elections, which led to the rupture of diplomatic relations between Bonn and
Belgrade in 1957.
The
current campaign against Croatian exiles is directed precisely against the
German nation's right to self-determination regarding its unification, as this
would amount to the liquidation of the communist government of East Germany,
imposed by force just as in Croatia.
By demanding that a democratic government adopt
anti-democratic measures against all Croatian exiles without distinction, in
order to protect "the integrity of the Yugoslav state," Belgrade
brought to the international stage the question of whether or not the existence
of a multinational, religiously and culturally heterogeneous state like
Yugoslavia is justified.
This state was established in 1918 through the
annexation of territories that had previously been part of Austria-Hungary. It
disintegrated in 1941, only to be re-established in 1945 by the communists. At
no point were the peoples and minorities incorporated into Serbia given the
opportunity to decide their political status in accordance with the right to
self-determination.
It is clear that compelling reasons dictated such
action by the Yugoslav communist leaders regarding the Bad Godesberg incident,
as they know they are contradicting their own claim that they had eliminated
internal and national conflicts by achieving "brotherhood and unity"
among all the peoples of Yugoslavia.
Publicly acknowledging, in official documents
addressed to a foreign government, that internal relations in Yugoslavia are so
tense that the activities of Croatian exiles pose a threat to "the state
integrity of Yugoslavia" implies admitting that the communist regime
failed to resolve the national antagonism between Serbs and Croats. It is well
known that this antagonism caused the disintegration of the Kingdom of
Yugoslavia in 1941 and the subsequent long and bloody war between Serbs and
Croats.
The communists exploited this antagonism during the
war, receiving military aid and later diplomatic recognition from Western
democracies, which they had convinced that they, and not the discredited
Serbian dynasty, were the only ones capable of overcoming national conflicts
within the Yugoslav conglomerate, thus eliminating the dangerous source of
conflict and friction in the turbulent Balkan region. Therefore, while today
they seek support from foreign governments to safeguard "the state
integrity of Yugoslavia," they contradict the fundamental thesis with
which they previously justified not only the existence of their regime but also
of the Yugoslav state itself.
Consequently, the reactions of the Yugoslav communist
leaders—both the internal campaign against Croatian exiles and the polemic
against the Bonn government—deserve special attention from international
circles. These are fundamental political and principled issues. In essence, the
question is whether or not an artificial state conglomerate like Yugoslavia,
created through the violation of the right to self-determination, is justified.
Before and after the Second World War, Yugoslavia was able to maintain itself
against the will of the majority of its population within a system of
dictatorships, first monarchical and then communist. Yugoslavia, an instrument
of Serbian expansion—backed by Russia—curtails the national freedoms of several
peoples and national minorities dominated by Serbia and infringes upon the
rights of neighboring peoples.
This is not merely a matter of internal politics,
free from foreign interference, but rather a series of issues that concern not
only Yugoslavia's relations with other governments in this strategic sector of
Europe but also a fundamental question: the right to self-determination.
According to the Charter of the United Nations, this right is valid for all
peoples without distinction, and therefore also for the peoples of Yugoslavia.
This is of particular interest to "third world" countries where
Yugoslavia is presented as a consistent champion of the right to
self-determination that made the current socio-political process of
decolonization possible.
Therefore, we deem it appropriate to objectively
analyze the frequent protests of anti-communist exiles from Yugoslavia,
especially the incident in Bad Godesberg, and the thesis, or rather the slogan,
of the Yugoslav communists regarding the supposed "brotherhood and
unity" of the peoples of Yugoslavia, with which they justify so many
violations of the political, individual, and national rights and freedoms of
the oppressed peoples, infringements of the rights of neighboring peoples, and
the failure to comply with the universally recognized principle of
self-determination.
The Yugoslav communist government's primary
document concerning the events in Bad Godesberg consists of a lengthy protest
note, delivered to the Bonn government on December 10, 1962, through the
embassy of the Kingdom of Sweden, which represents the interests of Yugoslavia
in the Federal Republic of Germany.[2]
[2] The note repeatedly asserts that Croatian
exiles, in collusion with German authorities, are carrying out
"anti-Yugoslav activities in the Federal Republic of Germany" and
working against "the integrity of the Federal People's Republic of
Yugoslavia." It not only demands the punishment of those who attacked the
Yugoslav trade delegation and security measures, but also that the activities
of Croatian exiles be "radically and permanently prevented." The note
lists Croatian associations, institutions, and newspapers of a
political-patriotic, charitable, and religious nature, obviously based on
information provided by the Yugoslav intelligence service.[3]
The totalitarian and freedom-crushing communists of
Belgrade, who banned all political parties, patriotic, religious, and
charitable associations and institutions, along with their respective
newspapers, within their jurisdiction, now want to impose their own criteria on
the government of a free country like West Germany.
The demand for a "permanent and radical"
ban on all activities by Croatian emigrants in Germany, under the pretext of
threatening "the state integrity of Yugoslavia," has been repeated in
articles in the controlled press, in speeches by Yugoslav leaders, and in the
numerous protests that Belgrade has directed to the Bonn government.[4]
It is not surprising that this time, too, the
stereotypical accusations of communist governments against political exiles
were repeated, labeling them war criminals who escaped deserved punishment
because of the free countries that refused their extradition and granted them
asylum. According to official Belgrade figures, the number of political exiles
from Yugoslavia exceeds 200,000, the majority of whom are Croatian.[5] It
should be noted that in the Yugoslav statement, this argument is presented
cautiously and indirectly. Belgrade understands that over time it was
established that during the last war those who committed the most crimes in
Yugoslavia were precisely its current rulers who, after the war ended, violated
the international conventions of The Hague and Geneva so many times and in the
most flagrant way[6].
In part, during the final phase of the war, these
Germans sought refuge in Austria and Germany. Most were massacred or perished
in terrible conditions in concentration camps. These Germans had lived for
generations in Vojvodina as very prosperous farmers. Thanks to their diligent
and rational work, Yugoslavia was able to export agricultural surpluses before
the war, whereas now it must import them. The lands of the expelled or
exterminated German settlers were given to the mountain people of the Yugoslav
interior. From the cited documentation, it can be inferred that the Croatian
population, unlike the Serbian population, displayed friendly behavior toward
the German minority.
These horrendous crimes went unpunished.[7]
Furthermore, the authors of the note had to consider that both the attackers in
Bad Godesberg and those who demonstrated in other countries were young. It
would therefore be absurd to call those who were children during the last world
conflagration "war criminals."[8] Therefore, the Belgrade government
merely asserted that the attack was inspired by the exiles of 1945, disregarding
the fact that the young Croatian patriots who carried out the attack
unanimously declared that they conceived and organized this act of protest,
that they do not shirk responsibility, and that they want the legal process to
establish that they acted out of patriotic motives and that the free world
should know that Croatia must be free "by reason or by force," as the
motto inscribed on the Chilean coat of arms states.
We are, therefore, facing a new and highly adverse
situation for the Yugoslav communist regime. The reins of action of the
Croatian exiles have passed into the hands of a new generation of young men who
studied in communist Yugoslavia before going into exile. Despite all the risks
and dangers involved in clandestinely crossing the Yugoslav border and the
possibility of repatriation, thousands upon thousands of young people flee
Yugoslavia every year, a number surpassed only by East Germany in terms of
anti-communist refugees exiled from Yugoslavia.[9] In 1957 alone, more than
20,000 people fled Croatia.
Not only will Yugoslav communist propaganda no
longer be able to characterize any action of the exiles as the work of
"Nazi-fascist remnants," but the fact that young people, educated in
the schools of communist Yugoslavia, who did not participate in the political
guerrillas of monarchical Yugoslavia (1918-1941) or in the public life of the
Croatian state during the last world war (1941-1945), act against "the
integrity of the Yugoslav state" and even offer resistance in the
subjugated homeland[10], proves conclusively how wrong the Western statesmen
were who, at the end of the last war, believed the propaganda of the Yugoslav
communist guerrillas to the effect that they would solve the national problem
in Yugoslavia.
National conflicts in 1941 caused the unexpected
and swift military and political collapse of Yugoslavia, and during the war
they led to such bloody clashes between Serbs and Croats that some Western
statesmen seriously considered partitioning Yugoslavia. President F. D.
Roosevelt, deliberating with Sir Anthony Eden in Washington in 1943 about the
future arrangement of Europe, "expressed his repeated opinion that the
Croats and Serbs have nothing in common and it is therefore ridiculous to
insist that two such antagonistic peoples should live under one
government" [11].
Monarchical Yugoslavia was so discredited because
of its anti-democratic policies and its inability to solve national problems
that the allied statesmen chose to support the communist guerrillas who
declared themselves opposed to Serbian hegemony and promised to divide
Yugoslavia along national lines into six federal units and ensure equality for
all the constituent peoples. However, this did not happen. Communist Yugoslavia
remains dominated by the Serbian and Montenegrin ethnic elements.[12]
Therefore, Tito has ample reason not to allow the
issue of the young Croatian generation, whose members are organizing protests
abroad against his tyranny and leading the national resistance within the
country, to be introduced into the campaign unleashed in the wake of the events
in Bad Godesberg, in statements to foreign correspondents, and in diplomatic
documents.
It is also significant that the right to
self-determination, demanded by Croatian exiles in all their demonstrations against
communist Yugoslavia, is not even mentioned in the massive campaign that
ensued. This right, consistent with democratic ideals, was recognized for all
peoples in the Charter of the United Nations.[13]
The government of communist Yugoslavia should recognize
it for all the peoples that comprise it, as it is one of the founding countries
of that world organization. It is true that this right was included in the
first Constitution of communist Yugoslavia in 1946. Even the right of secession
was recognized.[14] In practice, this right does not exist, and it is argued
that it was permanently abolished with the proclamation of the restoration of
Yugoslavia, although it is known that this was the work of a minority, ratified
by the constituent assembly, elected from a single list, according to the
communist system, and "unanimously."[15]
Such an "application" of the right to
self-determination in communist Yugoslavia stands in stark contrast to
Yugoslavia's position regarding the right to self-determination of Afro-Asian
peoples, except for those dependent on the Soviet Union. Belgrade defended this
right in every planned case and in such a radical manner that it even justified
the right of dependent peoples to armed uprising.
Thus, in the Algerian case, the Belgrade government
disregarded Serbia's debt of gratitude to France, which had helped it liberate
itself in 1918 and expand through the creation of the Yugoslav state, thereby
satisfying the most unbridled appetites of Serbian chauvinists and expansionists.
Belgrade ignored Paris's arguments that Algeria was part of French national
territory and that the Algerian question should be resolved without foreign
interference.
The Belgrade government not only recognized the
rebel government of Algeria before the Evian agreements, cared for the wounded
Algerians and gave military instruction to the rebels, but also smuggled arms
and ammunition on such a scale that the French fleet repeatedly intercepted and
seized Yugoslav ships.
The Yugoslav government, which behaved this way
toward France—without whose support the Yugoslav state might not have been
formed—observes the principle of non-interference even less in other similar
cases, such as Angola, which has the status of Portuguese national territory,
as did the Portuguese enclaves in India, occupied by force and with the
diplomatic backing of Yugoslavia.
When the crisis erupted in the newly independent
Congo and Patrice Lumumba was violently killed, the Yugoslav communists, in
addition to other unfriendly acts toward Belgium, orchestrated the attack on
the Belgian embassy in Belgrade. This attack was not carried out by Congolese
exiles, but by Yugoslav subjects, incited and organized by official circles.
All of this is done in the name of the right to
self-determination, which they claim for all peoples, except those subjected to
communist tyrannies that established a sui generis form of colonialism,
especially in multinational countries, namely the Soviet Union, Yugoslavia, and
Czechoslovakia.
There are well-founded hopes that the free world
will soon confront the problem of communist colonialism, given the stark
contrast between communist agitation in the former colonies of Western
countries and the harsh reality of the colonial dependence of many peoples in Asia
and Europe on the Soviet Union. This contrast between theory and practice is so
pronounced that even public opinion in the newly formed Afro-Asian countries is
noticing it.
These countries, understandably driven by
passionate reactions toward European colonialism, are still reluctant to
consider the plight of the old civilized nations under the Soviet yoke.
Nevertheless, they do understand that the principles of international
conventions are valid only insofar as they are respected equally by all. Neither
passionate reactions nor reasons of political expediency justify applying
double standards or a double set of values, as these ultimately prove
counterproductive. The same principles should apply to Soviet, Czech, or
Serbian European colonialism.
While there is an increasingly strong tendency to
address Soviet colonialism, it is deplorable that the free world knows little
about the colonialism imposed on the multinational state of Yugoslavia, where
the majority of the population is dominated and exploited by the expansionism
of Serbia, which represents barely a quarter of the total population[16] and
territory and is inferior in cultural and economic development to the other
regions of Yugoslavia.
In this sense, Yugoslavia is a minuscule and
deteriorated version of the Soviet Union. While the imperialism of Russia, heir
to Byzantine civilization and a large and powerful nation, might have its
historical justification, the expansionism of small and backward Balkan Serbia
at the expense of Croatia and Slovenia, which developed within the orbit of
Western culture, lacks any justification whatsoever. On the contrary, it is an
example of the petty imperialism of a country that is not qualified to fulfill
the role assigned to it by its government.[17]
Therefore, the Yugoslav communist leaders who—as we
have seen—approve of expeditious methods in the anti-colonial struggle, have no
grounds to protest if their victims are sometimes forced to resort to identical
methods in their defense. This is all the more true given that the communists,
between the two world wars, emphasized the need to vigorously combat Serbian
"colonialism" within Yugoslavia.[18]
As is well known, the Kremlin only changed its
position on the eve of the Second World War when, with the situation altered,
it concluded that it would be easier to dominate the peoples of Central and
Eastern Europe if it supported the territorial status created by the 1919 peace
treaties, with the sole exception of modifying the borders in favor of the
Soviet Union.
As for the thesis on Croatia's right to secession,
particularly discussed and emphasized at the Fifth Congress of the Communist
International, it was replaced by the thesis on "the brotherhood and unity
of the peoples of Yugoslavia," which should be organized according to the
Soviet Union model under Serbian leadership. Of course, the right to
self-determination, and even the right to secession, was not formally denied.
Just as in the case of the forced incorporation of Ukraine, Georgia, Armenia,
etc., into the Soviet Union, it was argued, and continues to be argued, that
the peoples of Yugoslavia freely chose to live in the common state of
Yugoslavia.
The federalist formula was thus distorted.
Multinational communist states are governed in a centralist manner by the
monolithic communist party, with the ethnic element of the privileged nation
prevailing, as sociologist D. A. Tomasic demonstrated.[19]
Not only did the Croats and other oppressed peoples
and minorities in Yugoslavia never have the opportunity to exercise their right
to self-determination—a right that cannot be perpetually realized according to
ad hoc communist theories—but Western countries never recognized these
communist impositions. It is true that the Allies ceased supporting the
discredited Yugoslav government-in-exile in 1944, forcing King Peter to
recognize the new government under Tito's leadership and Tito as supreme
commander of the Yugoslav army.
However, this did not constitute de jure
recognition of the established communist system, in accordance with the
resolutions of November 29, 1943, which communist Yugoslavia considers the
founding act of the second Yugoslavia in a republican form, commemorating this
event every November 29 as a national holiday. The Allies, including the Soviet
Union, expressly declared at the Crimean Conference held in Yalta from February
4 to 11, 1945, that the decisions of the communist party regarding the
restoration and organization of the second Yugoslavia "must be confirmed
by the Constituent Assembly" [20].
This aligns with the "Declaration on Liberated
Europe" of the same Conference, which emphasized the Atlantic Charter
principle concerning "the right of peoples to choose their
government," and consequently concluded that the provisional governments
of the countries of Central and Eastern Europe under German occupation were
obliged to proceed "to holding free elections for the formation of a
government representative of the will of the people."[21] This also
applied to Tito's government, composed, apart from the communists, of
politicians from the traditional parties of Serbia, Croatia, and Slovenia.
Therefore, this government was recognized by the
Allies on the condition that "a truly democratic and federative
Yugoslavia" would be established.[22] That the communists made promises to
this effect is evidenced by the new official name given to the country:
"Democratic Federal Yugoslavia."
[21] None of these conditions were met, although
the Yugoslav communist leaders claimed otherwise, alleging that the Constituent
Assembly, by accepting the 1946 Constitution, ratified the decisions of
November 29, 1943, dictated by the communist party. Western governments never
recognized the validity of the Constituent Assembly elections, as they were
conducted using a single-list system, without any freedom of process.
II
From the preceding analysis, it follows that
Yugoslavia, which deprives its constituent peoples and minorities of the right
to self-determination, cannot demand that free countries prevent Croatian exiles,
victims of communist tyranny and Serbian expansionism, from invoking the right
of Croatia and other Yugoslav peoples to freedom and national
self-determination.
Regarding Belgrade's unrestrained campaign aimed at
extorting the Bonn government into taking drastic measures against Croatian
refugees—who, by invoking Croatia's right to self-determination, would be
acting against "the integrity of the Yugoslav state"—it is worth
noting the weakness of the Yugoslav position, given the relations between communist
Yugoslavia and the Federal Republic of Germany.
Belgrade does not address the crucial point of its
relations with Bonn, nor does it address the issue of Croatia's right to
self-determination. In its official note of December 10, Belgrade expressed
itself ambiguously, implying that responsibility for the break in diplomatic
relations lay with the Bonn government.
At the same time, Belgrade sought to convince
foreign correspondents that Germany's circumspect and proper treatment of
Croatian exiles was hindering the improvement of relations between the two
countries and that more severe measures could lead to the re-establishment of
diplomatic relations.[23] Other reasons were also cited, including "the
heavy atmosphere," such as "Bonn's obstinate silence regarding the
repeated demands for reparations from Yugoslavs, victims of Nazi concentration
camps."[24]
The break in diplomatic relations between Bonn and
Belgrade in 1957 was not due to the activities of Croatian refugees, but rather
to the shift in Yugoslavia's attitude toward Germany after Stalin's death.
Until then, Belgrade had occasionally criticized the Soviet position against
German reunification. However, as Belgrade and Moscow gradually reconciled,
Yugoslavia identified with Soviet policy regarding Berlin and German
unification, to such an extent that in 1957 Belgrade recognized the communist
government of Pankow, knowing that this implied, according to the
"Hallstein Doctrine," a break with Bonn.
The Croatian refugees could have had no connection
to this break, and even had to endure unpleasant consequences of Belgrade's
influence in Bonn. Perhaps under the impact of the systematic communist
campaign against the supposed resurgence of revanchism and militarism in
Germany, Bonn deemed it opportune to yield to the insistent demands of a
totalitarian government that was trying by all means to paralyze the activities
of the Croatian exiles.[25]
If Bonn, having severed relations with Belgrade,
lifted the forced restrictions previously imposed on Croatian émigrés while
they asserted their homeland's right to self-determination, it did not thereby
violate "international obligations," as stated in the aforementioned
Yugoslav note, obviously alluding to the convention on refugees and their
political activities. Rather, it recognized the rights guaranteed by the
Universal Declaration of Human Rights and the Charter of the United Nations,
which communist Yugoslavia, as a UN member, should also respect.
Among other rights is the right to
self-determination for all peoples without distinction. This right cannot be
nullified by Belgrade's argument that the Croatian exiles, in demanding that
this right to self-determination be applied to Croatia, are threatening the
"state integrity of Yugoslavia." All the less so, since, as we have
seen, the 1946 Yugoslav Constitution recognizes Yugoslavia as a multinational
state and admits, at least in theory, the right to self-determination,
including the "right to secession," for the peoples that comprise it.
Therefore, if the Bonn government, before the
rupture of diplomatic relations with Belgrade, heeded the Yugoslav government's
requests detrimental to Croatian refugees, it did so not out of supposed
"international obligations," but rather for reasons of political
opportunism, which we refrain from considering here, although it is evident
that this constituted a violation of the law and principles in whose name the
German people demand their unification, resisted by the communist bloc.
The inconsistency of the Yugoslav position in
demanding that Bonn, in violation of universally recognized rights and freedoms
and in the interest of "the integrity of the Yugoslav state," prevent
the activities of Croatian refugees, is clearly illustrated by the fact that
the very demand made by the Yugoslav communists was what provoked tension
between Bonn and Belgrade when Yugoslavia opposed the integration of Germany
based on the principle of national self-determination through free elections.
What applies to Yugoslavia does not apply to
Germany, the communist leaders in Belgrade argue. "The integrity of the
Yugoslav state" must be maintained even if the fundamental rights of the
majority of its subjects are violated. In contrast, Germany must not be
unified, even though this is consistent with the right to self-determination.
It is evident that Belgrade's identification with
Moscow and Pankow in matters of German unification, Berlin, and its "wall
of shame" is not mere solidarity between communist regimes, but reveals a
deeper affinity between Russia and Yugoslavia. Both Yugoslavia and the Soviet
Union are countries that deprive the majority of their populations of the right
to self-determination.
The consistent application of this principle would
inevitably lead to the disintegration of both the great Russian imperialism and
the dwarfed Serbian imperialism. The degree to which communist Yugoslavia
aligns itself with the Kremlin in its anti-German policy is demonstrated by a
series of documents and pronouncements. Here, by way of clarification, we will
quote part of the speech that the Yugoslav communist dictator delivered in
Skopje on November 13, 1961.
Responding to criticism of his favorable stance
towards recognizing East Germany during the Conference of Non-Committed
Countries in Belgrade, Tito declared: "I repeat once again that it is fortunate
that East Germany exists, that it is fortunate that there is not only one
Germany like the West... We fear such a Germany and do not hesitate to fight
it... That is why I say that it is fortunate that there exists at least a part,
unfortunately small, based on democratic foundations and without revanchist
tendencies... For this reason, we continue to think that our attitude towards
Germany can be no other than the attitude of the Soviet Union"[26].
III
The Yugoslav communists vehemently refuted the theories
of the unity of the people of three names—that is, the unitary people of Serbs,
Croats, and Slovenes—which the Serbian dynasty's dictatorship used to persecute
the Croatian opposition. We have seen that for these reasons, the communists
managed to obtain Western aid in the last war against the exiled government of
King Peter Karageorgević, dominated by the Serbian hegemons who opposed
the right to self-determination of the peoples who had comprised Yugoslavia
since 1918.
The communists recognize the multinational
character of Yugoslavia, made up of five peoples: Serbs, Croats, Slovenes,
Macedonians, and Montenegrins, as well as large national minorities,
particularly Hungarians and Albanians. In accordance with the national
principle and the right to self-determination, the communist leaders should not
oppose the separation of peoples, recognized even in the 1946 Constitution.
However, in practice they apply severe reprisals to
any Croatian demonstration in this regard and, moreover, as we know, they
demand that foreign governments suppress the activities of Croatian exiles who
claim the right to self-determination for their homeland. In this regard, it is
worth noting on what principle the communists request sanctions from free
governments against Croatian exiles, while the latter attempt to uphold the
principles enshrined in important documents such as the Atlantic Charter, the
Charter of the United Nations, the Universal Declaration of Human Rights, and
even the 1946 Constitution of Yugoslavia, a faithful copy of the 1936 Soviet
Constitution.
The principle that the communist leaders place
above the right to self-determination of all peoples without distinction—that
is, above the national principle and the democratic conceptions that generate
that right—is summarized in the slogan "the fraternity and unity of the
peoples of Yugoslavia," which must be preserved even at the cost of
flagrant violations of principles that even the communist governments do not
dare to publicly refute, surreptitiously affirming them in their solemn
pronouncements and constitutional texts.
Therefore, in order to appreciate the true extent
of the repressive measures of the communist government against the Croatian
opposition to the forced unity of Yugoslavia, as well as its insistence to
foreign governments that they prohibit the efforts of Croatian exiles to
realize the right to self-determination for all the peoples that make up
Yugoslavia, it is necessary to analyze the reasons for this opposition of the
Croatians to the forced Yugoslav unity.
First, it must be noted that the millennia-long
historical process of Serbia and Croatia followed different courses and,
crucially, unfolded within the context of two antagonistic cultural and
political traditions: the Croats developed within the Western tradition, while
the Serbs developed within the Eastern, Byzantine-Russian tradition.
For four centuries, until 1918, Croatia was part of
the Danubian Monarchy, fighting for its political rights, especially during the
era of national movements. This struggle, however, was waged within the
traditions of a state governed by the rule of law, generally based on the
assertion of Croatia's historical state rights. The Croatian party that, during
the period of consolidation of national thought, was the voice of Croatian
demands was called the Croatian Party of Law.
Endless discussions and debates between Zagreb,
Budapest, and Vienna regarding historical and state rights so defined the style
of Croatian national struggle that some foreign authors, and even certain young
Croatian intellectuals susceptible to the anti-Austrian propaganda being
disseminated, were inclined to ridicule this style, labeling it anachronistic
in the era of revolutionary national principles, while Croatia's eastern
neighbors were resorting to more direct methods of struggle, not only against
the decadent Ottoman Empire but also against the Danubian Monarchy.
The Serbs, in particular, who managed to establish
themselves as a nation-state under favorable international circumstances,
failed to grasp this approach to Croatian political struggle. For centuries
they had lived under Turkish rule as a rayah, stripped of all rights, and had
emancipated themselves through uprisings and subversive actions. Croatia, on
the other hand, was part of Austria-Hungary as an associated kingdom with
attributes of sovereignty. It had the advantage of optimal administration, and
it offered the possibility of common defense and economic development within a
community with balanced production.
All Croatian provinces were incorporated into this
large community, thus ruling out subversive actions as unnecessary. The Croats
sought to unite around the government of the ban (viceroy) and the Parliament
in Zagreb and to achieve greater autonomy within the restructured Danubian
community, based on modern concepts of democracy and nationality.
Consequently, the Croats' attitude toward the South
Slavic question in Austria-Hungary differed entirely from the Serbian position.
While the Croats demanded respect for the founding pact of the Danubian
Monarchy, the Serbs could not invoke such rights, and in the name of national
principles, they justified their revolutionary and terrorist actions against
the multinational Danubian Monarchy.
The Serbs, as well as the other adversaries of this
community, did not correctly understand the Croats' strictly legal methods of
struggle. The extreme was reached of questioning the capacity of a combative
people to shed blood for their national freedom. The fact that the Croats had
offered armed resistance to Ottoman aggression for 400 years was disregarded,
while the Serbs, who so extolled their struggle for freedom, had been
submissive and docile subjects of their Turkish masters.
The Croats' willingness to engage in political
compromise with the Danubian peoples in defense of Western cultural values had
been caricatured as a lack of national consciousness, and it was believed that,
after the collapse of Austria-Hungary, Croatia could be kept in permanent
subjugation by annexing it to the Kingdom of Serbia, despite the right to
self-determination affirmed by President Wilson.
In 1918, the Kingdom of Serbs, Croats, and Slovenes
was created, which was declared Yugoslavia in 1929 by decree of the dictatorial
king Alexander I Karageorgević. Against Serbian domination, the Croats, in
accordance with their traditions, fought for their national rights using legal,
even pacifist, methods of non-resistance, under the leadership of Stefan
Radić, an admirer of Mahatma Gandhi.
The Serbs saw such opposition as signs of decline
and believed it was not worth paying attention to the Croatian protests, but
rather to continue with the Balkanization of Croatia in the name of the ad hoc
theory of a unitary and indivisible Yugoslavia. Croatian resistance was nothing
more than a regional problem, they argued, an inevitable remnant of the
centuries-old Habsburg kingdom and the influence of papal Rome, considered the
"hereditary enemy of the Slavic peoples."
Indeed, the Croats were unprepared to confront the
harsh reality of a Balkan state with the only methods the Serbs appreciated and
understood. If there were any political attacks in Croatia before 1918, they
were the exclusive work of Serbian conspirators and their sympathizers.
These acts of Serbian conspiracy and political
terror culminated in the assassination of the Crown Prince of Austria in
Sarajevo in 1914. Since this crime was the prelude to the First World War, the
complicity of official circles in Belgrade was initially denied, but, at the
end of the war, the cult of the Sarajevo assassins was fostered in the new
state of Yugoslavia. The communists continue this same cult, emphasizing that
the perpetrators were socialist revolutionaries, precursors of modern
communism.
The pacifist nature of the Croatian struggle
against Serbian centralism and hegemony led to the liquidation of the Yugoslav
pseudo-democracy. Stefan Radić, the self-proclaimed uncrowned king of
Croatia and a proponent of a neutral Croatian republic, was gunned down in the
Belgrade parliament on June 20, 1928, along with several fellow deputies,
victims of an organized attack. Instead of addressing the ensuing state crisis
and reorganizing the state according to the democratic right to
self-determination, King Alexander I reverted to an autocratic system, one that
was in keeping with Serbian traditions but abject and unacceptable to Croatia
and the regions formerly under Austria-Hungary.
The assassination of the Croatian deputies and the
imposition of the king's personal dictatorship drew unanimous condemnation from
public opinion in democratic countries. Regrettably, the governments of the
victorious powers of the First World War did not repudiate this act. In the
peace treaties, they favored Serbia over the right to self-determination,
accepting the theory of the unity of the "Yugoslav people" under
Serbian leadership as South Slavic Piedmont.
Based on these assumptions, the king-dictator
justified the establishment of his tyrannical regime as a necessity to preserve
state and national unity. He not only suppressed political parties and
abolished rights and freedoms, but also decreed that the country would
henceforth be called Yugoslavia, instead of the Kingdom of Serbs, Croats, and Slovenes.
At the same time, he decreed the official doctrine of the Yugoslav people as
ethnically one and indivisible.
The Croatian national name, symbols, political
parties, and cultural associations were banned. Even the youth organizations of
Croatian Catholic Action were dissolved, since Catholicism—they argued—acted as
a divisive agent against national unity between Catholic Croats and Orthodox
Serbs. On the other hand, the Serbian Orthodox Church was favored, although its
identification with Serbian nationalism is well known.
Western governments, primarily France, which
exercised a kind of protectorate over Yugoslavia—that is, an enlarged
Serbia—failed to react against these flagrant violations of the individual,
political, national, and religious freedoms and rights of the peoples of
Yugoslavia, endorsing the decreed political dogma of supposed Yugoslav national
unity. This represented a clear violation of their own principles by democratic
governments and their passivity in the face of the perversion of political
values. They attributed greater importance to the fictitious national unity of
a clearly plurinational state, heterogeneous in its political, cultural, and
religious dimensions, than to fundamental individual and national freedoms.
Already in the founding act of the common state of
Serbs, Croats, and Slovenes (Montenegrins and Macedonians should also be
included), the national principle and the right to self-determination were
violated. By sharing the monarchical dictatorship's justifications for
safeguarding national and state unity, the governments involved became moral
co-authors of one of the most brutal dictatorships of that time, which publicly
denied the political and national rights and freedoms that were among the war
aims of the victorious powers and the architects of the 1919 peace treaties.
This attack on the rights of the majority of
citizens of the newly created Yugoslav state—Servia constituting barely a
quarter of its population and territory—implied, in effect, the moral condemnation
of the fledgling state and the recognition that it could only be maintained
through oppression and the deprivation of the fundamental rights of the peoples
that comprised it.
All of this emboldened the proponents of Serbian
hegemony to such an extent that they believed, in the name of national and
state unity, they were permitted to completely eliminate not only the Croatian
opposition, but Croatian nationality itself.
It is no wonder, then, that the new generations of
Croatians, educated in Yugoslav schools with Serbian textbooks, in mandatory
official organizations, and in the ranks of the army where Serbian officers
revered the haiku (Balkan bandits who sometimes fought against the Turks) and
terrorists, concluded that against official terror, they had to resort to
Balkan methods.
The dictatorial king, considered primarily
responsible for so many crimes against the freedom of the peoples of
Yugoslavia, fell in Marseille in 1934, a victim of the combined action of
Croatian and Macedonian revolutionaries. International public opinion correctly
interpreted the attack against a king of the Karageorgevic dynasty, who seized
the Serbian throne after assassinating the last king, Obrenovic, and his wife,
who occupied the throne of Yugoslavia after assassinating the Crown Prince of
Austria, and who decreed the unification of Yugoslavia after attempting to
assassinate the Croatian democratic leader, Esteban Radic.
The deplorable circumstance that the French Foreign
Minister, Barthou, also died in the Marseille attack gave rise to a veritable
black legend about Croatian political terrorism, even though it was, in effect,
an attempt to attribute to them methods imported from Serbia. From then on,
those who previously dismissed Croats as harmless singers, musicians, and
artists would maintain that Croats were dangerous international terrorists
working against the unity of Yugoslavia on behalf of the former invaders.
To this day, the criticism leveled at Croatian
politics by traditional, pseudo-democratic Serbian parties continues along
these lines. These parties, by adopting the principle that maintaining state
unity takes precedence over democratic rights, prevented the implementation of
political solutions after the death of the dictatorial king that could have averted
subsequent tragic events.
The majority Croatian party, in view of the
imminence of the global conflagration, was willing, despite the feelings of
broad segments of the Croatian population, to reach a political compromise to
better address the international situation at the time of the signing of the
Molotov-Ribbentrop Pact. Given the attitude of the Serbian parties, a
half-baked solution was reached which, two years later, would provide the
pretext for the coup d'état.
In other words, the Croatian Peasant Party, in the
autumn of 1939, just as World War II was about to break out, agreed to limited
autonomy for Croatia over a small territory, on a provisional basis, based on a
constitution granted by the dictatorial king and subject to final approval by
the Yugoslav assembly. Considering even this partial solution dangerous for
"national and state unity," Serbian officials and politicians, taking
advantage of the discontent caused by the Yugoslav government's adherence to
the Tripartite Pact, staged a coup d'état on March 27, 1941, primarily aimed at
abolishing Croatia's autonomy. However, the perpetrators of the coup were
unable to convince Hitler, who was preparing to invade Russia and wanted to
secure his right flank, so he ordered a Blitzkrieg (lightning war) in the
Balkans.
On the eve of the Second World War, the weakness of
Yugoslavia's state formation became evident. Western governments had created
and supported this state, trusting that an expanded Serbia would be effective
in the event of war, following the traditions of the Serbian nation-state in
the First World War. It was assumed that the new generations of Croatians, not
"infected by the Austrian and papal spirit"—as Belgrade
maintained—would forget all internal conflicts.
However, it turned out that oppressed peoples cannot
be expected to defend a state they consider their national prison. Moreover,
the Serbs themselves were so demoralized that they offered no resistance
whatsoever. Yugoslavia collapsed swiftly and was divided, broadly speaking,
along national lines just ten days after the start of hostilities.
It was precisely the younger generation of Croats,
educated in Yugoslav schools and trained by Serbian officers, who spearheaded
the national uprising that led to the creation of the Independent State of
Croatia (1941-1945).
While the military collapse and disintegration of
Yugoslavia are linked to the Third ERIC's military operation in southeastern
Europe—that is, at a time when Western democracies could hardly accept the fait
accompli of the disintegration of a multinational state, incapable of a normal
existence—democratic principles, including the principle of self-determination,
might have prevailed over the supposed need to maintain the unity of Yugoslavia
had the communists, i.e., the Soviet Union, not intervened there during the
war. Even the Serbian-Croatian War, with all its tragic aspects, could serve as
further evidence that there was no point in "forcing two such antagonistic
peoples into a common life" (F. D. Roosevelt).}
In the new situation, it was not in the Soviet
Union's interest to make Croatia and Slovenia independent states. Although
before the war the Kremlin sometimes criticized Serbian expansionism,
attempting to exploit the discontent of the oppressed peoples of Yugoslavia, it
eventually shared the Serbian communists' view on the need to restore
Yugoslavia. Moscow understood that the existence of an independent Croatia and
the establishment of an independent Slovenia would hinder Russian penetration
toward the Adriatic coast.
The Western Allies would never allow a Soviet
occupation of Croatia and Slovenia, countries in the Adriatic, Danubian, and
Central European regions. Nor was there any possibility of the communists
seizing power without foreign armed intervention. Given this state of affairs, only
Serbia, in its traditional role as the exponent of Russian imperialism in
southeastern Europe, could provide the armed force that would impose communist
authority on Croatia and Slovenia, and also on Albania, expanding the new
Russian imperialism of communist satellites in the West.
The communists, following their well-known tactic
of exploiting national antagonisms, were able to take advantage of the
heightened national sentiments of the Serbs, exacerbated by the disintegration
of Yugoslavia, which Serbia perceived as an aggrandized entity. To appease the
Serbs, they declared themselves the most ardent fighters for the restoration of
Yugoslavia. They attempted to lead the Serbian resistance, capitalizing on the
mistakes of the Yugoslav government-in-exile and its representative within the
country, General Draža Mihailović.
Since they couldn't adopt the theories of the
discredited monarchical Yugoslavia regarding national unity, they invented a
substitute and proclaimed the new political dogma of "brotherhood and
unity of the peoples of Yugoslavia." Ethnic unity wasn't emphasized as
much as state unity, which would guarantee all peoples and minorities full
national rights through the federal structure of the future state. Of course,
these were merely formal concessions for propaganda purposes, since it's well
known that federalism is a dead letter in communist regimes.
However, this promised feudalism and the
concealment of the fact that Tito's guerrillas were communists suited Western
governments more for appeasing public opinion than for their own conscience.
They claimed that the new Yugoslavia, unlike the old one, would be democratic
with a federal system based on national principles.
Regarding national rights, there was no radical
change in Yugoslavia, except for the abandonment of the monarchical
dictatorship's dogma of the ethnic unity of the Yugoslav people and,
consequently, the inherent right to defend the supposed Yugoslav nation-state.
Behind the façade of false federalism lies the implacable reality of communist
centralism favoring Serbia. The supreme principles of "brotherhood and
unity," the very foundation of the Yugoslav multinational state's
existence, were copied from the Soviet Union, which uses the same slogan to
justify the colonial dependency status of so many of its constituent peoples.
In this way, the new political dogma of "the
brotherhood and unity of the Yugoslav peoples" serves as justification for
foreign domination and economic exploitation at the expense of the majority of
the population. It is significant in the Yugoslav case that "brotherhood
and unity" as the supreme law takes precedence even over the defense of
"the social structure," which in any communist country should be
paramount.
The defense of "socialism" might justify,
at least to foreign communists and fellow travelers, certain measures of the
regime, while the defense of "the brotherhood and unity" of the
peoples in a multinational and culturally heterogeneous state, against the will
and traditions of the vast majority, lacks any political or moral
justification, as it merely serves to promote the chauvinism of the dominant
group. No political or moral reasons are given to justify the need for
fraternity and unity between Serbs and Croats, unless one takes seriously the
Pan-Slavic illusions of the era of European Romanticism, already considered at
that time to be the vanguard of Russian imperialism.
Croats and Slovenes, by virtue of their cultural
and political traditions, are far more akin to any of the peoples of Central
Europe than to the Serbs of Serbia. They cannot even establish good neighborly
relations with Serbia as long as it remains an instrument of national
oppression. In contrast, Croats feel a deep solidarity with the other
subjugated peoples of Yugoslavia, beyond the linguistic similarity and the
common origin of the Slavic peoples. In addition to Slovenes, Macedonians, and
Montenegrins, one should also include the numerous Albanian and Hungarian
minorities, as well as the remnants of half a million Germans from Vojvodina,
exterminated or expelled at the end of the Second World War.
The feelings of solidarity among Croatians toward
the European peoples of Western culture are deeply rooted and pronounced, as is
often the case among peoples bordering a civilization, as in the case of
Croatia.
It has been argued that nations are not only an
affective community but that their interests must coincide. It remains for us,
therefore, to examine whether the forced Yugoslav unity responds to the reasons
of the supreme, supranational good of the peoples of Yugoslavia, who would have
opposed the creation of the independent states of Croatia and Serbia.
It is worth emphasizing that Yugoslavia could only
be constituted from the remnants of Austria-Hungary. The Serbs played a
significant role in this. They demanded the disintegration of the Habsburg
monarchy, invoking the national principle, even though the Danubian community
was a solid economic and defensive unit.
By what right do Serbs now demand that Croats
resign themselves to living in a Balkan state, deprived of national rights,
forced to accept different cultural criteria, subject to a bad and corrupt
administration, economically exploited, and without any prospect of having a
democratic regime unless they free themselves from the shackles of a state in
which "brotherhood and unity" are the guiding principle, achievable
only within a dictatorial system, whether monarchical before or communist
after?
The monarchical dictatorship's argument that
Yugoslavia was a necessity for both Serbs and Croats in their defense against
external enemies was completely invalidated in 1941 when it failed to resist
either Nazi or Soviet penetration.
Moreover, as we have demonstrated, Croatia and
Slovenia fell under the communist yoke simply because they had been part of the
Yugoslav state—in effect, an expanded Serbia—and the Soviets managed to impose
their regime in occupied Croatia and Slovenia in 1945 with Serbian assistance,
where they had established a communist government by the end of 1944.
Similarly, the communist leaders of the second Yugoslavia tried to convince
Croats and Slovenes that they fought to protect their national interests
against the Third Reich and Fascist Italy.
Today, everyone knows that the communists,
following Leninist doctrine, attempted to transform the international war into
a civil war in order to seize power. Today, the peoples of Yugoslavia should
not fear democratic Germany and Italy, particularly after the brilliant
successes of the European solidarity and integration movement. The communists
cannot be the guardians of the freedom of Croatia and Slovenia. They want to
incorporate them into the Russian-Soviet empire as the vanguard of its
penetration into the West, contrary to the traditions, aspirations, and
interests of the Croats and Slovenes.
Furthermore, Serbian-Croatian fraternity and unity
for defensive purposes should serve as an instrument for Serbia's domination
over Macedonia, Kosmet (where almost half of the Albanian population lives),
and the Hungarians of Vojvodina, as well as to sanction the extermination and
expulsion of 500,000 Danubian Germans.
While we witness the diminishing of national
antagonisms among European peoples and the growth of their shared interests,
states of importance like Yugoslavia offer no solution regarding their economic
and defensive potential in the face of the concentration of economic and military
power in the contemporary world. Yugoslavia, once considered a medium-sized
country, is now a small one, despite the boasts of its communist rulers.
Countries the size and power of Yugoslavia can no longer play an independent
role in the economic and defensive spheres.
Therefore, there is no need to prevent Croatia and
Slovenia, in the name of the illusory fraternity of the Yugoslav peoples, from
exercising their right to self-determination and, should they so wish, from
choosing their place within the community of European peoples. Nor can the
Macedonians, the Albanians of Kosmet, and the Hungarians of Vojvodina be
forcibly prevented from separating from Yugoslavia, unless fundamental
principles of international morality are violated, without a single justification
of the greater international good.
Only with the grave European crisis, culminating in
the two world wars, were situations created that Serbian and Russian
expansionism exploited within the sphere of Western culture, with the support
of certain Western democratic governments. The Croatian people suffered the
unfortunate fate of having to fight simultaneously against foreign domination
and the incomprehension of certain governments from whom they could rightfully
expect support by invoking Western and European solidarity.
This is all the more true given that they are a
people who suffered enormous losses for centuries on the eastern frontier of
our Western culture. The Croatian people do not demand reward for the
sacrifices made in defense of their own spiritual identity, but they have the
right to protest against the absurd phenomenon of Western governments, by
favoring real or potential exponents of Russian expansionism, acting against
their own interests.
One of these painful phenomena was giving credence
to Yugoslav and Soviet communist propaganda, which claims that the Croats are
quislings for fighting against the integrity of Yugoslavia on behalf of others,
when in reality they are fighting for their national and political freedom and
deserve, at the very least, moral support from the free world. The Serbs and
the communists skillfully exploited the conflicts between Western countries in
both world wars.
The Croats were labeled adversaries of Western
democracies, and Serbia, where there has never been a democratic government,
was considered their ally. In fact, in both world wars, the Croats fought
alongside the Western countries because they were within range of Russian
expansionism, while Serbia acted as an exponent and ally of Russia, first
Tsarist, then communist.
Yet today, after so much time and following the
reconciliation of the peoples of Western Europe, the Yugoslav communist leaders
dare to portray the Croats as adversaries of the Western world and demand that
the Bonn government persecute young Croats, children during the last war, as
war criminals and fascist remnants. That is to say, they wield the same
arguments that Belgrade uses against the unification of Germany, unleashing a
campaign of denigration and slander against the Federal Republic of Germany.
They attempt to
explain the right of asylum granted to Croatian refugees, victims of communist
tyranny and fighters against Soviet expansionism, as further proof for the
aforementioned campaign against a free Germany, which Tito, in unison with
Khrushchev and Ulbricht, presents as a threat to world peace, while in their
view, East Germany, under the communist yoke, is a free and democratic country
that should extend its jurisdiction and power over all of Germany.
Even objective
communists cannot justify Belgrade's claims to persecute Croatian refugees as
opponents of Yugoslavia's statehood. If, at least in theory, the right to a
nation-state is recognized for peoples within the Soviet bloc, such as Hungary,
Poland, Bulgaria, Albania, etc., why not grant the same right to Croatia?
Even the
communist leaders of Yugoslavia acknowledge in their public statements that
vigorous opposition to centralism and exploitation in favor of Serbia persists.
Therefore, it is not surprising that Croatian exiles, who until recently lived
in Yugoslavia and were raised and educated there, upon learning of the lies and
amorality of "brotherhood and unity" in Yugoslavia, express their
discontent by interpreting the feelings and thoughts of the new generations of
Croatians, prevented from expressing their will in their captive homeland.
The communist
leaders in Belgrade not only persecute the slightest manifestation in favor of
Croatian national freedom within Yugoslavia, but also demand that the governments
of the free world act in the same way. The response that these demands of the
communist oppressors deserve is summarized in the declaration of Erich
Ollenhauer, leader of the German Social Democratic Party, when he stated that
the Yugoslav communists have no right whatsoever to lecture free peoples on
freedom and democracy.
Socialism and Unemployment in Yugoslavia
Tihomil Radja, Fribourg, Switzerland
"The right to work and freedom of labor are
guaranteed. The social community creates the conditions for the realization of
everyone's right to work." (Draft of the new Yugoslav Constitution, Art.
38).
According
to Marx and other Marxist economists, the capitalist economy cannot function
without the "reserve army of labor," that is, without a considerable
mass of unemployed workers, which reaches its peak during periods of economic
crisis. In contrast, according to Marx and his followers, the planned economy
of socialism guarantees full employment simply by following a directed,
rational course and not obeying the laws of the blind guide that is profit.
The
Yugoslav communists loudly proclaim and uphold this position, striving to give
it real substance and even guaranteeing full employment in the Constitution.
The Constitutional Law of 1953 already provides for and guarantees the right to
work. Commenting on the first Constitution of 1946 (a faithful copy of Stalin's
Soviet Constitution), the political-legal theorist and apologist for the
Yugoslav communist regime, Professor J. Djordjevic, writes: "The 1946
Constitution is remarkable for its realism... It limits itself to retaining the
rights that, under the given conditions, could actually be guaranteed.
Thus,
it avoids proclaiming the right to work, which could not be guaranteed at a
time when socialist society was in its embryonic stage... It is a commonplace
to assert today that the proclamation of rights has no meaning unless it is
accompanied by the realization of the economic and political conditions for
their exercise" [27]. Referring then to the Constitutional Law of 1953,
Djordjevic states: "Unlike the 1946 Constitution, the Constitutional Law
of 1953 proclaims the right to work[28]. The above refers to theory and
principles. However, the actual situation took a different course, as can be
clearly deduced from the following table:
Unemployment
fluctuations in communist Yugoslavia[29] (1953-1962)
|
Ańo a) |
Desocupados |
Total de
ocupados |
Porcentaje |
|
1953 |
81.610 |
1.497.000 |
5,5 |
|
1954 |
72.215 |
1.651.000 |
4,4 |
|
1955 |
61.223 |
1.850.000 |
3,6 |
|
1956 |
99.338 |
1.812.000 |
5,5 |
|
1957 |
115.904 |
1.959.000 |
5,9 |
|
1958 |
132.004 |
2.111.000 |
6,3 |
|
1959 |
161.633 |
2.261.000 |
7,1 |
|
1960 |
159.230 |
2.464.000 |
6,5 |
|
1961 |
191.283 |
2.658.000 |
7,2 |
|
1962 b) |
240.925 |
2.781.000 |
8,7 |
a) annual average, b) January-August average; data
not final.
In 1962, the following similar percentages were
recorded in some capitalist countries[30]:
Italia 7,9%
Japón 1,0%
Noruega 1,7%
Espańa 4,0%
Suiza 0,3%
Inglaterra 1,7%
EE.UU. 5,6%
It is clear that unemployment rates cannot be
compared without reservation. For example, a comparison between North America
and Yugoslavia is not valid, since in the United States it is exclusively a
matter of cyclical unemployment, while in communist Yugoslavia structural
unemployment predominates—that is, unemployment stemming from an insufficiently
developed economic structure and general economic backwardness.
The comparison with Spain and Italy is closer to
reality, given that these countries suffer from structural unemployment. After
the war, Italy achieved remarkable results in addressing unemployment,
especially considering that the unemployment rate in 1962 refers to the total
labor force, which is not the case for Yugoslavia in the preceding table, as
will be seen later.
It is obvious that the problem of structural
unemployment cannot be solved in a couple of years. From this perspective, the
increase in unemployment in communist Yugoslavia from 1953 to 1962, as shown by
the data presented, is very significant. Of course, the same data tell us that
the rate of increase in employment is slowing, especially in the last two
years, and that unemployment is rising rapidly.
According to the data presented, from 1961 to 1962
(January-August), employment increased by 7.3%, and unemployment in the same
period by 26%. Moreover, the structural unemployment figures do not include
latent unemployment, especially in rural areas. According to some reports[31],
a third of the rural labor force remains untapped. In other words, if this
untapped labor force were to leave the countryside, the volume of rural
production would not decrease. Consequently, total unemployment in the People's
Republic of Yugoslavia in relation to the total labor force would be as
follows: Labor Force and Unemployment[32] (average for 1961)
|
Total de
la población activa |
Desocupados |
Porcentaje |
||||
|
9.044.000 |
1.647.000 |
18,2 |
Despite the increase in industrial jobs, total
unemployment thus comprises almost one-fifth of the active population. If we
add that the natural population growth reaches 120,000 per year[33] and that
the plan for 1963 anticipates an increase in employment of 3.6%[34], it becomes
clear that employment for the new workforce will be scarcely guaranteed. It is
true that registered unemployed receive a certain subsidy, already provided for
in the draft of the new Constitution.
However, this subsidy is very meager. Last year in
the "People's Republic of Croatia," 730 million dinars were paid out
in subsidies to the unemployed[35], whose average number is 60,000. This means
that the monthly subsidy for each unemployed person amounted to 1,000 dinars, or
1.3 dollars according to the official exchange rate.
Therefore, all the facts presented categorically
refute the claims of the new Constitution that we cited in the title of this
paper. The problem of unemployment in general is long-term, complex, and
serious, especially with regard to structural unemployment, and it cannot be
solved through political propaganda and constitutional norms that are a dead
letter.
II
"When we talk about surplus labor, then that
shows what our investment policy was and how much we valued profitable
construction." Tito at the Fourth Plenum of the Central Committee of the
Communist Alliance of Yugoslavia (Vjesnik, July 25, 1962).
The fact that almost one-fifth of the working-age
population cannot find work unequivocally demonstrates that the Yugoslav
communist regime, for 17 years, failed not only to solve but even to alleviate
the serious problem of unemployment. It seems that the fundamental reason for
the failure lies in the economic and political ideology of the communists, who
want at all costs to eliminate the peasantry as an influential economic and,
therefore, political force, and transform them by any means necessary into
industrial proletarians, promoting above all heavy industry without taking into
account the objective possibilities and profitability of such industrial
development. There is no doubt that industrialization is, more or less, the
path to progress for every underdeveloped country that does not abandon
agriculture. Practice in Yugoslavia followed precisely this
course:
Investments in Yugoslav agriculture (annual average
1945-1958, in dinars[36]
Por
ha. de superficie agrícola: 1.912
Por
habitante agrícola: 2.783
Porcentaje
de inversiones totales en agricultura: 9,2
Porcentaje
de inversiones totales en industria: 57,4%
It is understood that such an investment policy led
to a decline in agricultural production, necessitating the importation of
foodstuffs, which aggravated and continues to aggravate Yugoslavia's trade
balance. From 1954 to 1961, food imports accounted for approximately 35% of
total imports.[37] This worsened the balance of payments, the deficit of which
has been paralyzing the economic life of communist Yugoslavia for years.
Interest and annuities on the foreign debt amount to $70 million per year, and
the total foreign debt is estimated at $1 billion, equivalent to 20-25% of
total income.[38] The payment of outstanding obligations and interest does not
allow for the importation of essential raw materials and spare parts for the
industrial sector.
Consequently, in 1961, the entire industrial sector
was operating at only 60% of its production capacity.[39] We have thus arrived
at a frankly absurd situation: in a capital-poor country, even the scarce
available capital is not being used to a normal degree. This leads to latent
unemployment within the industry itself and in the urban economy. According to
several surveys[40], the amount of surplus labor in the economy is estimated at
8 to 15% of the total number of unemployed, which translates to between 220,000
and 420,000 workers. If this figure is also taken into account in the estimate
of total unemployment, then total unemployment in communist Yugoslavia reaches
22% of the active population.
Such high unemployment is not solely due to the
flawed and "dogmatic" economic development policies in general. Its
causes must also be sought in part in the misguided industrial policy.
"Although investments in heavy industry were the indispensable condition
for the further development of our economy, this does not mean that gross
errors were not made in the use of investment resources.
This is conclusively proven by the fact that more
than 320 billion dinars of postwar investments remained unused, since in many
places the spirit of economy and the purpose of these investments were not
taken into account, and above all, the excessive size of industrial plants was
overlooked. It is also worth noting that production capacities were poorly
utilized, sometimes below 60%"[41]. According to some economic
studies[42], the optimal technical equipment for work in those years amounted
to 900,000 dinars of capital per job. Therefore, through the squandering of 320
billion dinars, the sum that Tito speaks of, around 350,000 jobs have been lost
in the industry.
As for latent unemployment in industry, this is not
only due to cyclical factors and the balance of payments, but largely to poor
investment structuring, the misguided location of factories and their often
megalomaniacal size, with no correlation to the market, the mismatch between
industrial sectors, etc.
To illustrate the unprofitability of certain
companies, mostly large ones, Tito himself provides a stark example: "For
example, in Montenegro, we invested around 40 billion dinars in a steel mill.
Every year, we allocate 3 billion dinars to it as a subsidy. This means that
the steel mill is devouring itself and us" [43]. Moreover, the tendency to
invest in the most modern technology does not allow for the maximum employment
of workers. According to some data[44], an investment of about 2 million dinars
is required for a job in industry, which is 100% more than the optimum
according to the aforementioned study by economist S. Popovic.
Under a more rational investment policy, the number
of new jobs could double. While modern technology is unavoidable in some
sectors, it is not in all. The key to sound economic development policy lies
precisely in knowing how to combine advanced, intermediate, and basic
technologies, according to circumstances and possibilities. However, when there
is a stubborn and dogmatic insistence on heavy industry, it becomes impossible
to implement a rational and successful economic policy. Such a policy
inevitably leads to stagnation and even decline in production, and in the
tertiary sector (services, crafts, etc.), although a job in these sectors costs
250,000 dinars[45]. In Croatia alone, in 1962, due to excessive taxes, 5,000 of
the 27,000 artisan workshops closed, while the number of state-run artisan
workshops amounted to only 2,300 [46].
Here, too, we find the same "dogmatic"
policy as in the countryside; that is, the aim is to suppress at all costs any
economic activity that even slightly escapes state control, regardless of the
resulting decrease in production and increase in unemployment.
III
"The cause of the difficulties should not be
sought in the existing abundance of labor, but in economic methods"
(Ekonomska Politika, 10/XI/1962).
The problem of unemployment in general, and particularly
latent unemployment in industry, is of increasing concern to the authorities
and party leaders. However, when writing or discussing the problems of
unemployment, they always try to conceal the true state of affairs. Thus, for
example, in the conclusions of the Fourth Plenum of the Central Committee of
the Communist Alliance of Yugoslavia, the problem of unemployment is mentioned
in the margin and almost at the end, and its solution is suggested at the level
of communes and enterprises![47]
They try to frame the problem of unemployment as a
regional issue of the most backward areas. In reality, unemployment is a
general phenomenon and a serious problem. Even in the most advanced industrial
center, such as Zagreb, the capital of Croatia, there were 11,308 registered
unemployed at the beginning of November last year.[48] Throughout Croatia, the
most economically developed area within Yugoslavia, unemployment rose by 20.8%
in 1962, with only 5,420 people finding work, despite the Plan's provision of
38,000 new jobs.[49] It is also noteworthy that the Executive Committee of the
Socialist Alliance of the Working People of Yugoslavia, in its resolution on
unemployment,[50] attempted to misrepresent, distort, and downplay the problem.
Regarding the proposed solutions, the resolution
first rejects the idea of surplus labor seeking work abroad (West
Germany, France, etc.), thereby contradicting the constitutional principle of
freedom of labor. It is easy to understand that this stance was motivated by
the political danger the regime would face if it allowed large contingents of
workers to migrate to democratic and progressive Western Europe. Instead, the
resolution discreetly suggests that companies lay off surplus workers and, in
some cases, return them to rural areas.
Thus, from one extreme to the other: until recently
they were trying to remove as many workers as possible from the countryside,
and now they are recommending their return. But returning to the countryside is
not only not a valid solution, it is not viable from an economic,
psychological, or political point of view. The economic reason: for years an
absurd situation has prevailed in the countryside, since with a surplus of
labor, agriculture does not produce enough grain to feed the population. Wheat
imports continue! The psychological reason: the process of abandoning the
countryside is irreversible, given that the urban habits acquired by former
peasants are so strong that their readaptation to the countryside is almost
impossible. The political reason: the influx of the agricultural proletariat
could end in an explosive revolt. Moreover, in some factories, especially in
Croatia, workers are resisting layoffs, even agreeing to lower wages for
everyone.[51] A characteristic case occurred at the Florijan Bobic factory in
Varazdin.[52]
In that factory, the workers opposed the
installation of new and more modern machinery, believing it would lead to
layoffs and unemployment. The contradiction between labor and machinery arises,
as we see, in 20th-century socialism as it did in 19th-century capitalism. But
scientific socialism promised, above all, the overcoming of this absurd
"capitalist" contradiction.
This contradiction, however, like all other
contrasts and difficulties, is inherent in every economic process, whether
under capitalism, socialism, or any other socio-economic system. At their core,
they are the same in Cuba and Yugoslavia, in Italy and Venezuela. They cannot
be resolved with words and political dogmatism, but rather with the methods established
by economic science under the circumstances and conditions of a free political
society, as independent as possible from political and economic monopolies.
In such a society, the ideal of full
employment—work for everyone within a free political society—could be achieved
and the essential need for it met. In Yugoslavia, where the state, that is, the
party, clings to its political and economic monopoly, this ideal cannot be
realized. The fact that one-fifth of the working population cannot find work
after 17 years of practicing "scientific" and totalitarian socialism
is irrefutable proof that this kind of "socialism" is incapable of
solving this fundamental human, social, and economic problem. Methods and paths
to a radical and true solution must be sought in another political and social
system, with more freedom for all, and, as for Yugoslavia, under conditions of
complete national freedom for all the peoples incorporated into that artificial
state, and especially for the Croatian people.
The Personality of Ivan Mestrovic
José León Pagano, Buenos Aires
Nearly
three-quarters of a century ago, a peasant couple crossed the wild Croatian
countryside. They advanced wearily, surrounded by silence. They were heading
for the nearest village. The route was arduous and distressing. At times, they
both faltered, the strong young man and the woman almost fainting, burdened by
the signs of imminent motherhood. And so they arrived at a wretched hut, where
hospitality was impossible. Everything there was small and poor. Poor as
poverty itself. Perhaps a corner remains, but nothing more than a corner in the
stable.
There,
exhausted peasants take refuge; and there in that stable, like the White Doctor
of Sweetness in Bethlehem, and like the Seraphic Saint in Assisi, the Croatian
artist uttered his first cries. Do you remember him? Not long ago, I sought the
attention of those who read me. And then I said: Listen, and you will think you
are hearing a distant legend. Yet nothing in any of it is unreal. Imagine a
shepherd's hut nestled in the mountains. There is a boy in it. He tends the
flock.
He
has a teacher. He is a blind man who sings folk songs, accompanied by the sound
of the single-stringed guzla. He is a South Slavic bard. Can you imagine a
rhapsode whose divine blindness has been transformed into melody? The rhythm of
the wandering blind man evokes the saga of a people halted in their life's
course and subjected to captivity, whose stages are measured in centuries.
The
shepherd boy listens. A mystical silence overwhelms him and fills him with
anguish. The ballad has the lament of the Hellenic myriologist, but its notes
do not groan the anguish of a personal and unique being: they weep for the
expression of a people and the freedom of a race.
The
young shepherd listens, pale, as if all the visions of that otherworld evoked
by the melodious blind man were falling upon his spirit. It was as if the soul
of the ballad were penetrating the young shepherd's soul, its rhythm enveloping
him in an atmosphere of wonder. He is now as if within a circle that will never
leave him as long as he lives. It will go wherever he goes. It will be in
everything he does and thinks. Perhaps it embodies within him the august spirit
of the anonymous epic.
One
day the young shepherd sees his father busy carving rough household utensils,
and he joins in, carving in turn the wood that proves itself malleable.
Something has just been revealed in the wonder of his childhood. Instinct leads
him to discover in clay a material capable of being transmuted into revealing
forms. An inner light guides him.
How
did he come to know his vocation? The episode has the significance of a
discovery. The shepherd boy one day saw a small display of shoes in the village
shop. He had never worn such fine shoes. Gathering his courage, he went into
the shop and proposed a trade. In exchange for a pair of shoes, he offered a
statuette he had carved himself. It would be a virile figure holding shoes like
the ones he longed to own.
When
the trade was made, the modest country merchant displayed the carving, which
had become a means of advertising his business. There, an Austrian army
officer, Major König, a man of keen intellect and sharp foresight, discovered
it. He inquired, sought out the shepherd boy, and took him to the capital.
But
he received an unexpected blow when he put him in contact with the Academy in
the person of a renowned professor. This professor was König's namesake. When
the academic sculptor saw the child, in whose eyes was reflected the turmoil of
his troubled soul, he declared disdainfully: "He doesn't have the eyes of
a sculptor. We won't make an artist out of this puppet." After this, a
pause is necessary.
The moments that followed the condemning prophecy
of the consulted master could only be described by the pain that burst into
tears. The light of those tears shone into the spirit of a woman, the
soothsaying master, and perhaps because she possessed only the wisdom of pious
love, it penetrated to the depths of the trembling boy's soul and saw, in turn,
the sign of unmistakable greatness.
Her mediation was decisive. The persuasive means
could not have been more prudent or more humble: "Subject him to a test.
Appearances can be deceiving. Who knows...?" and the master agreed,
convinced that the result would be negative. König, the sculptor, lived two
hours from the city. They were—Mestrovic once said—the most terribly long hours
of his life. The fate of his vocation was to be decided there. When he arrived
at the professor's side, consecrated by every official title, his heart felt as
if it would leap from his chest. His legs trembled. He tried to speak but only
managed to stammer a few incoherent words. None of this mattered to the
teacher, whose failing we already know. He took him to the workshop, placed him
before a model, and pointed to the clay.
"Now, sculpt. Let's see what you can do."
The shepherd didn't hear the teacher's last words.
He forgot everything, even himself. Instinct—vocation or genius—seemed to seize
him. He went to the clay like someone rushing toward an enemy. He squeezed it,
churning it, tearing it, displacing fragments to later reassemble them, as if
within the formless mass there existed a formal organism struggling to conceal
itself from his ordering will. The small boy, with black hair and deep eyes,
filled the academic sculptor with astonishment.
This didn't conform to his school rules, but it was
the revelation of a talent destined for great things. And upon reconsidering his
decision, he uttered the simple and noble words: "My mistake fills me with
joy."
Ivan
Mestrovic's fate was sealed.
The four hours of walking each day to master the
communicative means of visual art are not the only evidence of his unwavering
vocation. A rather unpleasant memory accompanies it: the return to the city
late at night. The route through uninhabited expanses, in the rain or snow,
filled him with terror.
Mestrovic never forgot the unease of those walks
along paths shrouded in darkness, where he heard only the pulse of the blood
flowing to his brain. Every day he promised himself, "I will stop my work
earlier," and every day the yearning to create was stronger than the sharp
pang of the return journey. His art grew thus, between fever and anguish, that
is, between the joy of producing and the fear of not being able to resume the
task interrupted the day before.
What were the first sculptures of this powerful
master of form, and what were they like? When the Academy held its trial
exhibition, it didn't dare display them. Nor did it deem it appropriate to
exclude them. Admired for their representational power, they shocked with the
starkness of their naturalism. They were placed behind a curtain, like pieces
from a secret museum. There was reason for this. The common man, the untamed
man, all instinct and all naiveté, identified with the roughness of his early
creations.
They possessed the charm of things that don't
offend any sense of refinement because the evoked nudity is imbued with an
intention devoid of malice. Nevertheless, the subjects provoked considerable
reservations. What were these sculptures? How could one suggest it? They were
like the expressions of someone who articulates his thoughts without omitting
direct language, since, by employing it without malice, he believes the use of
overly expressive voices is acceptable.
From this, it can be inferred that in Mestrovic's
early works, only his perceptive sense and his hand, attuned to the perceived
vision, had progressed. His spirit, on the other hand, was slower to advance.
Someone then advised him to send these sculptures to the Secession, an
organization that arose in opposition to the centers of academic establishment.
In the Secession, nothing seemed excessive.
This is clearly evidenced by the Austro-German art
fostered there, where, moreover, the most representative works of contemporary
sculpture and painting were exhibited for many years. When Ivan Mestrovic went
to the innovators, they welcomed him as one of their own. He was then
approaching twenty. Simply showing himself was enough to achieve notoriety. As
Byron could say, "I awoke famous." By transforming his life, he
transformed his art.
We find this transition in a satirical bas-relief:
"The Lustful Old Man." It is a work situated on the boundary between
two spiritual frontiers. I confess it's not to my liking. Sculpture placed at
the service of a dubious narrative is distorted, demeaning itself. Mestrovic
must have understood this, humanizing himself with the magnificent flourish
that elevates him to "The Sacrifice of Innocence," a work of quality,
composed and modeled according to different principles. "The Fountain of
Life," a bas-relief whose symbolism foreshadows a theme he never abandoned
throughout his prolific output, follows a similar pattern. In the circular
block of "The Sacrifice of Innocence" and in the flat symmetry of
"The Fountain of Life," the gaps and negative spaces that disrupt the
unity of the composition still persist, interposing dark zones between one
figure and another—admirable, moreover, when considered as plastic fragments.
And with this, Ivan Mestrovic closes the period of his initial assertion, which
I call "naturalistic."
I believe that the art of this prodigious
megaloplast evolves in conclusive cycles. Upon leaving the naturalistic phase,
Mestrovic closes behind him a world to which he can no longer return, just as
manhood can no longer see in the same way the panoramas contemplated in
childhood. Now what progresses is the spirit. He sees things not foreseen,
hears accents heard yesterday, whose meaning now penetrates. Before, he was
only "a" sculptor born in Croatia; now he is the sculptor in whom the
glorifying aspirations of the South Slavs will be embodied. And in this way, we
arrive at the epic cycle.
The equestrian monument of Kraljevic Marko—a
seminal work—could not be, and is not, the statue of a warrior stripped of the
evocative power his name carries thanks to popular poetry. Nor should his horse
conform to the conventional standards of the species. Like Homer's horses, as
we shall see, it was granted the gift of tears. There, steed and hero attain
the distortions that elevate them to the status of symbols, and they are where
the epic sensibility of a people placed them.
Such is the work of Mestrovic. It is not the work
of a man: it is the work of a religion. It could derive neither from Egyptian
static poses nor from the gentle cadence of Hellenic sculpture. He turned to
Assyrian statuary, drawing inspiration from the archaism of its finest eras.
But nothing more. From all this emerged the most clearly defined mark of his
dominant personality. The equestrian statue of Kraljevic Marko bears witness to
this. Behold it. A knight on his bare horse, the hero appears tensed as if in a
state of untamed rebellion.
His enormous muscles seem ready to spring like
steel springs. One hand clenches on his chest, the other rests its back on the
horse's rump, which advances with a whinny. Kraljevic Marko's features are of
such a nature that they could well inspire a sacred horror. Everything about
his features is formidable: his hair springs from between his eyebrows and
bristles in a stylized form; his nose is small, his eye sockets
disproportionate, his mouth contorts in a grimace, and the whole gives the
impression of being concentrated as if about to erupt suddenly. He seems like a
hurricane force about to burst forth.
I have insisted on commenting on this equestrian
group because we find in it the synthesis of the epic cycle. This cycle
includes the marvelous series of widows, slaves, heroes, caryatids, and
sphinxes. An entire plastic world that would suffice to fill a long and
fruitful life.
They are figures of caryatids, cyclopean sphinxes,
gigantic torsos, formidable heads, some vehement, others delicate, all subject
to a central idea, an organizing principle. Together they constitute the
animated expression of a marble epic. But even within its solemn rhythm,
observe how Ivan Mestrovic modifies and softens the expressive modes as he
moves from one theme to another.
See "The Widow and the Child." To the
impetuous tumult he opposes a modeling made of both gentle cadence and
classical harmony. To what era does the profound depth of this work belong? It
is not possible to confine it in time. When such levels of beauty are reached,
the work is defined by a permanent value. It is of yesterday as it is of today
and as it will be of tomorrow. Behold now "The Artist's Mother,"
universally acclaimed as a pure masterpiece.
The artist stylizes the contingent here—headdress and clothing—but what
is human—features, limbs, the living, the sentient, what is love in the august
reverence of one who penetrates those features—all of this reaches the highest
tenderness with the utmost simplicity. Ivan Mestrovic thus glorifies the
blessed peasant woman who nursed his genius.
In the theme of
motherhood, Mestrovic discovers a source of constant renewal. The theme recurs
throughout the three evolutionary phases of his sculpture. From "The
Annunciation" to "The Pietŕ," and following the delicate and
repeated evocations of the Virgin with the Child Jesus, the artist demonstrates
his inventive faculties, where it seemed impossible to say anything that hadn't
already been expressed through countless versions from diverse schools.
When Mestrovic
begins his mature period, the themes that most attract him are religious in
nature. He derives his carved works and sculptures in marble and bronze from
the Book of Books. He emerges from the epic cycle completely purified. If
before he spoke of matter and then exalted himself in national faith, now he
delves into matter and feeling and sees in both a single truth: that of the
spirit. "All great art is praise," Ruskin said with his eloquent
tongue.
All praise is
religious, I would add, if the heart is pure. Praise and religion. Nothing
defines the current art of Ivan Mestrovic better than these two concepts, in
whose formal structure we find a new style and new norms. I do not believe, as
I have already stated, that either of these is linked to the Gothic tradition.
One could just as easily speak of Romanesque sculpture. Neither, then.
Mestrovic's evolution must be related to personal needs, consistent, in this
respect, with his religious conversion. See "Madonna." The modeling
is summarized in broad lines and simple planes. A convergent rhythm is pursued
there. In the wise precision of these planes, the values that
determine the expression of form are discerned. Hence its almost primitive
grace. But this "Madonna" is still a freestanding statue.
See, on the
other hand, the sculptures of the "Mausoleum" at Cavtat. Mestrovic
did it all: he drew up the architectural plans, sculpted the statues, carved
the gates, even modeled the bell ornamentation, aligning all the parts with the
most rigorous stylistic unity. Observe how sculpture is now conceived as a
decorative element, that is, as a complement to the architecture, the central
theme of the memorial. Form is contained within the expression of the overall
mass.
The bas-reliefs
and statues seem to have emerged from the very same place, alongside the
construction of the Mausoleum. One cannot be conceived without the other, for
they complement each other perfectly.
Such is Ivan
Mestrovic.
MESTROVIC: AN INNOVATOR
Julio
E. Payró, Buenos Aires
It
is not advisable to consider an artist's work solely from the perspective of
its enduring values; it is also necessary, in order to judge it, to consider
its circumstantial values, both when it possesses both and when it is informed
only by the latter. Donatello's stature, for example, is not given to us solely
by the perennial value of his work; his creations acquire a special
significance when compared with those of his immediate predecessors, such as
Nanni di Banco or other representative sculptors of the Trecento. Because,
apart from being a brilliant sculptor, Donatello appears before his
predecessors as an astonishing innovator.
The
towering figure of Ivan Mestrovic has been somewhat obscured in recent times by
the critics' tendency to be dazzled by what is currently fashionable and to
forget what, in the more or less recent past, was precisely what is strikingly
relevant today. A diligent study of art history helps avoid such errors.
Mestrovic,
at the beginning of the 20th century, is a pioneering artist, not, as some
assume, a relic of the past. He stands proudly between Rodin, who represents
the past, and Brancusi, Laurens, Archipenko, and others, who propel us toward
the future of sculpture.
Rodin,
with his prodigious genius, the astonishing multiplicity of his forms, and his
ineffable sensitivity as a modeler, represents the final vital surge of
Renaissance art: in his works, the enchantment of Michelangelo, Bernini, and
Puget is revived, and the grace of Pigalle, the epic vein of Rude, and the
robust plasticity of Constantin Meunier find their echo. With Mestrovic's
birth, precisely in the year Rodin achieved sudden renown by exhibiting a
magnificent collection of his creations in Vienna, we enter the dawn of a new
artistic cycle. During this period, art was destined to increasingly distance
itself from the principles of the Renaissance, seeking a starting point
precisely in everything the Renaissance had scorned: traditions such as
Romanesque, Byzantine, Archaic Greek, Egyptian, and Assyrian. For the Croatian
Mestrovic, some of these traditions were uniquely alive: he had absorbed them
by contemplating the ancient monuments of his homeland. Moreover, his innate
sense of modernity was sharpened by his contact with that great pioneer, Otto
Wagner.
Thus
it was that, after two attempts during his Viennese studies, during which he
absorbed, along with academic instruction, the spirit of Jugendstil, the new
art movement that inspired the men of the Vienna Secession, the young sculptor
astonished the world in 1909 with the sensational group of figures he created
to commemorate the epic struggle in Kosovo.
The
equestrian statue of Marko Kraljevic, the Widows, the Caryatids, and the
Sphinxes destined for the Temple of Kosovo, all designed by the sculptor
himself, surprised everyone with their novelty, with a genuine originality
that, as Gaudí once said, consists of returning to the origin—in this case, to
the origins of statuary—and which at that time had no known precedent, except, of
course, in ancient traditions. In that same year, Antoine Bourdelle created his
Heracles the Archer, which shares a style similar to Mestrovic's, with a
comparable archaic flavor and a similar vigor of execution and expression.
Thus,
Bourdelle, more widely remembered, and Mestrovic, unjustly overlooked by some
recent historians, established themselves at precisely the same time as
innovators of sculpture, as initiators of an independent artistic movement
whose ultimate consequences we witness today. It is worth remembering, then,
that Ivan Mestrovic was, in his time, at the forefront of the most daring
advances of his art and that, therefore, the circumstantial values
of his work deserve to be added, in the final judgment, to its
enduring value.
Ivan Mestrovic
Romualdo Brughetti, Buenos Aires
There is a fleeting time and a time that endures.
Ivan Mestrovic has definitively entered the history of enduring time.
His
work was born from a profound inner need, with authentic roots in his people
and in the great sculptural tradition that continues to live on in memorable
examples. It was not born of mere technical research, arbitrary and ephemeral,
nor to "shock the bourgeoisie." His works are founded on a rigorous
humanization of life and of humankind, without disintegration, in the fullness
of volume shaped by the spirit.
One
thinks of the Renaissance masters because of the rigor of their forms; one
thinks especially of Michelangelo or Rodin, who praised him, but only to him
belongs this way of feeling the plastic organism through volume, powerful,
expressive, and vibrant with matter. His marbles and bronzes exalt woman and
motherhood, man and Christ, and accentuate the dimension of a believing and
hopeful artist. He broke with naturalism in his time.
He
sought synthesis on the two-dimensional plane in his remarkable wooden reliefs.
At the beginning of the 20th century, 20th-century sculpture found in him one
of its innovators; later, it sought other paths, while the Croatian sculptor
remained true to himself, rooted in his firm convictions, not out of pure
aesthetic necessity; in this, the modern critic may find both his strengths and
weaknesses. But Ivan Mestrovic consistently embodies the significant density of
a sculpture of noble craftsmanship and vibrant form, born from the passion of
his hand and the lofty ideal of his humanist message. This is his glory.
CROATIAN RENAISSANCE
LITERATURE
Ante Kadic, Indiana University, Bloomington, USA
The
Croatian Renaissance developed along the eastern shore of the Adriatic, in the
coastal cities of Dalmatia and on the neighboring islands, in the narrow strip
of territory spared from Turkish conquest. The literature of this period is
considered the beginning of creative Croatian letters and the foundation of the
Croatian revival, also known as the Illyrian movement, which occurred three
centuries later. Why did literature develop in this small territory, cut off
from the Hungarian-Croatian kingdom and annexed to the Republic of Venice
(1409-20), and whose high administrative, military, and often ecclesiastical
officials were imported from Venice? A brief overview of what happened on the
Dalmatian coast—rocky and arid, yet surprisingly rich in events of political
and cultural significance—may provide some insight.[53]
When
the Croats arrived on the shores of the Adriatic during the 7th century, they
found old or newly fortified Latin cities. The inhabitants of Salona,
for example, who had destroyed the Avars and Slavs in 614, found
refuge in the magnificent palace of Emperor Diocletian, which would later
become Split; the citizens of the Greek colony of Epidaurus (Cavtat), later
Romanized, soon built a new city called Ragusium, protecting it with high
walls. Within this stronghold lived civilized but fearful Latins, while
outside, in the oak groves (dubrava, hence Dubrovnik), numerous newcomers
camped, combative and eager for a more decent and sheltered existence. It is
obvious that, except for economic and social reasons, these two opposing groups
could not live permanently as enemies.
When
the Croatian people, following the example of their princes, embraced
Christianity, the religious differences were eliminated. Latins and Slavs
believed in the same God of love and brotherhood; they worshipped Him in the
same churches, often built through the combined efforts and funds of both
populations. They recognized the authority of the Pope, who did everything
possible to bring them closer together. However, even in religious matters,
things were not always smooth.
The
Latin colonies continued to use Latin in their liturgy, but the Croatian
clergy, like the disciples of Saints Cyril and Methodius, defended their right
to pray to God in their own language. The Roman Popes reluctantly agreed (1248)
and granted the Croats the privilege of celebrating Mass (of the Roman Rite) in
Church Slavonic, written in Glagolitic script. Slavic liturgy eventually became
the Croats' strongest bulwark against the Latins and the foundation upon which
the development of medieval Croatian literature was built.[54]
The
Croats enjoyed political independence for more than three centuries (9th-11th)
and expanded their national territory to the borders they still claim today.
Then, as a result of a dispute between two factions, each seeking to install
its own candidate as king,[55] the Croats became easy prey for their powerful
neighbors and were forced to unite with the Hungarians in 1102. The Dalmatian
cities fought for their old privileges and obtained new ones from the
Hungarian-Croatian kings, becoming more or less autonomous communities.[56]
They
entered an era of commercial activity and economic prosperity that fueled the
extraordinary vitality evident in their architecture, sculpture, and
painting.[57] The Croats actively participated in the cultural and artistic life
of medieval Dalmatia. At the beginning of the 12th century, the Croatian
sculptors Buvina and Radovan created two masterpieces: the carved wooden door
of Split Cathedral (1214) and the portal of Trogir Cathedral (1240)[58].
In France and Spain, the invaders were assimilated
by the indigenous population, while here the opposite occurred. The already
small urban Latin population, isolated from the Italian peninsula and
surrounded by the Croatian rearguard, was declining. Realizing they could no
longer ignore or distance themselves from the Croats, the Latins began marrying
young Croatian women.
These mixed marriages represented the first
Croatian victory. Mothers who spoke only Croatian taught their children the
language they knew. Dalmatian cities gradually became bilingual; while Latin
(and later the Venetian dialect) remained the official language, Croatian was
increasingly used in private life.[59] There are clear indications that Zadar
was already Croatized by the 12th century. Pope Alexander III, traveling from
Venice via Zadar to meet Frederick Barbarossa (1177), was greeted by the
citizens in the Cathedral of Saint Anastasia with "loud praises and
resounding songs in the voice of the Sclavica people"[60].
When the Crusaders, serving as mercenaries to the
Venetian Doge Enrico Dandolo, attacked this flourishing city in 1202, Zadar was
considered a Slavic colony[61]. (The names Slavs, Illyrians, Slavi, Schiavoni,
used interchangeably by several foreign authors, especially Italian ones, refer
exclusively to Croats. Editor's note.) Some of these autonomous Dalmatian
communities were Croatized earlier than others; all received the Croatian
imprint no later than the 14th century[62]. Venetian sources reveal that during
the Renaissance, it was primarily merchants and nobles who knew Italian due to
their travels and studies abroad; within the country, even these bilingual
individuals spoke their native language.[63] The Popes found it necessary to
appoint only Croatian-speaking bishops to Dalmatia, as otherwise there would be
no fruitful contact between the hierarchy and their flock.[64]
The Neapolitan king Ladislaus, a pretender to the
Hungarian-Croatian crown against King Sigismund, sold his title to the
Dalmatian cities to Venice in 1409. A decade later, after successful
maneuvering, Venice conquered all of Dalmatia (except for the Republic of
Dubrovnik and the peasant republic of Poljica) in 1420 and exploited this
Croatian outpost until its fall in 1797. Nearly a century after the defeat of
Serbia (1389) and a decade after the conquest of Byzantium (1453), Bosnia
surrendered to the Turks (1463), followed by Herzegovina in 1482.
The Croatian lands were soon reduced to
"relics of the former kingdoms of Croatia, Dalmatia, and Sclavonia."
Zagreb and its immediate surroundings bravely resisted Turkish attacks, but
suffered heavy losses in life and property. When the Ottomans defeated the
Hungarians at Mohac (1526), the Croats and Hungarians separately elected
Ferdinand of Austria as their common king (1527).
Dalmatia was reduced to a few coastal towns and
islands. The famous fortress of Klis, a few miles from Split, fell to the Turks
in 1537 [65]. From the walls, the inhabitants of the coastal towns could watch
as Turkish troops ravaged and looted their property. Peasants worked their
fields with their weapons within easy reach. Economic development was largely
hampered in Dalmatia under Venetian rule; amenities were scarce, as Venice was
keen to destroy the trade of these towns, its former rivals. There were several
epidemics, and life was very precarious.
Split, revived in the early 16th century as a
cultural center, was followed or emulated by Dubrovnik, Hvar, Šibenik, and
Zadar. Although cultural life had not entirely disappeared, it was steadily
declining. By the middle of that century, all the Dalmatian towns (except
Dubrovnik) devoted all their energies to military purposes. Venice needed only
soldiers and galley slaves, for it had plenty of writers and artists, merchants
and agents. Moreover, the spread of education among the people would discourage
the rapid provision of Dalmatian combatants.[66]
Dubrovnik, which gradually achieved its
independence and preserved it until the Napoleonic era (1808), was the only
bright spot. Due to its enviable location and its territory outside the city,
thanks to the skill of its ruling patrician class, which knew how to navigate
between opposing powers—bribing[67] and bending to any and every side when
necessary—the Republic of Dubrovnik prospered more and more. It became the main
Croatian cultural center, the only spiritual oasis, the city rightly called the
Croatian Athens or the crown of Croatian cities.[68]
The Adriatic was not a barrier between the Croats
and Italians but a bridge connecting them. Everything that happened on the
Apennine Peninsula, in that highly civilized world comparable to ancient
Greece,[69] sooner or later had its repercussions on the opposite Croatian
shores.[70] Many Italians came to Dalmatia to serve as clergymen, teachers,
doctors, notaries, or chancellors.[71] Certain more talented Croatians studied
in Italy at theological seminaries or universities, usually in Padua[72] and
Bologna.
When they were not writing in Latin, which was the
usual means of communication among the European intelligentsia,[73] Dalmatians
often wrote in Croatian. Nor did they consider themselves part of the Latin
world;[74] on the contrary, the Italians themselves spoke of them, greeted
them, and praised them as a prominent branch of the Slavic world.[75]
Among the representative Croatian writers, we must
first mention the Latinists.[76] Besides the great Marulic, there are such
notable figures as the Dominican Vinko Pribojevic (from Hvar, early 16th
century), whose work De origine successibusque Slavorum was first printed in
Venice in 1532.[77] This pamphlet, originally a lecture delivered in his
hometown in 1526, gave impetus to the Pan-Slavic movement and influenced later
Pan-Slavists such as Mavro Orbini (Il regno degli Slavi, Pesaro, 1601) and
Juraj Krizanic. Pribojevic's main objective was to demonstrate the unity and
greatness of the Slavs: "Verum quia Dalmata et proinde Illyrius ac demum
Slavus coram Slavis de Slavorum fortunis sermonem habere statui"[78] Jakov
Bunic (Jacobus de Bona, 1469-1534), one of the greatest but not so well known
of the Christian poets of the Renaissance[79], anticipated Girolamo Vida by
writing, based on the four Gospels, mixing in mythological elements,
"Christias" (Da vita et gestis Christi, Rome, 1526).
In another poem, De raptu Cerberi (Rome, around
1500), Bunic's style and language are entirely those of Virgil, while his main
character, Hercules, descending into the underworld, is a prefigured Christ (in
the preface to the second edition, 1526, Bunic states that his verses
"canunt figura Christum Herculea")[80]. Ilija Crijevic (Aelius
Lampridius Cerva, 1463-1520), a prominent Latin poet from Dubrovnik, member of
the Accademia Pomponius Laetus (Rome) and poet laureate, wrote verses in his
youth, suggestively describing the charms of the female body, but later devoted
himself to religious meditations[81].
Crijevic stands out as a representative of a broad
humanist position: despising the vernacular, he maintained that Latin was the
only language worthy of the man of letters[82]. Juraj Sisgorić (Georgius
Sisgoreus, from Šibenik, 15th century) composed some very moving elegies in his
collection of poems (Elegiarum et carminum libri tres, Venice 1477), especially
those concerning the death of his brothers and the devastation of the area around
Šibenik inflicted by the Turks. Although he wrote exclusively in Latin and
followed classical models,
Sisgorić appreciated the folk poetry of his
homeland and praised its literary merits.[83] He also considered folk proverbs
to be so full of wisdom that he translated many of them into Latin.[84]
Sisgorić served as an example to writers of vernacular themes, especially
those from northern Dalmatia,[85] who were so enthusiastic about folk poetry
that they quoted their favorite poems in their works.
In northern Croatia, cultural life did not entirely
come to a standstill. At the court of the Hungarian-Croatian king Matthias
Corvinus (1458–90), numerous Dalmatian Croats performed various tasks (the
stateless intellectual “proletariat”). Among them was the renowned poet and
translator Ivan Cesmicki (1434–72, from Cesmica, Slavonia), better known as
Janus Pannonius, who resided in Italy for eleven years, first at the celebrated
Guarino school in Ferrara and then in Padua.
Although his models were the classical masters,
Pannonius was an original lyricist who often expressed his own experiences in
beautiful elegies and epigrams.[86] Croatian historians regard his Elegy VI,
which describes the Battle of Jajce (1463) in which he took part, as an
authoritative account of the crucial event that would otherwise have gone
without proper reporting from his contemporaries.[87]
Besides humanist classicism and Italian literature,
Croatian writers had another source of inspiration: medieval Croatian
literature and the beautiful South Slavic folk poetry that preserved, more than
anything else, the national fighting spirit and the purity of the national
language.[88]
Three prominent writers from DaImacia—Marko
Marulic, Marin Drzic, and Ivan Gundulic—are generally considered the most
representative of the extraordinary period of literary activity from the
mid-15th to the late 17th century. Marulic and Drzic belong to the Renaissance
period, and we will refer to them. Gundulic, a leading figure of the Croatian
Counter-Reformation (Baroque in literature), will be the subject of a separate
study.
Among the poets of this new literature, Marko
Marulic Pecenic (1450–1524), from Split, occupies first place.[89] He has been
called the "founder of modern Croatian literature," not for
chronological reasons (other vernacular poets wrote before him), but because of
the importance of his literary work.
Marulic studied in his hometown at the school of
the famous teacher Tadeo Acciarini, and later in Padua. He was well-versed in
theology, philosophy, and literature, and apparently also practiced painting.
In his rich library, one can find, besides theological volumes, works by many
classical authors and some contemporary Italian humanists (Leonardo Bruni,
Poggio Bracciolini, Marcantonio Sabellicus, Lorenzo Valla, etc.)[90] but not
books on love and other "despicable" pleasures.[91]
Marulic was surrounded by a group of enlightened
friends who respected him as their leader. We do not know if he, like
Savonarola, suffered any disappointments with women in his youth, but when the
great reformer was burned at the stake in Florence (1498), his contemporary
Marulic was known as Marko "innocuam, simplice et sine crimine vitam"
[92]. In his old age, he retired to the island of Šolta, where he lived as a
hermit for two years before returning home. Marulic's life was entirely devoted
to restoring the country's declining moral values [93] and
protecting it from foreigners and their pretensions [94]. His noble figure
still lives on in the minds of his countrymen.
Although his classical education and his interest
in the Roman monuments of Split and ancient Salona mark him as a humanist,
Marulic was deeply rooted in medieval Catholic theology. His writings radiate
the spirit of Thomas ŕ Kempis, whom he translated into Croatian. He viewed the
past entirely through a Christian lens. Marulic sought to combine classical
form with medieval content.
Like Jacopo Sannazaro, Girolamo Vida, and many
other Italians, and in the footsteps of Jakov Bunic and, to some extent,
Crijevic in Dubrovnik, Marulic believed this union to be entirely natural. Like
so many humanists, he did not consider it incongruous to glorify the Redeemer
and extol strict morality in Ciceronian prose or Virgilian verse. He did
everything in his power to place the new artistic perception of formal beauty
at the service of his entirely Catholic worldview.
Marulic was first and foremost a Latin author. His
moralistic and didactic books, written in a clear and convincing style,
demonstrating his vast erudition, attracted many readers and admirers
throughout Europe.[95] His most celebrated book, De institutione bene beateque
vivendi (Venice, 1506), was frequently reprinted and translated into many
languages. The main reason for its popularity lies in the fact that during the
Counter-Reformation, this work was considered the most useful manual for
Catholics in defending their faith.[96]
Marulic also wrote lyric and epic poetry in Latin.
Certain lyric poems, containing a personal touch, are among his finest works.
In them we see the man, with his physical weaknesses, with his, we might say,
jovial disposition to acknowledge the unpleasant aspects of human existence[97]
(note 44), but we also notice Marulic's great willpower, his irresistible
kindness, and his unbridled joy.
His most extensive work in Latin, Davidias,
although highly praised by his compatriots, remained unpublished. During the
19th and 20th centuries, Croatian scholars searched for the manuscript of this
work. When Davideidos liber primus[98] (note 45) was published in 1904, it was
hailed as Marulic's most accomplished literary creation. Finally, his entire
epic composition came to light in 1952 when the Italian scholar Carlo
Dionisotti discovered a copy in the National Library of Turin (Codex G VI 40).
The edition published by the Zagreb Academy of
Sciences and Arts, with a substantial and valuable introduction by Josip
Badalic, was published in the series Stari pisci hrvatski (Vol. XXXI, Zagreb,
1954). Miroslav Markovic also published an edition of Davidias (University of
Mérida, Venezuela, 1957), without repeating the inaccurate reading of the
Zagreb edition. This second edition, quite strangely, claims to be the editio
princeps and, much to the readers' dismay, contains no evaluation of the work.
(See: Pedro P. Barnola, S.J.: "American Epiphany of a Distinguished
Croatian Humanist," Studia Croatica, Year 1, No. 1, pp. 58-60; Editor's
Note).
Davidias is an epic poem in fourteen books about
the life of King David as a prefiguration of the life of Christ.[99] Despite
its dedication to the powerful Cardinal Grimani, the censor refused to allow
its printing. Several explanations were put forward, the most plausible being
that Marulic's messianic interpretation of events in David's life often did not
entirely align with orthodox doctrine.[100]
In the preface to his *Inscriptiones Salonitanae
Antiquae*, later published by the historian Ivan Lucic, Marulic recounts the
pitiful conditions of his country and how he lamented, repeating Virgil's
verses: "Fuimus Troes, fuit Ilium..." Driven by love for his country,
he wrote to Pope Adrian VI, imploring him to exhort all Christian rulers to
unite in joint action against the Turks.
However, it is not because of his Latin works,
despite his worldwide reputation, that Marulic's compatriots still remember
him. Croatians love him for having written in their language. The most moving
short poem Marulic wrote in Croatian, Molitva suprotiva Turkom ("Prayer
Against the Turks"), paints a tragic picture of the atrocities inflicted
by the Ottomans in the Balkans. In this poem, Marulic opens his heart to the
Almighty, imploring mercy for his Croatian people.
Marulic composed (in 1501) the epic poem Judith in
Croatian ("uversih hrvacki slozena" (composed in Croatian verses) to
encourage his countrymen in the struggle against the Turks and to instill in
them the hope that, ultimately, with God's help, they would overcome all
difficulties.
As he admits in the Preface, Marulic followed
ancient Croatian religious poetry ("po obicaju nasih
zacinjavac")[101] in terms of subject matter and the classics in terms of
formal elaboration ("i po zakonu onih starih poet"). Following the
classics, he did not mechanically transplant Latin forms into his native
tongue, but rather drew upon his skills in poetic invention.
Thus, Marulic described concrete, sometimes very
realistic, scenes, employing striking comparisons drawn from his own
experience, in language that often abounds in turns of phrase.
picturesque.[102] Judith was written for those who did not know Latin. Its
response was immediate: this first literary work written in Croatian (Venice
1521) went through three editions in two years.[103] Marulic's example was
contagious. A whole host of poets emerged, aware that Marulic's work in
Croatian opened new and broader horizons; many paid him homage and praised him
in the dedications of their books in Croatian.
In short, Marulic is a writer who treats Croatian
vernacular themes with effect and emotion within classical literary forms,
inspired by Italian humanism.
The first two known Croatian poets from Dubrovnik,
Sisko Mencetic (1457–1527) and Dzore Drzic (1461–1501),[104] are important for
having developed, or perhaps adopted and cultivated, a poetic style that
reached This style is characteristic of the later literature of Dubrovnik and
the rest of Dalmatia.
Although their lyric poems are closely related to
Petrarchism (with its typical models of courtship, passionate infatuation, and
eventual disappointment)[105], certain national peculiarities can also be
found. Drzic, in particular, more sensitive and spontaneous than the
conventional and cerebral Mencetic, can be described as an original lyric poet.
His poems contain many elements borrowed from peasant love poetry; some of them
are entirely of folk origin.[106]
Much more important is the work of two noblemen
from Hvar, Hannibal Lucic (1485–1553) and Petar Hektorovic (1487–1572).
Although troubled by popular discontent and sporadic Turkish raids, Hvar was a
prosperous trading port. Among its privileged class were educated men in
contact with humanist literature. Italian, who corresponded with the writers of
Split and Dubrovnik. At that time Hvar was the most important literary center
in Dalmatia, which was ruled by Venice.[107]
Lucic translated Ovid (Paris Helenae) and was well
acquainted with Petrarch, Bembo, and Ariosto. These poets particularly
influenced him when he wrote a small collection of love poems (Pisni ljuvene).
The most exquisite poem, a true gem, "Jur nijedna na svit vila,"
shows the influence of folk poetry. In this poem, there is a common description
of the female body (especially the fingers), but Lucic expressed this theme in
original and enchanting verse.
Lucic's outstanding work and the first secular
Croatian drama is Robinja ("The Slave," Venice, 1556), which shows
both Petrarchan influence and the unmistakable stamp of folk poetry; it deals
with the bloody reality and mentions figures praised by Croatian peasants and
shepherds (e.g., Ban Derencin, who fell at Krbava, 1493)[108]. The central part
of this drama—in which the young Derencin, disguised as a merchant, converses
with the slave girl who confesses that she has loved him since her early
youth—is well-crafted; Lucic has a keen sense for style and dramatic action.
The action takes place in Dubrovnik, which Lucic also praises in his epistle
"U pohvalu grada Dubrovnika" (To the Highest Point of Dubrovnik).
Hektorovic was born in Stari Grad, on the island of
Hvar; he devoted much time and energy to the construction of the Tvrdalj
fortress (still standing) that was intended to protect him and his fellow
citizens from sudden Turkish raids. He exchanged numerous poetic epistles,
especially with two writers from Dubrovnik: one of them the hermit monk
Vetranovic, and the other, Naljeskovic, a dissolute nobleman.
"Hektorovic's principal epistle, Ribanje i
ribarsko prigovaranje (Fishing and the Fishermen's Conversation), Venice,
1568)[109], addressed to the nobleman of Hvar, rector scholarum, and poet
Jeronim Brtucevic, is a delightful and realistic poetic account of three days
spent at sea with two fishermen, although it idealizes these fishermen here and
there.[110] The oldest extant text of oral poetry consists of two heroic and
three lyric poems included in Hektorovic's "Fishing," which the
author heard from the fishermen and reproduced word for word.[111]
Even more important than heroic poetry was the
delicate lyric poetry that flourished on Dalmatian soil. Hektorovic was deeply
attached to his native land. In 1555, approaching his 70th birthday, he visited
the neighboring islands again. Since the poet considered himself a member of
the Croatian Renaissance literary movement and was on warm terms with the
writers of Dubrovnik, he was deeply moved when his ship approached Necujam, on
the island of Solta, as it was there that Marulic, whom he remembered with
respect, had lived for two years in complete seclusion.
Although modeled on the Piscatorian Eclogues of
Jacopo Sannazaru (1458–1530) and other Italians, these verses by Hektorovic
demonstrate once again that the best writers of the Croatian Renaissance were
not mere imitators, but transformed the classical and humanist heritage to suit
their own time and place.
The third nobleman and poet of Hvar, Misa
Pelegrinovic (died 1563), has recently acquired a certain reputation. Some
critics, contrary to the traditional view, try to show that Pelegrinovic was
the first to write "The Gypsy" and that Andrija Cubranovic later used
the same theme.[112] Leaving aside the question of priority, it can be safely
said that Cubranovic's "The Gypsy" (Jedjupka, Venice, 1599) is far
superior to Pelegrinovic's. Cubranovic's Jedjupka is a delightful love poem in
the troubadour style; its joviality, personal touches, naturalness, musicality,
and the fluidity of its octosyllabic verse closely resemble popular language.
Its prestige was enormous, particularly in the 16th century, and it was
frequently copied or imitated.[113]
A very active writer was Mavro Vetranovic
(1482–1576) of Dubrovnik, a deeply religious Benedictine monk and great
patriot. In his satires, he criticized the laxity of Christian morality and the
selfishness of European rulers, who did not even attempt to halt the advance of
the Ottoman army; he deplored the destruction of Croatian regions and the
Venetian occupation of Dalmatia; in light of this difficult situation,
Vetranovic praised the political acumen of his native city.
Although most of his poems give an impression of
excessive bombast and possess a cumbersome, plaintive tone, some of his poems
are excellent (e.g., Pjesanca sturku, Poem to the Cricket). His allegorical
poem Pilgrin (peregrinus, pilgrim), written under the influence of the Divine
Comedy, remained unfinished. As a playwright, Vetranovic continued the
tradition of medieval Croatian autos sacramentales, but with greater concision
and rigor (especially in his Posvetiliste Abramovo, The Sacrifice of Abraham).
Also worthy of mention is Nikola Naljeskovic (c.
1510–87), who wrote lyric poems, epistles, pastoral plays, and three comedies.
His comedies are of interest to historians of the Republic of Dubrovnik during
the Renaissance. There are passages of extreme vulgarity (comparable to those of
Pietro Aretino and Andrea Calmo). Naljeskovic preceded Marin Drzic, who took
two names from him (Radat and Ljubomir), assigning them different roles[114].
The Renaissance is not a uniform phenomenon. It
presents several, often contradictory, aspects. It is never advisable to focus
on a single aspect and try to explain the others through it. The whole is much
more complex, profound, and fascinating. Marulic, for example, wrote in the
classical style but retained a medieval perspective. In contrast, his compatriot
Marin Drzic, a Catholic priest born in Dubrovnik (around 1508), when Marulic
was at the height of his creative period, acted in the opposite way.
Living in Dubrovnik, which paid the Ottoman sultans
the annual tribute and consequently enjoyed freedom, Drzic was not particularly
concerned about the advance of the Turks; nor was he alarmed by the symptoms of
moral and religious decline or by the worldliness of the clergy.[115] He
avoided quiet places, suitable for meditation on the transient nature of human
life; he liked to eat and drink; He drank, entertained others, traveled, and
was always short of money; "he was an excellent musician and played all
kinds of instruments" (Genealogy of Drzic)[116]; he was more jovial than
studious; he read little, but walked with his eyes open; he was interested only
in the problems of this world and even tried to overthrow the government of the
only free city, Dubrovnik, since he believed that its ruling class had not
provided enough freedom and opportunities for a decent life. Marulic and Drzic
presented a stark contrast: the ascetic layman for whom religion was the most
sacred thing in life, and the Epicurean cleric who sought only personal gain.
However, both were children of the Renaissance, its most typical representatives.
Since Drzic's ecclesiastical income was meager, he
was forced to perform many other tasks. Not only was he organist at the
cathedral, but he also served as a servant and interpreter to the Austrian
adventurer, Count Christof Rogendorf, with whom he traveled to Vienna and
Constantinople (1546)[117]; for two years he was employed at a saltworks
(1554-56).
The important date in Drzic's life was his
departure for Siena (1538), perhaps to study canon law. For a year he became
rector of the Domus Sapientiae, something like an international house
(1541-42), and thus vice-rector of the University ("rector Sapientiae et
vicerector Universitatis studii senensis")[118]. During that year he had
frequent conflicts with the administrative authorities and the student
body[119]. What was he doing during those years?
Did he travel around Italy? Did he live for a time
in Florence? We know for certain only that during his rectorship he took part
as the lead actor (amasius, the lover) in the performance of a banned comedy
and was reprimanded by the police authorities ("si citi e si riprenda in
collegio")[120]. After spending, in all likelihood, seven years in Siena
without obtaining any degree[121], Drzic returned home (1545).
Siena was then an important center of culture.
Drzic, who prior to his time in Siena had written mediocre verses in the
artificial Petrarchan style (published in Venice in 1551)[122] (note 69), after
his return began to write pastoral plays and comedies that still attract
audiences no less than the works of the most renowned modern Croatian
playwrights. There is no doubt that Siena was the turning point in his literary
career.
Drzic spent almost fifteen years in Dubrovnik,
during which time he wrote eleven plays (from 1547 to 1555 or 1557) and was
also pursued by many creditors for failing to repay his debts.[123] He then
moved to Venice (December 1562) and, in 1566, took the strangest step of his
life: he went to Florence and wrote three letters to Cosimo I de' Medici and
another to his son Francesco, requesting the duke's support in order to
overthrow the aristocratic government in Dubrovnik.[124]
How did he come up with the idea of
addressing a man like Cosimo I? Jorjo Tadic believes that the
author of these letters (which went unanswered) was no longer in full
possession of his mental faculties; The handwriting resembles that of a man
suffering from complete nervous exhaustion.[125] Milan Resetar suspects that
Drzic, always short of money, was perhaps prepared to betray his native
country.[126] But Jean Dayre cautiously questions whether this decisive step
was not, after all, a logical one for Drzic, who was aware of the depravity of
some of the Dubrovnik patricians.[127]
The discovery of the letters to Cosimo I had a
significant impact on the perception of Drzic in present-day Yugoslavia. Some
critics see him as a great champion of equality for all men. Zivko Jelicic, for
example, published a pamphlet about Marin Drzic entitled *Pjesnik dubrovacke
sirotinje* (The Poet of the Poor of Dubrovnik)[128]. Drzic spent his last years
(1562–67) generally in Venice as a chaplain in the service of the Patriarch of
Venice[129].
His brother Vlaho, married to a Venetian woman,
lived there for many years and became friends with Pietro Aretino. Drzic
maintained close contact with some of his compatriots who were prosperous
Venetian merchants (e.g., Pero Primovic). Little is known of the rest of his
life. The necrologies from the church where he was buried (SS. Giovanni e
Paolo) have not been preserved, and death certificates for 1567 are missing
from the National Archives of Venice. The archives of the Patriarchate of
Venice, which probably contain valuable information, are at the moment
"rudis indigestaque moles," and it is to be hoped that which will
soon be organized and opened to the public.
Since Drzic dealt with the same themes that
Shakespeare and Moličre would later employ, South Slavic critics favorably
compare him to these two illustrious playwrights.[130] While Drzic does not
benefit from this comparison, it should be noted from the outset that he did
not blindly follow his sources, which were part of the cultural heritage of
Renaissance literature, the workhorse of Plautus's comedy writers. Italian
scholars overestimate the fact that Drzic had studied in Siena, was familiar
with Italian comedies, and that in some of his comedies he was influenced by
Boccaccio, Ariosto, and other Italian writers. Based on these premises, they
soon draw the false conclusion that Drzic was merely an adapter of Italian comedies
into Croatian.[131]
A born writer, Drzic cultivated the pastoral genre
(drama rusticale), in which he introduced—in addition to shepherds, Arcadian
and mythological nymphs and satyrs—characters modeled on the shepherds and
peasants of the Dubrovnik countryside, with their characteristic mentality and
language. His first known pastoral, Tirena, had three editions (1551, 1607,
1630).
A peculiar charm of this verse piece lies not in
the conventional shepherds and its ending satisfactory to all involved, but in
the poor peasants who successively fall in love with a water nymph, either of
their own volition or struck by Cupid. The judicious and sober peasant Radat,
who deplores Miljenko's passionate love and believes in cheerful and reasonable
affection, feels powerless when Tirena appears; his son Dragic, who doesn't
understand what's happening to his father, upon being touched by Cupid, naively
expresses his admiration for the nymph.
Love is presented as an emotion beyond the control
of reason. ("S ljubavi mudrovat, ma bratjo, ni "Reasoning about love
is not possible, brothers; even if I do crazy things, I must follow the
nymph," Radat replies, troubled, to the three horrified peasants.
A fragment of Drzic's most original pastoral piece,
Plakir ("Pleasure"), sometimes called Grizula, shows how skillfully
he could combine fantasy with reality[133]. Through the bitter complaint of the
maid Omakala, we learn of the servants' feelings toward patricians or wealthy
merchants: "I can have no worse memory than the life my mistress made me
lead.
I cannot tell you even a hundredth part of what I
suffered with her. She calls me in the morning, with a handful of pins in her
hand: 'Pin here, pin there, pin here,' until I am dizzy from pinning so many.
If I do anything wrong (and I can never do anything right in her eyes), she
pulls my nose with her delicate hand so that the whole room floats around me...
What torture I suffered! If I did not suffer enough
to redeem all my sins, no one will ever get out of purgatory... When they go to
church or to a wedding, our mistresses carry a load of clothing that even a
vigorous stallion could scarcely bear... My master shrieks: 'You, ass, you,
donkey; when will you go to the Butcher shop?' When I return from the butcher
shop, it's time to prepare lunch. I prepare it—the mistress returns from
church; I unbutton her dress—the soup boils; I undress her—the soup is bubbling;
I give her the dressing gown—the pot overflows.
The master comes to eat, and the food isn't ready
yet. He shouts: 'Go buy the wine, set the table, feed the children first, and
fetch water from the well.' All at once! And my mistress throws my shoes at me:
'You donkey, what do you have to talk to the master for so long...' And, God
help me, I don't know how I didn't go mad with so much trouble. I made vows,
crossed myself, and ran off to that barren field."[134] In the end, he
returns to Dubrovnik with Grizula, more interested in his manners than in his
services. Drzic's courage in so sharply criticizing the prevailing social
conditions in Dubrovnik, where strict Senate censorship was in effect, deserves
recognition.[135]
Just as Drzic adapted his pastorals to the
Dubrovnik setting, so too in his comedies, no matter how much he drew on
traditional plots, he always remained independent and original, bringing to the
stage characters from the life around him.[136]
The only comedy by Drzic that has survived in its
entirety is Novela od Stanca ("Jokes about Stanac," Venice 1551). The
setting of this short and well-balanced farce is Dubrovnik on a carnival night.
Three young Ragusan noblemen are wandering about, bitterly complaining about
their parents, forgetting that they too were once young and longed to enjoy
life's pleasures, especially in the company of women. [Ne ce im se njekad da su i oni bili
svi lovci kako i mi sad" –
They cannot deny that they too were hunters like us
now] [137]. At that moment, they notice a peasant from Herzegovina dozing by
the spring. He had come down to the town to sell his farm produce. One of them,
the witty Dzivo Pesica, convinces Stanac that he had once been a horrible old
man, but thanks to the nymphs, he was rejuvenated. Stanac is extremely
interested in this tale, as he had left behind in his village a young woman who
was almost "already" "sought out."
Then the three lads, with Stanac's permission,
painted his face, shaved his beard, tied his hands, and left with his belongings,
leaving the corresponding money. It seems likely that Drzic wrote his main
work, Dundo Maroje ("Uncle Maroje"), upon his return from his
pilgrimage to Rome in 1550 [138]. Drzic knows many details about Rome and is
well He learns about certain popular Roman types. The protagonist and other
Ragusans go to Rome as pilgrims during the Jubilee. This play, often revived on
Croatian stages and consistently included in the Dubrovnik festival repertoire
to the delight of audiences, has been the subject of much scholarly analysis.
Some of these studies are dubious. Certain contemporary critics go so far as to
claim that Drzic was thinking of communism[139], when he wrote in the first
prologue (spoken by Long Nose [Dugi nos], a sorcerer) to Uncle Maroje, of the
future country where "mine and yours are unknown, since everything belongs
to everyone and everyone owns everything. And the people who enjoy these lands
are peaceful, quiet, wise, reasonable people.
And just as nature endowed them with wisdom, it
also gave them exquisite beauty. They are not ruled by greed... They always
look straight ahead and do not disguise their hearts. Their hearts are
reflected in their eyes, so that everyone can see their good thoughts."
And now—to cut a long story short—those people are called "good
people" [140]. She must struggle and live alongside the evil bourgeois
class. Even in communist Yugoslavia, some critics ridicule such an
interpretation of a common theme, widespread throughout the Middle Ages and the
Renaissance [141].
Despite its complex plot, Dundo Maroje reveals no
particular Italian source. How is this possible, some Italians wonder,
convinced that every work of the Croatian Renaissance derives directly from
some Italian source? Miss Yolanda Marchiori, following Professor Cronia step by
step,[142] undertook an almost microscopic examination of Dundo Maroje.[143]
Both Cronia and Marchiori strive to convince us
that if an Italian author speaks, for example, of a tavern where good food and
drink are served, and Drzic happens to mention that one of his characters
enjoys the same things—no matter how different the context—then Drzic is
copying the Italian original; or, if Drzic writes that a young man has fallen
madly in love with a beautiful but virtuous girl, and that his avaricious
father tries to save his money ("vece ljubi dinar nego sina"—he loves
the money more than his son) and bring him to his senses, then all Italian
plays with similar plots are cited.[144]
Undoubtedly, Drzic saw or at least read Italian
pastoral plays and comedies [commedia erudita] [145]. From the Italians, he
learned the basic techniques. Without his time in Siena, he would not have
become a prominent writer—in some pieces, even greater than some of his Italian
models.
And although he explicitly states, as he does in
the prologue to Skup ("The Miser"), that he "stole" his
comedy from Plautus [146], he not only sets it in Dubrovnik but also introduces
a group of new characters into the plot. The central theme is the genuine love
between a young man, Kamilo, and Andrijana, the daughter of a miser. Drzic
emphasizes his right to love and condemns mismatched marriages, a blight on
commercial society in Dubrovnik at that time.
In 1890, M. Srepel wrote an extensive study of
Drzic's Skup, highlighting the similarities between Skup and G. B. Gelli's La
Sporta and Lorenzino de Medici's L'Arzdosia [147]. Italian scholars cite
Srepel's study and conclude that Drzic successfully adapted these two Italian
comedies for the Ragusan stage. However, as Vatroslav Jagic pointed out, Skup
is partly dependent on Plautus's Aulularia; where it departs from Aulularia, Drzic
has nothing in common with either La Sporta or L'Arzdosia [148]. Recently,
Franjo Svelec, who devoted several in-depth studies to Drzic, re-examined Skup
in relation to its possible sources and demonstrated that Drzic created an
original work [149]. The comparison with the Italian comedies proves
advantageous.
Drzic's comedies offer a complete picture of
Dubrovnik during its period of prosperity and decline. Most of his characters
seek pleasure and entertainment; they live and dream only for and through
women, good food, and a life of leisure. Adultery and amorous intrigues are not
considered sins. Deceiving a foolish husband or replacing a poor lover with a
rich one or a nobleman are signs of skill and wisdom.
In this respect, there is no difference between
clergyman and layman, nobleman and peasant, rich and poor, young and old. But
Drzic was not content to be a mere painter of society; he also wanted to be its
critic. He seems to wonder how those senile, selfish, and petty patricians
managed to obtain the right to govern the common people of the Republic of
Dubrovnik.
The plots of his plays are interesting, but
sometimes not well-constructed; The introduction of numerous secondary
characters and the multiplicity of episodes, related to a greater or lesser
degree to the main theme, are rather annoying. His characters are there to
entertain the audience; some, however, serve as arbiters, judging the others:
this is entirely true of the servant Pomet, in whom we rightly suspect the
author has incarnated himself. Drzic's style is exuberant and brilliant.
His monologues and dialogues overflow with wit and
humor ("non sine sale et lepore"). He still delights the audience
with his effervescent humor, ingenious dialogues, vivid language that suits his
characters and their social standing so well, and with his skill in breathing
life into them with few words and gestures.[150] His ear was so keen that he
was able to present various social strata solely through the speech patterns of
his characters; he knew the variations of the Croatian language in Dalmatia so
perfectly that his characters from different cities and islands are
recognizable by their speech. Based solely on the evidence of his expressive
power, we can justly assign Drzic the foremost place among Croatian Renaissance
writers and draw worldwide attention to him.
Drzic had followers in Dubrovnik and other cities.
The most important was Martin Benetevic (died 1607) of Hvar, author of
Hvarkinja and perhaps another comedy, Rasko, which contains passages taken from
Ruzzante (1502–42). Benetevic's Hvarkinja exhibits the same fundamental
characteristics as Drzic's comedies: an interesting and amusing plot with too
many characters and episodes; compared to his brilliant predecessor, Benetevic
is less gifted and a weaker writer.
We have already seen that Zadar was the first
Croatian city on the Dalmatian coast. Despite repeated Venetian conquests,
Zadar remained the most Croatian of the Dalmatian cities. Around the middle of
the 16th century, when it became a literary center, Zadar and its poets were
closely linked to the Croatian rearguard, to which the political center of
Dalmatia had moved.
Apart from comedies, Croatian Renaissance
literature consisted almost exclusively of verse. The first important example of
narrative in the Croatian language, Planine ["The Mountains," Venice
1569][151] (was written by Zoranic (1508-ca. 1569) of Zadar. We know nothing of
Zoranic's education; he was probably a layman. He followed many models, both
national and foreign (Ovid's Metamorphoses, Sannazaro's Arcadia), but poured
them into something distinct and his own, for his subjects are the peasant life
of the Croats, who led a primitive existence, frightened and disturbed by the
constant Turkish threat. Planine contains many separate fables, and its
characters are scantly motivated. Zoranic's style is rather ponderous, and his
sentences are often poorly constructed.[152]
The main reason Zoranic set about writing Planine
was his fervent patriotism. He wondered why every Greek river and mountain had
its poet, while the captivating Croatian landscape remained untouched.
unnoticed. The Croatian nymph (Vila Hrvatica) reproached Croatian writers who
preferred to write in foreign languages instead of their own.
She placed moving lamentations in the mouths of her
shepherds because of the destruction and pillaging of the Croatian border
region by the Turks; one of these shepherds, Marul, is none other than Marko
Marulic, whose poem "Prayer Against the Turks" Zoranic slightly
modified. Planine is a glorification of the natural beauties of the Croatian
homeland, but it also condenses the poet's sorrow for his miserable condition
("rasuta bascina"); this work is rightly considered the most
patriotic piece of old Croatian literature.
Another writer from Zadar is Brne Krnarutic
(1520-72). Abandoning the usual borrowed themes, Krnarutic treated the heroic
figure of Siget in his epic poem Vazetje Sigeta grada ("The Capture of
Siget," Venice, 1584). The Croatian Nikola Zrinski, who preferred death to
surrendering to the powerful Turkish army in 1566. Krnarutic's work is more of
a chronicle of events than a poetic vision.
His warm description of the defenders of Siget
("gospoda i knezovi hrvatski" - Croatian lords and princes) and his
personal participation in the fighting against the Turks give Krnarutic some
literary merit. He demonstrated his understanding of contemporary history when
he asserted that German Protestantism and French intrigues were responsible for
the weakening of the Habsburg Empire and, consequently, the Ottoman
advance.[153]
More significant than Krnarutic is the third writer
from Zadar, Juraj Barakovic (1548-1628). Barakovic spent much of his life as a
canon in Sibenik and died in Rome. His principal work is Vila Slovinska
("The Slavic Nymph"), Venice, In 1613, Barakovic described
characteristic episodes from the history of Zadar. The work as a whole is
poorly composed, as it includes in the second part passages that have nothing
to do with the main plot.
Like Zoranic, Barakovic is a patriot who rebukes
his countrymen for not showing more pride in their native language; he
considers the reintroduction of Latin into schools ("zac jazik slovinski
vas nauk od skula promini u rimski") to be the main reason for the decline
of Croatian literature since the glorious days of Marulic and his immediate
followers. Barakovic included in his poem one of the most beautiful folk
ballads, Majka Margarita ["Mother Margarita"][154].
The two prominent poets of the second half of the
16th century, Dinko Ranjina (1536–1607) and Dinko Zlataric (1556–1609), were
born in Dubrovnik.
Ranjina traveled mostly on business throughout
southern and central Italy. He wrote and published poems (some in Italian) in
his youth (Pjesni razlike, Florence 1563). Ranjina attempted to innovate
somewhat in Croatian versification, using several shorter lines instead of the
monotonous twelve-syllable form. For this reason, he was held in high esteem,
but now, with the discovery that he plagiarized some Italian poems[155] (note
102), his reputation has diminished; he imitated certain weaker Petrarchans of
the Quattrocento (e.g., Serafino d'Aquila).
In his poems, it is not difficult to predict which
detail from the catalog of female beauty will be described next and with what adjective.
This is true even when he is influenced by popular oral poetry. Ranjina is
hardly original or stimulating, since his personal feelings are seldom
expressed. His language lacks poetic flexibility, and his metaphors are heavily
decorative.
Zlataric, who studied in Padua and distinguished
himself there,[156] was a cultured man and a versatile translator of Greek
(Sophocles' Electra), Latin, and Italian (Tasso's Aminta, Venice, 1580); all
these remarkable translations were published together (Venice, 1597) and
dedicated to Juraj Zrinski.
Zlataric's name was romantically linked with the
famous beauty Cvijeta Zuzoric, in whose honor even Torquato Tasso wrote some
sonnets and madrigals.[157] Although Petrarchan like Ranjina,[158] Zlataric
possessed many considerable poetic qualities; his language is flexible, his
taste refined, and his feelings genuine. Zlataric's verse is often carefully
constructed, avoiding commonplaces. Some of Zlataric's poems, from both *Pjesni
razlike* and *U smrt od razlicieh*, are the finest examples of Croatian
Renaissance lyric poetry.[159]
Most of these writers (from Zadar, Split, Hvar, and
Dubrovnik), in close contact with their homeland and the people to whom they
belonged, were creating their own literature that corresponded to national
needs and aspirations.[160] Those of their contemporaries who blindly imitated
Italian writers may be of some interest to cultural historians and linguists,
but in other respects, they communicated very little that was new or valid. It
is right, in specialized studies, to emphasize not only the undeniable
influence of Italians like Petrarch and his followers on some of the writers
discussed[161], but also to point out the detrimental effects of Petrarchism.
It must be stressed that the best pages of Croatian Renaissance literature are
precisely those where the native language and spirit are present.
THE FAILURE OF TITOISM
IN AGRICULTURE AND THE COUNTRYSIDE IN GENERAL
Jure Petricevic, Brugg, Switzerland
I - Communist Plans and Reality
Agricultural
policy in communist Yugoslavia still lacks direction.[162] Following the
catastrophic consequences for the entire economy and the resulting food
shortages, the collective farms (kolkhozes) were dissolved in 1953, and the
individual peasant holdings were granted the right to subsist alongside the
so-called socialist sector. Despite the fact that peasant holdings constitute
90% of the arable land, the state invests virtually all its resources in the
socialist sector, which comprises only 10% of the total area. Peasants are
encouraged to cooperate with state cooperatives in order to use agricultural
implements and machinery, benefit from short-term loans for harvesting, and
acquire seeds and fertilizers.
Despite
intense propaganda, this cooperation made very little progress, and in 1959 it
was applied to half a million hectares, or 5% of the total area of
peasant holdings, which is relatively small. This area generally
consisted of wheat fields and did not increase during 1960 and 1961, given the
unfavorable conditions for the peasants.
This
area of peasant holdings in cooperation with cooperatives, together with the
collective farms (kolkhozes), the assets of various institutions, and other
peasant labor cooperatives, constituted the so-called socialist sector, whose
purpose was to solve the supply problem. Consequently, it enjoyed all official
benefits, absorbing almost all social resources, which represents one of the
great paradoxes of communist Yugoslavia.
A
small part of the agricultural sector, comprising 10% of the total arable land
and employing a negligible percentage of the agricultural population, was
supposed to solve all the economic and social problems in agriculture and the
countryside. The vast majority of free peasants and peasant holdings are not
only left behind, but are targeted for complete elimination. This is the
essence of current agricultural policy in Yugoslavia.
In recent years, all available resources were used
to increase production. Thanks to considerable investments by the socialist
sector, as well as access to credit, machinery, fertilizers, and seeds, and
later, the concentration of experts in that sector, production was increased in
some areas. Since the persistent wheat production deficit made Yugoslavia
dependent on large, free shipments of American wheat, and since low production
affected the entire economy, the government and the Party strove to solve the
bread supply problem through domestic production.
Substantial investments in the socialist sector and
favorable weather conditions made a satisfactory harvest possible in 1959,
allowing for domestic bread production. This harvest was proclaimed a record,
and the communists interpreted it as a victory for the socialist system in
agriculture. Compared to previous low yields of 8-16 quintals per hectare, the
1959 harvest, at 19 quintals per hectare, was indeed very good. But compared to
that of Western Europe, this average is quite modest, if not low. In 1959, a
bountiful year for Western Europe, the following wheat yields per hectare, in
quintals, were recorded: Austria 22; France 26; Sweden 27; Switzerland 32; West
Germany 34; Great Britain 36; Belgium 39; and the Netherlands 41 [163].
As we can see, Yugoslavia, despite having very
favorable natural conditions, lags far behind the advanced free countries, even
in its most progressive production sector, namely wheat. This, however, does
not prevent the communist leaders from looking down on the more advanced
countries for their own benefit, which have no difficulty increasing their
production; on the contrary, they sometimes have to slow down to avoid
producing large surpluses that are difficult to sell. However, the 1960 grain
harvest in Yugoslavia was lower than in 1959, which undermined confidence in
the "victory over nature" that Yugoslav communist propagandists had
boasted about after the 1959 harvest.
The 1960 wheat harvest, at 17 quintals per hectare,
could not meet domestic needs, and the 1961 harvest was even less productive.
Due to drought and anti-peasant policies, it yielded only 16 quintals, covering
just over half of the country's requirements. Thus, the problem of grain
production remained unresolved, despite the premature boasting of Tito and
other communist leaders after the bountiful 1959 harvest, in which they gloried
about having overcome nature, solved the supply problem, and no longer being
dependent on imports, etc.
The situation after the 1960 and 1961 harvests was
such that Yugoslavia, to meet its bread needs, depended substantially on
foreign sources, primarily on the importation of American grain under very
favorable conditions. Therefore, the problem of grain production remained unresolved.
As for other products, the situation was even more unfavorable. While the
production of agricultural crops, and particularly grain, was relatively
straightforward given the extensive land area and the possibility of
mechanization, other sectors of production in the centrally planned communist
economy encountered serious difficulties.
For example, a satisfactory solution to the problem
of meat and milk production and supply was not found, despite intensified
efforts. Here, the role played by the peasant farm was more important, while
the organization of socialist "livestock factories" presented
significant challenges, especially regarding their profitability.
The production problem, despite a more liberal
agricultural policy, remained unresolved. Organizational, cost, and
profitability problems, along with serious social and economic issues, create
new difficulties. The rural population is becoming impoverished on a large
scale, and a considerable number of peasants are leaving the countryside. Rural
workers' incomes are very low, and the migration from rural areas to cities and
industrial centers is significant. Inadequate education and new occupations
give rise to further problems and conflicts.
These preliminary explanations are necessary to
better understand the current situation of Yugoslav agriculture, the views of
the communist leaders on agricultural problems and the peasant estate, as well
as their plans for the future. Dr. Vladimir Bakaric, one of the communist
agrarian theorists in Yugoslavia and president of the government of the
People's Republic of Croatia, referred to these important problems twice in
1960, devoting particular attention to them in meetings with representatives of
agricultural organizations in late October 1960 in Osijek and Vinkovci, and at
the closing ceremony of the centenary celebrations of agricultural and forestry
education in Croatia, held on November 21, 1960, in Zagreb.
In his speeches in Osijek and Vinkovci, Bakaric
focused primarily on current production difficulties, while in his Zagreb
address he tackled the fundamental problems of agricultural policy in
Yugoslavia in general, as well as the role of the socialist sector and the
individual peasant farm. Wishing to present a truthful and well-documented
picture, we will quote the most important content and excerpts from these
speeches, commenting on them alongside. The problems and difficulties analyzed
by Bakaric remained unchanged at the beginning of 1962, with no prospect of
significant changes during that year.
II. Production
and Profitability
Wheat and Maize
Although official circles had recently emphasized
that the wheat problem was solved, Bakaric admitted that many aspects of it
remained unresolved. In his presentations, he gives priority to wheat, saying the
following in Osijek, according to the Vjesnik newspaper of October 23, 1960:
"...It seems to me that my comrades agree that
maintaining the current level of production—I'm referring first and foremost to
wheat, the current level of wheat—could be better than it is. I believe that
the subsequent wheat production was approached too hastily, and that the
problems that have arisen now, after an unsatisfactory harvest, were, in a way,
foreseen. It's just that we didn't think they would necessarily occur. Therefore,
it seems to me that there is only one conclusion: intensive wheat production is
not achieved by chance; rather, we must strictly adhere to its rules and
processes, just as in industrial production, which followed its predetermined
processes."
"I think we must consider both sides of the
issue. If we were to stop at a yield of 40-45 quintals per hectare, we would be
producing at a high cost, and all those enormous efforts would be
counterproductive. Therefore, where there are no other impediments, we must
raise wheat production to a higher level... If we were to achieve 50 quintals
of wheat per hectare, I believe production would not be profitable... That is
why I think that through better organization, we should establish the minimum
production level as soon as possible... This year, with regard to wheat, a
number of weaknesses were revealed. The increase in production did not meet our
expectations, while production costs increased."
Nor is corn production, especially in terms of
profitability, satisfactory. Bakaric said on the matter:
"In my opinion, we have also neglected corn.
Almost everything said about wheat applies to corn... Certainly, the general
trend of expanding the area and production to the current level of about 40
quintals per hectare is not yielding great success..."
The amount of costs varies considerably, which
Bakaric attributes to these reasons:
"Such a disparity should not be reflected in
these state cooperatives. The reasons for it are quite varied. Not only have
the prices of production inputs and other materials increased, but we also have
the problem of prohibitively high administrative expenses. These prove that
almost all state cooperatives were not proceeding entirely according to
economic calculations. Administrative expenses very often radically alter the
final cost of production..." "People aren't particularly
interested." That's why experimentation is taking place where it's not
necessary. It's because no one feels the success reflected in their income.
The cooperatives are not satisfactory. Livestock
production is not profitable.
"Regarding the wheat cooperatives, I'm not so
worried. My comrades here explained the reasons why the farms aren't performing
well. As for me, I'm not entirely happy with their production, and on the other
hand, I think we shouldn't expect much from the cooperatives, since the
cooperative is the link between the private farmer and the socialist sector,
and can maneuver in various ways."
"I believe that cooperative economies, despite
having moved at a 'hurray-hurray' pace lately, have played a positive role, and
if they haven't acted entirely wrongly, they should continue. However, the
sector that has been affected by a lack of forethought is livestock farming.
I've heard many things here today that I already knew in general terms, but
without precision. It's about dairy production, which is still pending a
solution and is operating at a loss."
I didn't know that here, except for those who
process the milk into its final products, people are operating at a loss with
no end in sight, and yet they continue to be involved in dairy production. It
seems to me that, without prior calculations, we will pay dearly for this
experiment and that we should work systematically. Furthermore, the organizations
in charge of oversight should try to find a solution, because this way the
business is not going to be successful.
"The beef cattle industry is also on the verge
of profitability, due, I believe, to insufficient attention. Over the last two
years, we've bought too much cattle, and now people think we're modern
producers. Not only were the funds invested in this ill-considered cattle
acquisition taken from other essential areas, but we also incurred obligations
for several years to maintain that cattle, operating at a loss..."
"The current trend of increasing fattening in
the private sector, and everything related to it, is quite risky. Rising prices
are unfavorable for large producers. That's also a problem. It's obvious from
the corn purchase figures and what you've presented here that people prefer to
grow corn rather than beets. This is a clear shift towards fattening cattle and
proof that farmers can sell their livestock more easily. This is also where the
danger of excessive cattle fattening lies, if it isn't modernized."
"The current trend of increasing fattening in
the private sector, and everything related to it, is quite risky. The price
increases are unfavorable for large producers. That's also a problem."
Cooperative Officials - Rentiers
Returning to the unsatisfactory work of the
cooperatives, Faric states verbatim: "So far, not much work has been done
in the cooperatives, and yet the losses incurred are relatively small. This
means that there are enormous reserves there, from which much could be obtained
with serious work..."
"A whole series of unprofitable operations in
the cooperatives did not occur because of the high rent (referring to the
cooperative's land lease, author's note), because the cooperative officials
lease their own land. Many operations were carried out under such conditions,
given that the members of management profited from it, etc. It is a great task
to fix all these things."
"I believe, therefore, that the cooperatives
should do much to regularize their internal affairs. Something similar also
occurs in the nationalized farms. There, the tendency to follow the
well-trodden, routine path clearly demonstrates that the collective's internal
interest is meager or that the internal elements are not sufficiently
stimulating..."
The aforementioned presentations by Bakaric are
very revealing. They expose to the public things that are usually presented in
a rosy light. Bakaric acknowledges that the major problems of agricultural
production are unresolved and that agricultural policy is in crisis.
The most important and most difficult problem is
the relationship between costs and income. It is clear from Bakaric's
presentations that production costs are too high. His observation that the
wheat yield must be at least 50 quintals per hectare in the "socialist
sector" reveals a catastrophic state of the organization and management of
social agricultural assets.
Achieving that yield, even with Italian wheat,
which is of inferior quality, is not easy. For comparative purposes, it is
worth noting that in the advanced and free countries of Western Europe, wheat
yields of 30-40 quintals per hectare ensure profits for private producers, whom
Bakaric considers incapable of modern production. In some European countries,
even lower yields guarantee the recovery of expenses and a satisfactory profit.
Tito's Yugoslavia, in order to solve the problem of
food supplies, invests all social resources in agriculture within the socialist
sector. By 1960, these funds amounted to 100 billion dinars. Since the socialist
sector comprises a very small portion of the agricultural land, enormous sums
are wasted irrationally and arbitrarily. At the same time, individual peasant
land ownership is neglected and abandoned, resulting in great harm to society
as a whole.
Here we must add the irresponsibility of the
communist leaders and the bureaucracy, the lack of popular control, and the
disinterest in rational and successful work. It is therefore not surprising
that large losses occur, even with high-yield harvests. These losses are the
logical consequence of the economic system. Since the State wants to solve the
food problem through the socialist sector, the necessary funds must come from
social, not private, sources.
Thus, the State and public institutions become irresponsible
for the burdens and risks. In this way, it is possible to force certain sectors
of production and produce sufficient quantities of certain goods, but extending
this system to all production means assuming a material burden and losses that
are unbearable for the community. Even in the current restricted
"socialist sector," the expenses and losses incurred are excessively
onerous, and what would happen if all agriculture were "socialized"?
The situation for all important products is unfavorable: wheat, meat, and dairy
products alike.
A keen observer of agricultural development in
Yugoslavia in recent years has noted that the production problem remains
unresolved, even from a technical standpoint. In other words, sufficient
average production of basic food staples is not guaranteed. The situation is
relatively better for wheat and corn. However, regarding wheat, there is a risk
of declining production.
To achieve high yields, Italian wheat varieties are
being introduced, but these are unsatisfactory in terms of quality. Moreover,
these varieties are grown in more temperate climates. The winter of 1959-60 in
Yugoslavia demonstrated that these varieties cannot withstand harsh cold and
are susceptible to frost damage. The best solution would be to cultivate
native, hardy, high-yielding, and high-quality wheat varieties. It was
announced at the time that such a variety had been developed in Croatia. Time
will tell if it lives up to all expectations in practice. For now, Italian
varieties are being cultivated, which, lately, farmers are forced to sow in
their fields under threat of severe penalties.
Another interesting observation is the inability of
agricultural cooperatives to fulfill their assigned purpose. After the
dissolution of the collective farms (kolkhozes), especially after 1957, these
cooperatives played a significant role in agricultural production. One of their
main tasks involves so-called "cooperation" with the peasant, based
on a contract, to work a portion of the peasant's private land and share the
harvest.
To this end, they provide the peasant with seeds
and fertilizers and work the land with machinery, while the peasant agrees in
advance to give the cooperative a fixed share of the harvest. The communists
believe that, in this way, through the cooperative, they will gradually assume
control of the peasant's private farm and integrate it into the socialist
sector.
Step by step, the peasant will become entirely
dependent on the cooperative, subordinate to it on his own land. So far, they have
only managed to involve 5% of privately owned arable land. The peasants
distrust the cooperative. The success achieved so far is negligible. The next
step is to apply this system to livestock production. From Bakaric's speeches,
it can be deduced that the communists fear that this could harm socialist
goods, especially in terms of prices.
Furthermore, the general agricultural cooperatives
are unable to solve the production problem within their internal economies. It
is well known that these economies operate at a significant loss, a fact that
Bakaric himself admitted.
The chronic ailment of communist state farms,
cooperatives, collective farms (kolkhozes), and all forms of socialist
agriculture is that administrative costs are so high that they preclude any
profit. Officials are appointed and the administrative apparatus is expanded
without considering whether the enterprise can bear the additional
expenditures. There is no economic calculation, as the communists often say.
This is an integral part of the system, since there
is no accountability on the part of the officials nor control by the people.
This cancer can only be cured through a radical change of the system, not with
palliative measures, as the communists attempt.
III. The
Evolution of Science and Society According to the Communists
At the end of November 1960, the centenary of the
founding of the Krizevci Higher Agricultural and Forestry School was
celebrated. This was the first such school in Croatia and played a crucial role
in promoting agriculture and forestry in the country and in training experts.
When the Faculty of Agronomy and Forestry was founded in Zagreb after the First
World War, the Krizevci school was transformed into an agricultural school, and
today there are several schools there for training agricultural experts.
At the closing ceremony of the three-day
celebration of the centenary of agricultural and forestry education in Croatia,
Dr. Bakaric, President of the People's Republic of Croatia, delivered a solemn
speech on November 21, 1960, at the Student Residence in Zagreb, addressing
several fundamental issues of agricultural policy. We reproduce the content and
main passages of his speech according to the Vjesnik newspaper of November 22,
1960. It will be instructive to compare his conclusions with the actual
situation in Yugoslavia and other countries:
"The transition to the new century and the
time leading up to the Second World War marked a great surge in agriculture in
this part of the Old World. In contrast, here, stagnation and crisis alternated
to a greater or lesser degree. The main issues were providing aid and
preserving small peasant holdings, since another solution, the revolutionary
one, had not yet 'ripened.'
This posed serious problems for both scientific
work and teaching, without encouraging greater scientific and practical
endeavors. Theoretical possibilities far outweighed practical, material, and
social ones. This gave rise to ideologues like David, Chaianov, Laur, and
others. It is no wonder that such ideology increasingly permeated the curricula
of our educational institutions. Nevertheless, a solid foundation for the study
of our field was established during those years, in which the members of your
schools played a significant role." The scientific foundations for
research into the social conditions for the application of agricultural and
forestry sciences were laid.
Communist Agronomists and the Role of Specialists
Referring then to the unfavorable situation of
newly graduated agronomists and the "pessimism" in agriculture at
that time, Bakaric states that around 1931 "the process of peasant
awakening began." Here he alludes to communist influence in the
countryside. According to Bakaric, this process unfolded as follows:
"The sudden increase in the number of students
began around 1931 and reflects the beginning of the peasant awakening. This is
the beginning of the access of the peasant 'plebeian' element, that is, their
aspirations, to the university. This element does not recognize the dead end and
seeks solutions. It seeks them in the countryside, perhaps there first and
foremost."
That is why its prevailing leftist and
revolutionary orientation, why it rejects compromises, and why agronomy
students quickly rose to prominence within the ranks of progressive students
and were the first to legally "win" their club. Consequently, they
provided a large number of combatants during the war and a large number of
prominent leaders of the Revolution.
"Current conditions, as well as the purposes
of agricultural and forestry schools and faculties, differ substantially. The
environment, the milieu to which the efforts of these educational institutions
were directed in the past, is gradually disappearing. The peasant who, driven
by poverty, had to struggle and sell his produce, is practically nonexistent
today. Those peasant enterprises maintained solely through extraordinary
effort, great sacrifice, and hardship are also disappearing as a primary source
of income. Statistics on monetary income show the course of its transformation
from a basic to a supplementary source of income."
Bakaric now seeks to demonstrate, based on the
increasing participation of the socialist sector and cooperatives in supplying
wheat to the market, how the importance of individual peasant property is
diminishing. He asserts that an identical or similar trend exists with regard
to other products, although the importance of socialist assets and cooperatives
is greater in the grain sector. In 1960, the contribution of peasant holdings to
total wheat production was 61%, and that of cooperatives 20%, while the
contribution of socialized assets was 19% of total production.
For this situation, communist society needs a new
kind of expert, who, according to Bakaric, must have these characteristics:
"This means that we need, first and foremost,
not bureaucrats, propagandists, and men confined to limited laboratories and
institutes, but practical men who master the results of science and possess the
utmost audacity in transforming current reality. The doors are wide open for
such people. But precisely for this reason, the doors are also open to the
needs of broader scientific research and the verification of the results
achieved. It seems that the opportune moment for you is now."
At the end of his speech, Bakaric returned to the
issue of production. He emphasized the large harvest of 1959 and a certain
decline in 1960, focusing particularly on the cost-price ratio. He said
verbatim:
"There is one more element that hinders quick
solutions. It is the price relationship. Currently, we are almost at a level
where only those who benefit from various reserves of the peasant economy (or
from concomitant elements) and who resort to the most modern methods can
produce profitably.
The middle ground often yields losses. This also
constitutes one of the difficulties of economic growth and the transformation
of society. Prices were conditioned by two factors: production with peasant
reserves and the relatively very restricted market... The policy of low prices
for agricultural products will very soon contrast with subsequent economic
development and will necessarily be modified. It is a reflection of the
previous low social level and must disappear along with it. However, you should
not interpret my words as if I were taking advantage of this meeting to
advocate an immediate and unconditional increase in the prices of agricultural
products."
Partiality and contradiction. Incapacity of the
communist leaders to solve the agrarian and peasant problem.
Bakaric condemns individual peasant ownership as a
form outdated. Science, according to him, is mistaken when it seeks new paths
and ways to preserve the individual peasant farm. He underestimates and
disdains the scientific findings of the Russian agrarian economist Chaianov and
the Swiss economist Laur, who have thus far provided the best explanations of
the economic laws and conditions governing the organization and subsistence of
the family peasant farm.
They deserve credit for establishing that the
peasant economy occupies a special place within the private economy and
constitutes a unique economic category. Their principal research complements
the studies of the great German scientists Thaer and Thünen of the last
century, who laid the scientific foundations for the organization of the
agrarian economy in general and considered larger holdings and their
relationship to the market. Chaianov and Laur deepened these studies,
explaining the essence of the peasant family economy. Chaianov considered
Russian conditions and studied the limited-sized natural peasant farm, while
Laur situated the peasant family holding within a developed industrial society
with a monetary economy. The essence of the farm Family farming in the
peasantry consists of the peasant cultivating the land with their own labor.
They are both entrepreneur and employee.
Since they are not a capitalist entrepreneur in the
Marxist sense, Marxist theory could not explain this phenomenon. Nor can the
Marxist theory of surplus value or land rent be applied, given that the
peasant, employing their own labor, does not retain the surplus value of
others' labor or the land rent, considering the enormous significance of the
income derived from their own labor on the farm.
It is important, however, that free peasant land
ownership in democratic countries adapts to new situations and demonstrates
great resilience. The family farm did, indeed, go through various phases of
development and encounter difficulties, but it did not succumb; rather, it
proved to be the best form of organization in agriculture, and in the social
sense, as an independent and balanced unit.
Bakaric condemns private peasant land ownership and
opposes it with the "revolutionary path," envisioning socialization
and a communist system of agriculture. In the first part of this work, we saw
that, in Bakaric's own opinion, agriculture in communist Yugoslavia faces
serious difficulties, the solution to which he does not foresee.
Bakaric does not compare Yugoslav agricultural
production with that of free Western countries. He refers to the state of the
peasant economy in Europe at the beginning of the 20th century. It is widely
known, however, that after the Second World War, the peasant family farm
adapted to the new technological era and the new economic conditions,
fundamentally modifying its outdated structure. The main change consisted of
the fact that, in the subdivided estates, as many plots as possible were moved
outside the village, creating new integrated units.
Their size, if necessary, was expanded with land
from smallholdings—whose owners no longer tended them—and with land belonging
to the commune or other communities. New properties were formed with an area of
10, 20, or more hectares; new buildings were constructed according
to current technical requirements. The remaining holdings were expanded and
integrated; the small plots disappeared and became secondary occupations if the
previous owner became an industrial worker or chose another profession,
retaining the house and land, which they worked with their family in their free
time.
This great reform is considered the pinnacle of
agrarian reform, and its purpose is to create as many large farms as possible,
capable of sustaining them for a long time and providing peasant families with
full employment and a permanent livelihood.
Given the vast possibilities offered by modern
machinery and facilities, as well as rational organization and sound
management, the new peasant holdings are much larger than when all work was
generally done manually. Where a family once worked a field of 5 hectares,
today they can work an area several times larger. This process of improving the
agrarian structure is now well underway in much of Western Europe and is
gradually spreading to other free countries where such measures are necessary.
The most significant transformation in this regard
is taking place in West Germany, Sweden, and the Netherlands, and is also
gaining considerable momentum in other free countries. This process is not
forced; rather, the respective state finances it with substantial resources,
and the peasants, seeing the advantages of the new measures, readily accept
them.
Thus, new foundations are being laid for the solid
and independent peasant farm for the new times in which high labor productivity,
the security of sufficient income, savings and relief from human labor, the
application of all available technical means and the reduction of production
costs, also dictate new forms of organization in agriculture.
Those participating in the centennial celebrations
of agricultural and forestry education in Croatia, and the general public,
would have been interested in seeing a comparative chart of current peasant
landholdings in Western Europe and in Yugoslav agriculture. Bakaric failed to
provide it. He silently ignored the recent changes in agriculture in free
countries, referring only to peasant landholdings of 30 and 50 years ago.
Bakaric certainly knows that the situation has
changed profoundly, and that is why he omitted mentioning it. This comparative
chart would be even more negative for Yugoslavia if production in free European
countries were also taken into account. It is well known that yields in these
countries, due to the application of the most modern scientific and technical
advances, are increasing rapidly and that more is produced than the market can
absorb. There are surpluses, not shortages of food or production crises, a
normal phenomenon in communist countries.
Bakaric's account of communist influence in the
Croatian countryside during the 1930s is also one-sided. He fails to mention
the significant social and national resurgence of Croatian peasants led by
Esteban Radic. Peasants became a crucial force in Croatian political life
without embracing communist ideology, except in a very few cases. Radic and the
Croatian peasants defended individual and free peasant holdings, which the
communists were dismantling.
These Croatian peasants, after the violent death of
their leader Esteban Radic, assassinated in the Belgrade parliament, remained
opposed to Greater Serbian Yugoslavia and demanded the creation of a Croatian
state, while the communist minority, unlike the overwhelming majority of
Croats, supported Yugoslavia. Before the war, the Communist Party encouraged
its young members to pursue agricultural studies.
Thus, beginning in 1930, a certain influx of
communist students enrolled in the Faculty of Agronomy and Forestry in Zagreb,
following Party directives. Bakaric links this phenomenon to the supposed
awakening of the peasantry to the communist spirit. This, however, was an
integral part of communist propaganda and the dissemination of ideas foreign to
the Croatian people. It was the imposition of an alien ideology, not the
awakening of Croatian peasants who had long been awake. Bakaric and the then
"progressives" in agronomy are now applying every measure at their
disposal against these same peasants to annihilate them. I will discuss the
"conquest" of the agronomy students' club, mentioned by Bakaric, in a
separate chapter. I took an active part in student life at that time, and with
full knowledge of the facts, I can say that this "conquest" was a
momentary success of the "popular front" tactic.
Let us briefly analyze the current scientific and
specific work in agriculture and the role of the communists. Bakaric demands a
new kind of expert. He doesn't want "men of laboratories and technical
institutes, but practical men who master scientific results and possess the
utmost audacity in transforming current reality."
He insists that the purpose of science should be to
investigate and verify the results achieved. In the free world, science
typically achieves new knowledge and results in institutes and laboratories,
verifying them in practical application, not the other way around. Communists,
on the other hand, proclaim certain theses as scientific truths and apply them
willingly or unwillingly, demanding that science verify that these theses are
accurate. This is particularly true for the economic and social sciences. In
this way, politics is introduced into all sectors of science, making it
difficult for specialists, scientists, and technicians to work freely and draw
objective conclusions in communist regimes.
Professional and scientific work must be carried
out according to the official line established by the Communist Party. The
results achieved in postwar agriculture are largely due to non-communist
specialists. Communist agronomists and other Party members occupy the top
positions, while non-Communist technicians carry out the work and contribute
significantly to the advancement of science and its specialization. Communist
leaders are generally incompetent people who use their non-Communist colleagues
as mere tools and keep them subordinate. Communists despise these experts and
make no secret of it, but they need them and cannot dismiss them all.
Bakaric dedicated a significant portion of his
speech to proving that individual peasant land ownership is an outdated
phenomenon, ultimately acknowledging that only those who benefit from multiple
reserves within the peasant economy can produce profitably. Such a resounding
recognition of the failure of the communists' agricultural policies and the
vitality of peasant land ownership could not be expected even from the most
ardent opponent of the communist system. This conclusively demonstrates the
precariousness of the situation in the countryside and in Yugoslav agriculture.
Communist Agronomy Students
In his aforementioned speech, Bakaric described the
influx of communist students into the Faculty of Agronomy in Zagreb during the
1930s and their temporary takeover of the student club as a turning point in
the development of the Croatian countryside. A few words should be said about
these "progressive" students, their working methods, and the role
they play today.
During and after the collectivization of
agriculture in the Soviet Union, agronomy was very fashionable among students,
and the Communist Party instructed as many of its members as possible to pursue
such studies. As a result, there was a sudden and disproportionate influx of
communist members into the agronomy faculty. Many had neither a preference nor
an inclination for this field of study, but they obeyed the Party's orders,
which considered agriculture a crucial sector for the future. These students did
not act under the communist name, but rather disguised themselves as
"progressive youth." And they did so not only because the Communist
Party and its activities were banned. Students with a nationalist orientation
were also persecuted, and their anti-Yugoslav stance was considered subversive,
yet they did not conceal their affiliation.
The communists disguised themselves because they
knew they were a minority, and, using various slogans, they attracted
disoriented students with their demands for improvements in student life. In
this way, they won the agricultural students' club for the only time in the
annual elections. It was the first club at the University of Zagreb to fall
into communist hands. In the subsequent elections, they lost it, never to regain
it.
The club passed into the hands of students with a
Croatian national orientation, who formulated a clear and decisive program with
national, social, and democratic content. We then carried out such professional
activity within the club (lectures, publication of notes and books) and
organized such financial support for club members that we were overshadowed by
the communist attempts.
The communists lost the club for two reasons.
First, for publicly opposing Croatian national demands. For them, the Croatian
national question was a bourgeois invention. Many Croatian communist students
did not subscribe to this policy and deserted the Party. Their lives afterward
were quite bitter. Anonymous leaflets labeled them as agents and corrupt
individuals; they were subjected to incessant attacks and slander.
The communists displayed such a lack of nationalism
that at an event held in the National Theatre, they booed during the playing of
the Croatian national anthem. This had negative repercussions for them, as they
had always been a small minority at the University of Zagreb.
The second reason for the communists' failure in
the Faculty of Agronomy and their loss of control of the club was the intense
activity of nationally oriented students and their deep awareness of social
issues. They undertook extensive work to help students in need, protecting them
from tuition fees and other contributions.
Furthermore, the club's specific activities offered
its members many benefits, including engaging lectures, excursions, the
publication of notes and books, its own library, and a reading room. Thus, in
practice, it became clear that the communists did not have a monopoly on social
work; for them, it was merely a facade to mislead the disoriented, and that
nationally conscious students could solve all of life's problems.
Reading Bakaric, one might think that this
generation of communist agronomists is currently doing great scientific and
practical work. The reality, however, is bleak and meager. These individuals
squander their energy vying for higher and better-paid positions. The results
of their scientific and specialized work are extremely modest.
Many are incompetent, but they excel at persecuting
their political adversaries and non-communists in general. These supposedly
progressive and pseudo-democratic expelled the outstanding and highly capable
Croatian professors from the Faculty of Agronomy in Zagreb. Some were
dismissed, others forced into retirement, and the chairs are now occupied by
incompetent and opportunistic men.
This is why the academic level of that faculty has
dropped considerably. Important professorships are currently held by
individuals who, prior to their appointment, did not perform any scientific
work and, in practice, did not distinguish themselves in the slightest. A
typical example is Nikola Rapajic, appointed professor of agricultural
economics organization and administration simply for being a communist. This
man has no qualifications whatsoever and to date has not published any
noteworthy scientific work worthy of a professorship.
Professor Alois Tavcar played a significant role in
the expulsion of Croatian professors from the Faculty of Agronomy. Before the
war, he favored communist and Yugoslav-oriented students, harming Croatian
students whenever possible. When the communists came to power, Tavcar played a
crucial role in the expulsion and dismissal of the Croatian professors. He
committed numerous injustices against his colleagues. In doing so, he also
betrayed his loyalty to Croatia, which had enabled his successful career
without discrimination between Croatians and foreigners.
This precipitous decline of the Faculty of Agronomy
in Zagreb should have been emphasized on the occasion of the centenary of
agricultural education in Croatia, as it constitutes a necessary complement to
Bakaric's discourse.
IV. Increasing Pressure on the Peasants
"Cooperation" with the Peasants in
Practice
The Yugoslav communist leaders boast of carrying
out, without coercion, "the socialist transformation" of the countryside.
Along with state and cooperative assets, they seek to secure the collaboration
of the peasants with general agricultural cooperatives, which supposedly
provide the peasants with favorable conditions by making available seeds,
fertilizers, machinery, and experts, thus enabling high yields and,
consequently, benefiting the peasants.
This cooperation with the cooperative, based on a
signed contract and the cooperative's participation in the production of the
individual peasant's farm—guaranteeing the cooperative in advance a percentage
of the harvest, regardless of the yield—is called the cooperative's voluntary
cooperation with the peasant and constitutes a specific form of Titoism.
We have already noted that, despite intense
official propaganda, this system only managed to extend to a small percentage
of the total area of peasant lands. It is clear that
"cooperation" does not offer the peasant any advantages; rather, it
ties him to the cooperative, makes him dependent, and exploits him. This is confirmed
by two letters written by a peasant from Slavonia, who describes the so-called
"voluntary cooperation" and several disadvantages that are increasing
and worsening. In the summer of 1960, Titoism, as a new "favor,"
decreed a tax on peasant housing.
We are transcribing an excerpt from the first
letter, written in December 1960, which deals with the forced planting of
Italian wheat varieties. Our farmer friend says:
"I can tell you that we were all forced to
plant Italian wheat under penalty of jail and fines, and that we had to request
the seed from the cooperative. As a barter, we had to give 175 kilos of our
wheat for 100 kilos of theirs, or, by contract, approximately 602 kilos per
acre, which includes fertilizer and insurance. Now, if this wheat doesn't
produce well, we'll be in debt; that is, we have to pay 19,600 dinars per acre.
We can also tell you that we now pay rent on our own houses and taxes on
everything else, except the cat. I don't know what else they'll invent for us
to pay. Every day more onerous burdens."
In our response, we asked further questions,
including whether the cooperative, in requiring the planting of Italian wheat,
in addition to providing seeds, fertilizer, and insurance in exchange, also
carries out the planting and harvesting operations with its machinery, in
compensation for the 602 kilograms of wheat per acre that must be paid to the
cooperative, or 19,600 dinars in cash. We also inquired about the amount of
property tax that farmers are currently paying on their homes and other
contributions. We received the following response:
"First, you ask about wheat, and whether the
cooperative plows and sows; no, it only provides seed, fertilizer, and
insurance for the plot you sow. We have to plow and sow ourselves. You ask if
the farmers sow under contract or do it on their own. If they had us sow under
contract, we wouldn't even have the wheat straw left. Some tried it and had to
add two to three meters of wheat per acre, because the harvests sometimes fail,
so the farmers sow on their own and whatever comes, comes."
"You ask me about the rent, that is, the tax
on our house. A commission came and inspected all the rooms, found out the
materials and age of the house, then calculated it per square meter and
converted it into points, so we have to pay 120 dinars per month for our house.
We also pay 360 dinars for our well, so we can't even drink our own water for
free. That tax was decreed in 1960. Our neighbor has a bigger house and has to
pay 960 dinars per month in taxes.
You ask what else we have to pay. We pay 13 dinars
for each grapevine, 2,400 dinars for each cart, 300 dinars for each ox or
horse, 400 dinars for each dog, and 15 dinars for each chicken, because they
say they vaccinate them, but they still frequently die. Now they've imposed
social security, and 5% of our income is deducted for that. Our income has been
estimated." "100,000 dinars per year. Then we must pay 4% of that
same income for electrification and 5% for water. And so, adding it all up, last
year (in 1960 we had to pay 50,150 dinars for various taxes and
contributions)."
This simple and clear letter from a Croatian
peasant in Slavonia requires no comment. The "cooperation" of the
communist cooperatives with the peasants, which Tito and Bakaric so often
emphasize as a new and just solution to the peasant problem, in fact means the
most common exploitation and great injustice. This forced collaboration with
the cooperative is such an onerous burden for the peasant that he will not be
able to bear it for long. In reality, this is the primary objective of
"cooperation," which seeks to completely subordinate individual
peasant land ownership and definitively eliminate it.
High taxes are levied, only to then argue that
peasant farming is no longer suited to contemporary production and must be
abolished. It is irresponsible and cruel to force peasants to sow Italian wheat
varieties. It has not yet been proven that these wheats are suitable for the
climatic conditions of Central Europe, and their quality is generally
unsatisfactory. The peasants are compelled to sow these types of wheat and pay
the cooperative for the sowing. To this end, the peasant must cede 602 kilos
per acre, or 1,060 kilos per hectare, to the cooperative.
The burdensome taxes became unbearable for the
peasants. This is evidenced by all the aforementioned burdens placed on the
Slavic peasant, whose 4-hectare field is small, leaving him with very little to
sell after household consumption. The income of this family was estimated at
100,000 dinars, including the value of the house and household goods.
Although it is a small farm, whose income is
insufficient to support a medium-sized family, the peasant landowner must pay
half of his annual income in taxes. These burdens constitute the most brutal
exploitation of the working people in whose name the communists claim to speak.
The tales of Tito, Bakaric, and other communist leaders about the
"voluntary cooperation" of the peasants with their agricultural
organizations and about progress in the countryside are blatant lies. Titoism
brought oppression, misery, and despair to the countryside. The letters cited
from the Slavic peasant are a tremendous indictment of Tito's regime. The
extremely difficult situation prevailing in the countryside categorically
refutes all the fallacies of Tito and his acolytes regarding their agricultural
policy.
The peasant suffers and is discontented; the
employee and the intellectual also consider themselves exploited and oppressed.
The overwhelming majority of the people feel discontented and exploited, living
in abject poverty. Only the small ruling clique, headed by Tito, is satisfied,
since they live in luxury and leisure at the expense of the working people.
MESTROVIC AS SEEN BY ARGENTINE SCULPTORS
Branko Kadic, Buenos Aires
The influence and work of
Ivan Mestrovic, the exiled Croatian sculptor who died in South Bend, USA, on
January 16, 1962, have universal dimensions. As Auguste Rodin said, he is
"the greatest phenomenon among the sculptors of our century" and "the
greatest sculptor of religious subjects since the Renaissance" (Sadler).
Given the undeniable impact that Mestrovic's art had on new generations of
visual artists in the early decades of the 20th century, we interviewed four
leading figures in the Argentine art world, different in age, artistic creed,
school, and style, asking for their opinions about the deceased sculptor.
Mestrovic was known in
Buenos Aires mainly through photographs and graphic reproductions of his
sculptures, as there were no exhibitions of his representative works in any
South American capital. Only Mestrovic's first wife, Ruza Klein, organized an
exhibition of her own minor works in 1928 in Buenos Aires, Santiago de Chile,
and Lima. New artistic movements arriving from Europe, such as Cubism,
abstract, non-figurative, and Informalism, brought new perspectives and
criteria, new artistic expressions, and appropriate styles. Despite the clear
polarization and confrontation between figurative and abstract art, we have
been able to verify that, in the opinion of prominent art critics and
sculptors, Mestrovic is one of the most distinguished masters of contemporary
sculpture. Below, we publish the opinions expressed by four representative
Argentine sculptors.
Troiano Troiani
Almost the same age as
Mestrovic, he was born in Buia, Udine (Italy), in 1885. He settled in Argentina
in 1914 and is considered an Argentine sculptor. In Buenos Aires, he executed
almost his entire vast artistic opus. The work of this distinguished sculptor
includes figures large and small, numerous bas-reliefs, funerary plaques,
medals, portraits, and statues that adorn parks, institutions, public
buildings, and necropolises in Argentina. Troiani participated in several group
exhibitions and exhibited his works in solo shows. He is a figurative sculptor,
but not an academic one. His art contains both classical and modern elements.
It is classical in its inspiration and overall line; modern in its modeling,
refined style, and the rhythm of its bold movement. "The peculiarity and
differentiation of his art reside in the 'musicality of the line,' the 'heroic
expression,' and that air of sublimated grandeur that has come to be called
'monumentality'" (Dante Mantovani). He was awarded and honored repeatedly
in Argentina and abroad. In 1957, the Academy of Udine, founded in 1606, made
him an honorary member.
Troiano Troiani impresses
with his vitality, nobility, and simplicity. A man of few words, like so many
true masters of the chisel, instead of answering the questions we intended to
ask him, he preferred to write the following brief and insightful judgment on
Mestrovic's art: "...I would like to give my words a very limited and
personal scope, for I am not just another critic; as an artist and as a man I
have always been a passionate admirer of Mestrovic—even in his exaggerations,
which he had, and which revealed the measure of his sincerity."
"Being an anti-classicist, he gave with his works a testament to modern
art that has the universality and perpetuity of the classical."
Alfredo Bigatti
Born in Buenos Aires in 1898, he studied at the
Academy of Fine Arts in his hometown and later in Paris with the master A.
Bourdelle. He was a professor of sculpture and drawing at the National School
of Fine Arts in the Argentine capital. He is a full member of the National
Academy of Fine Arts. During his prolific artistic career, he participated in
numerous group exhibitions and held several solo shows. In 1937, he won the
National Grand Prize for Sculpture and the First Prize for Sculpture at the
International Exposition in Paris. In collaboration with the renowned sculptor
J. Fioravanti, he created the magnificent Monument to the Flag, erected in
Rosario.
Bigatti favored architectural figuration in his
sculpture. His works are held in Argentine museums, galleries, and private
collections. Several of his drawings are in the Library of Congress in
Washington, D.C. In addition to the vast bibliography on the important work of
this already established Argentine visual artist, two prominent art historians,
Julio A. Payró and Romualdo Brughetti, dedicated profusely illustrated
monographs to him. Bigatti, who knew Mestrovic's works in Europe as well as
those owned by the daughter of the deceased Croatian sculptor, who resides in
Buenos Aires, was very pleased to answer the questions posed. What place does
the sculptor Mestrovic occupy in contemporary art? "With the major
exhibition of his works organized in Rome in 1911, the then young master
Mestrovic established himself in the universal art world with the renewing
force of a sculptural work conceived on eminently architectural principles.
These works, made of stone, with a profound humanism, signaled a return to the
geometrization of volume, marking a vanguard within the new aesthetic currents
that were stirring at that time." Master Mestrovic contributed a new yet
old element: the geometrization of form, as in the great sculpture of bygone
eras. Rodin, at the height of his powers, foresaw such a return, and in his
last book, 'The Cathedrals,' as a testament for future generations, he
extolled, in his analysis of Romanesque and Gothic cathedrals, this core
architectural value within sculpture.
Mestrovic, as a precursor, contributed this concept
to the world of art by creating that series of magnificent works that completed
the cycle of the temple to the heroes of Kosovo. What influence did the
Master's art exert on the Río de la Plata sculptural scene? In our country, the
dissemination of photographs of these works brought a breath of fresh air to
our small artistic world. The influence of Rodin and Mestrovic predominated
among the youth of the time. Rodin, with his profound modeling of an exalted
reality, and Mestrovic, with his contribution of renewed faith in the
architecture of form. Mestrovic occupies and will continue to occupy the
position of precursor of contemporary sculptural art. So far this century,
current trends fully confirm this, as sculpture has once again become
intertwined with architecture, as in the finest periods of great eras, thus
justifying the work of this precursor who struggled in isolation in his time.
"I recall that in 1924 I had the opportunity to see in London, displayed
in two large pavilions of the Tate Gallery, the work of Rodin and Mestrovic,
which had the virtue of simultaneously showing the world these two great
masters, pointing to the coordinated evolution of their concepts for the
future."
Humberto Eduardo
Cerantonio
Born in 1913 in Buenos Aires, where he completed
his studies. He currently teaches art history, sculpture, and drawing at the
Prilidiano Pueyrredón National School of Fine Arts. His sculptures and reliefs
have been exhibited in numerous group and solo shows. Cerantonio is an entirely
figurative artist with a profound humanist sensibility. He was awarded several
times in 1943, 1951 and 1953 by the National Fine Arts Salon, and the Municipal
Salon of the City of Buenos Aires in 1958. He is currently finishing the
execution of a large monument in memory of the outstanding philanthropist and
educator of Buenos Aires, William C. Morris.
His works are featured in several Argentine
museums, as well as in private galleries. He created Crucifixion and
Flagellation for the Stations of the Cross in Tandil.
We interviewed the artist in his studio, and while
leafing through prints of Mestrovic's works, he gladly answered our questions:
What impact did Mestrovic's work have on the
Argentine sculpture scene?
"I believe that Mestrovic's influence on
Argentine sculpture has been significant, considering that it had to be
balanced against the various stages of the evolution of art worldwide. Here, we
had the great direct contribution of the works of Rodin and Bourdelle, while we
knew Mestrovic primarily through graphic reproductions. Nevertheless,
Mestrovic's archaic expressionism and exasperated Gothicism left a deep mark on
the generations of that time. Some of our masters felt this fundamental
contribution in their own work, particularly in terms of the sense of rhythm
and the monumental-architectural. After the last world war, it became evident
that abstract art movements were gaining more prominence at the expense of
Mestrovic's figurative and humanist content."
In your opinion, what place does Mestrovic occupy
in the history of modern art? "Mestrovic is an outstanding representative
of sculpture rooted in post-Rodin expressionism, prior to its conversion or
deviation into abstract movements. His sense of rhythm and figurative
composition is crucial in this respect. He repeatedly revisited old themes,
which he knew how to refresh and renew. The peak of his sculpture was limited
by the global influence of the latest non-humanist schools, such as Cubism, and
the abstract, informalist, and anti-figurative movements. We must place him in a
prominent position in the history of art alongside masters like Rodin,
Bourdelle, and Wildt."
Libero Badii
Badii, along with the recently deceased precursor
Curatella Manes, is the most representative Argentine sculptor of the new
abstract movement of geometric forms. Born in Arezzo, Italy, in 1916, he
arrived in Argentina in 1927 and, after completing his studies, traveled
through several South American countries, becoming acquainted with prehistoric
art and the reality of the indigenous peoples of the Americas. After World War
II, he traveled through Europe and became intimately acquainted with the works
of the ancient Greeks, the Etruscans, the Romanesque, the Gothic, the
Renaissance, and the "intrepid" sculptors of our time. Figurative in
his early works,
Badii abandoned classical and traditional forms and
sought his individual expression by combining rough materials with a polished,
bare, abstract surface. "Badii feels, on the one hand, the emotional,
sensitive force that focuses him on expressiveness and, on the other, the pure
concept that leads him to abstraction, to pure form in space" (Romualdo
Brughetti). Badii, who received the Palanza Prize in 1949, held several solo
exhibitions, the last of which (August 18–September 19, 1962) was at the
National Museum of Fine Arts, sponsored by the National Fine Arts Fund. The
opinions of this talented visual artist, whose concepts differ from those of
Mestrovic, are particularly interesting. In his modern studio, where abstract
and geometric compositions stand alongside his earlier figurative works, Badii
answers our questions with spontaneity and simplicity.
To what extent did Mestrovic influence Argentine
artistic movements?
"Mestrovic's influence in Argentina was
integrated during the 1930s and 40s through a series of reports that made a
significant impact on our artistic circles. During that decade, as a student, I
recall that in our conversations with teachers, the topic of Mestrovic's work
arose. It's important to remember that this information reached us during a
period when all our teaching was highly baroque. Seeing Mestrovic's work
through graphic reproductions, his application of a particular vision of his
plastic composition, it was natural that I, eager for new forms, felt a surge
of admiration. Indeed, if we examine the works created during that decade by
various Argentine artists, we will notice that these graphic reproductions of
Mestrovic's work had a certain impact."
In your opinion, what place does Mestrovic occupy
in the history of 20th-century visual arts, and what accounts for the decline
in his fame and influence after World War II? "From the beginning of our
century, the great creative currents in art, in the course of events, caused
these currents, which were initially rejected, to gain such vigor that every
work that was then considered highly creative was overwhelmed by that very
force of creation. Mestrovic's work has been swept away by these latest visions
of the artistic spirit in general. In his period of splendor, he was
undoubtedly an illuminating force between the prevailing Baroque style and the
new visions that were taking shape within artistic practice. It is a pity that
this great sculptor did not feel the preponderance of new artistic concepts.
"At the beginning of our century, Auguste
Rodin dominated sculpture. From this central point, two paths diverged, two
currents in modern visual arts." The most notable exponents of the first
movement are: Despiau (1900s), Maillol (1910s), Bourdelle (1920s), and
Mestrovic (1930s), and the most representative figures of the second movement
would be: the Cubists Lipschitz, Laurens, and Archipenko (1910s), then Brancusi
(1930s) and Posner (1950s). Mestrovic, therefore, is the last great
representative and champion of figurative art.
TRANSCRIPTS
The Croatian Struggle for Independence as Seen by a
German Newspaper
The German newspaper
Deutsche Soldaten und Nazional-Zeitung, published in Munich, ran an informative
article on September 22, 1962, entitled "As Long as There Is a Single
Croat, the Thought of an Independent and Free Croatia Lives On." In this
article, drawing on sources and circumstances, the struggle of the Croats for
their national independence during the last war is recounted. We transcribe it
below due to its impartial approach, despite certain inevitable inaccuracies in
a narrow analysis of such complex relationships.
The Croatian state,
founded 21 years ago, on April 10, 1941, and dissolved on May 15, 1945, existed
for only four years. And yet these four years live so deeply in the
consciousness of the Croatian nation, which feels forever linked to Central
European culture, just as this people will cling to the idea of a
free and sovereign state as long as there is a single Croat left. Croatia once
belonged to the Austro-Hungarian monarchy, and when the peoples of the old
Austria were classified as victors and vanquished, Croatia was considered among
the latter and, therefore, among those without rights. Against their will, they
were pressured, based on the then European colonial policy, into the newly
founded Kingdom of Serbs, Croats, and Slovenes, which King Alexander, assassinated
in Marseille, decreed would be called Yugoslavia on January 6, 1929. All
Croatian attempts, both democratic and parliamentary, aimed at legally
establishing this much-maligned state, failed from 1918 to 1941 due to brutal
methods of oppression, culminating in the assassination of their uncrowned
king, Stefan Radić, along with deputies Pavle Radić and Gjuro
Basarček, in the Belgrade Parliament, shot dead by Serbian deputy Punisa
Raćić.
From this assassination,
carried out within the Parliament building—a method of warfare previously
unknown in European parliamentary history—the hopes of the Croats were pinned
on revolution. The first failed attempt, known as the Velebit Uprising, was
organized in 1932 by the future leader of the Croatian state, Dr. Ante Pavelić.
The uprising was unsuccessful because the moment was not yet opportune and
because the Ustaše movement, led by Pavelić, was too limited and
insignificant.
Yugoslavia, in the period between the two world
wars, practiced a policy of "balancing" its allegiances, always
relying on the then-great European powers. This typical example of a weak and
artificial state lived then, as it does now, on continuous credits, aid, and
loans. These were obtained from wherever they could be found, a situation that
has not changed to the present day.
When the Axis powers assumed supremacy in Europe,
Yugoslav policy, which had traditionally been Francophile and Anglophile,
shifted towards Germany and Italy. The proponents of this policy were Dr. Milan
Stojadinovic, who recently died in exile in Argentina, and his successor,
Dragisa Cvetkovic, who currently lives in exile in Paris. His government, which
joined the Tripartite Pact on March 25, 1941, was overthrown on March 27, 1941,
by the coup (Putsch) led by Air Force General Dusan Simovic.
The fall began with a demonstration by officers,
students, and Serbian citizens in the streets of Belgrade, as the crowd
chanted, "Better war than a pact." The coup (Putsch) was organized by
Air Force General Bora Mirkovic, who, as the only former Yugoslav general
currently in England, received a brigadier general's pension. According to
Seaton Watson, the coup was financed by the British Intelligence Service and,
as other sources indicate, also by the head of the Office of Strategic Services,
then Colonel, later General William Donovan. It is said that the leaders
received 500,000 pounds sterling and an unknown sum of US dollars for their
coup.
In any case, Churchill misled world public opinion
when, on March 27, 1941, he told the House of Commons that Yugoslavia "has
finally found its soul."
In addition to Cvetkovic's government, Prince Paul
of Yugoslavia was also overthrown by the coup leaders, who enthroned the
still-minor Peter II. It is significant that the proclamation of the throne,
addressed to the people of Yugoslavia, was read by a young Serbian lieutenant
named Jakov Jovovlc, without the knowledge of the newly enthroned king, who was
asleep at the time.
While demonstrations were taking place in Belgrade
and the German military attaché was spat upon by Serbian officers during the Te
Deum for the new king, a deathly silence reigned in Croatia. The calm before
the storm.
Simovic personally had his Foreign Minister,
Momcilo Nincic, clarify that his government recognized all signed agreements,
including Yugoslavia's accession to the Tripartite Pact, while a Yugoslav
delegation held negotiations in Moscow. On April 6, 1941, the German response
arrived: With a heavy bombardment of Belgrade, directed by General Löhr, the
troop movement against Yugoslavia began, which would end, to the great surprise
of world public opinion, more quickly than the attack on Poland. An attempt by
England to penetrate through Greece to aid Yugoslavia failed, just as the
attack through Norway had.
The Croats did not want to die for Yugoslavia. Even
before the German troops entered, they had founded independent Croatian
republics in Čakovec and Bjelovár. Those who had deserted out of
conviction, along with members of the peasant and urban militia—a paramilitary
organization of the Peasant Party—disarmed the few units and regiments willing
to fight. Alongside this peasant and urban militia, the Ustaše movement of Dr.
Ante Pavelić, led by the future Field Marshal Slavko Kvaternik, also
gained strength as a smaller but more radical group.
Neither Hitler nor Mussolini, still considered in
Allied propaganda today as founders of the Croatian state, had expected or
demanded a similar uprising in Croatia. Hitler himself was more of a friend of
Yugoslavia and the Serbs, whom he called "Prussians of the Balkans."
Moreover, he and Mussolini had handed their mutual friend Stojadinovic over to
supporters of the Ustaše movement, and when war broke out against Yugoslavia,
most of the Croats in Italy and Germany were interned in concentration camps.
However, the Allies labeled the Croats fascists
because they aligned themselves with the Axis powers. In reality, a fascist
party never existed in Croatia, and by the same logic, the Western powers could
be called communists for having been allies of Stalin.
On April 8, just five days after leaving Zagreb,
the leader of the peasant party, Macek, reappeared in the Croatian capital,
which was captured by German troops on April 10, 1941. That same afternoon, he
was visited at his home by two German representatives. They came to inform
Macek that the German army had transferred all power in Croatia to then-Colonel
Slavko Kvaternik, who, in accordance with the plans of the German Reich, had
proclaimed an independent Croatia. They asked Macek to issue a proclamation to
the Croatian people, urging them to remain calm and support the authorities of
the new state, which he did.
With the proclamation of the new independent
Croatian state in Zagreb on April 10, 1941, the Yugoslav monarchy ceased to exist.
Eight days later, General Kalafatovic signed the surrender.
On April 15, the leader of the Ustaša movement, Dr.
Ante Pavelić, appeared in Zagreb and received command of the new state
from Kvaternik, which he held until his tragic end. He was accepted by Hitler
and Mussolini as leader of this new state after Macek had refused to take
command from Hitler.
What followed was the tragedy of a nation that had
fought fiercely and tenaciously for its freedom, even when defeated. "We
didn't care who opened the doors of our prison," most Croatian émigré
leaders still think today. Croatian divisions fought alongside German troops
against communism during World War II. Everywhere, the Croats renewed their
long-standing reputation as soldiers and demonstrated their traditional
loyalty, even in Stalingrad.
The Independent State of Croatia survived the
German surrender by only a few days. Tito's last war communiqué was issued on
May 15, 1945, as the last organized resistance of the remnants of the Croatian
army was being crushed in Odzaci, Bosnia. The long ordeal of the Croatian armed
forces and the Croatian people had begun. A Katyn far surpassing the Polish
one.
The Croatian state is dead, but its ideal will live
on until this European people, too, is granted the right to self-determination.
DOCUMENTS
Memorandum from the Catholic Bishops to the
Communist Government of Belgrade
The Catholic bishops of
Yugoslavia, gathered at their annual plenary conference in Zagreb, the capital
of Croatia, addressed the following memorandum to the Federal Executive Council
(Federal Government) of Belgrade on September 13, 1962. We reproduce it
verbatim in Spanish as our exclusive scoop:
"We are on the eve
of the promulgation of the new Constitution. The Catholic Bishops have not yet seen
its draft. However, since new norms for ecclesiastical and religious issues
will likely be established at that time, the Catholic Bishops of Yugoslavia,
gathered at their annual plenary conferences, consider it their duty, taking
into account past experiences, to draw the attention of the Federal Executive
Council to certain problems of vital importance for the future of the Catholic
Church in Yugoslavia.
The Catholic Bishops must
insist, as they have done until now, on full freedom of religion, not only in
matters of worship but also in all other obligations." which affect the
integrity of religious life in practice.
On this occasion, we must
emphasize that our faithful and priests complain more and more each day that
they and their children are prevented, under various pretexts, from exercising
their religious duties, and especially from attending Holy Mass on Sundays and
holy days. Such obstacles are found everywhere: in institutions and businesses,
in children's summer camps, and particularly in children's homes. Something
similar could be said regarding young conscripts. Although in recent times
cases of formally prohibiting enlisted conscripts from exercising their
religious duties are not so frequent, the conviction prevails in the army that
practical religiosity clashes with the duties and honor of the Yugoslav
soldier. Religious freedom, in accordance with our constitutional guarantees,
should, in the opinion of the Episcopate, also be manifested in this sphere.
Likewise, the Episcopate
is aware of cases, unfortunately quite frequent, in which the children of
Catholic parents They encounter difficulties in attending regular religious
instruction. This is particularly true for children living in foster homes.
Our faithful deeply
regret not being able to celebrate even their greatest religious feast,
Christmas. The Bishops duly presented their complaints and wishes on this
matter, but without success. This time, they reiterate them, hoping that, at
last, this justified request from the Church and the faithful will be heeded.
The Bishops consider it a
particular difficulty that, even today, some seminaries (in Rijeka, Split,
etc.) cannot serve their purpose, either because they have been nationalized or
because they are occupied.
An equal difficulty for
the Bishops is the fact that the relevant authorities are reluctant to grant
permits for the construction of churches and other buildings, especially in
cities.
The Catholic Bishops are particularly concerned
about indications that, following the reform of education, a decree might be
inserted into educational legislation stipulating that the Church could only
accept into its seminaries and religious schools those candidates who have
already completed secondary education. In the opinion of the Bishops, this
would completely preclude the regular education and instruction of candidates
for the priesthood as prescribed by canon law. Should such a trend materialize,
the Bishops will vigorously oppose it.
The Catholic Bishops of Yugoslavia hope that the
new Constitution will not contain any provision that conflicts with the rights
of the Church, but rather that any eventual legal stipulation, while ensuring
normal relations between Church and State, will fully guarantee and respect the
inalienable rights of the Church and its faithful.
Formulating these observations, driven by the
desire that they may contribute, as stated above, to normal relations between
state and ecclesiastical authorities in our country, the Catholic Episcopate
respectfully greets the Federal Executive Council.
Signatures follow.
THE DIFFICULT SITUATION
OF THE ISLAMIC RELIGIOUS COMMUNITY
In Croatia, a message
from the assembled representatives of the Islamic officials of
Bosnia-Herzegovina and the Islamic Religious Community in Yugoslavia to their
congregations is circulating in numerous copies. This circular describes the
precarious situation of the Islamic religious community in communist
Yugoslavia, especially in Bosnia and Herzegovina, where approximately one
million Muslims of Croatian nationality reside, constituting a third of the
population of this "people's republic." We reproduce the
aforementioned circular according to the version published in the Croatian
exile newspapers Bosanski Pogledi (Bosnian Perspectives), London, October-November
1962; Danica, Chicago, December 5, 1962; and Hrvatski Glas, Winnipeg, Canada.
"The undersigned
officials of the Islamic Religious Community, gathered in the assembly of
representatives from various Muslim communes of the Republic of Bosnia and Herzegovina,
consider it our Muslim duty to address a few words to our Muslim brothers, who
may receive this circular, on the occasion of this meeting.
The Islamic Religious
Community is neither competent nor authorized to give instructions to its
members regarding how they should resolve their political and financial
problems, as long as those problems conform to the prescriptions of Islamic
principles. But in the current circumstances, we consider it our duty to draw
the attention of our Muslim brothers to certain problems that we can, with the
help of Allah and united efforts, resolve. Already in the final phase of the
war of national liberation (the official term for the communist guerrillas),
our government had declared that it would respect freedom of religion and
conscience, as well as private property. The government of the People's
Republic of Bosnia and Herzegovina initially adopted these principles, but
always implied through the press that, in its In our opinion, the prevailing
situation within the Islamic Religious Community was unsatisfactory.
Since the new spirit of
the administration contradicted the statutes and rights of the Islamic
Religious Community, which had been guaranteed until then, and was therefore,
in part, detrimental to the application of the principles of Sublime Islam, we
endeavored to persuade the competent authorities that we should resolve several
disputes among ourselves quietly. In this regard, we obtained promises from the
higher authorities that they would proceed accordingly. However, despite our
efforts, the situation worsened. Looking back on the situation of the Islamic
Religious Community, we must frankly describe all the difficulties and
hardships the Community endures.
Our most serious problem
is the lack of muezzins and their precarious financial situation. During the
war, a large number of rural and provincial religious officials, such as
muezzins, registrars, and preachers (imamas, hatibas, imama-bativaras,
muderrishas, and vaizas), were killed or disappeared. It is not possible to
provide exact figures on the religious officials who were murdered and
beheaded, but we can say that their number far exceeds that of those who
survived.
Even after the war, many
highly capable and qualified religious dignitaries were imprisoned and
sentenced to long prison terms or even death, without their guilt being proven
and without being afforded the right to a defense granted to the worst
criminals. The list of such people is quite long, and it is very difficult to
recover from their loss. We still do not know, nor have we been told, why many
of them were prosecuted, unless it was for holding political opinions different
from those of the current regime. Even now, beloved brothers, there are
countless Muslim dignitaries in prisons, condemned to forced labor for many
years. This situation prevails in these prisons because of men who are by no
means, not even remotely, worthy of being considered human, not even human scum
(mahluk).
The situation of the Islamic religious press
constitutes another grave and irreparable grievance inflicted upon us by the
irresponsible element. Of the numerous Muslim newspapers we once published,
only one remains: The Spokesperson of the Islamic Religious Community
("Glasnik Islamske Vjerske Zajednice"). When we requested its
expansion, our request was denied due to an alleged shortage of paper and
printing difficulties. All Muslim printing presses are now closed.
An even harder blow for us is the situation in the
Muslim religious schools. The religious foundations (Vakuf) built and
maintained numerous primary and secondary schools (mejtefe and medrese) at
enormous expense. Thousands upon thousands of students—rural, urban, and
working-class—passed through these schools; today's scholars and artisans of
all professions are now educators.
Currently, these schools, including the religious
high school (seriat) and the higher religious-theological school, are closed.
Regarding the religious education of Muslim children in schools, the Islamic
Religious Community suffered the most severe blow. Religious instruction is not
compulsory in any school. In all primary and secondary schools, religious
instruction was reduced to one hour per week, while in the upper grades of
secondary schools it was completely eliminated.
This was justified by invoking the principle of
so-called freedom of conscience. Religious instruction, religion, and all
divine morality were declared medieval and outdated. Because
"Glasnik" is under the strict control of the official censor, the
Islamic Religious Community is deprived of information and has no opportunity
to discuss with the relevant bodies whether it has the right to a normal existence
or whether this is all mere propaganda to provide foreigners with evidence of
the authorities' tolerance and leniency. Our Muslim youth, the hope and future
of Islam in this corner of the world, face the greatest danger. The new
morality deprives parents of the right to control their children (it seems
there are more competent people for that), so young people spend their free
time at parties and dances, dancing and drinking, without anyone mentioning the
dangers such a lax lifestyle poses to public morality. Statistics on
illegitimate children and venereal diseases, to which our minors are exposed,
are the best proof that this system aims at the moral destruction of the nation
and the Islamic religious community, whether the responsible authorities want
to acknowledge it or not.
Even more painful is the dangerous increase in
marriages between Muslims and non-Muslims. The higher authorities encourage
these marriages, which for us means the total extermination of Islam, of our
homeland. The practice of Friday midday prayers (Dzuma Namazah) and attendance
at Ramadan sermons are almost always ruled out due to official schedules,
meetings, assemblies, and rallies that take place precisely at those times and
on those dates. Likewise, young people are forced to participate in so-called
piecework during the most important Muslim holidays and at times when they
should be gathered to fulfill their religious duties.
Since the seriat courts and seriat law have long
been abolished, and civil marriage, which in almost every aspect contradicts
Islamic ethics, has been implemented, it happens that a woman marries two or
three men, and divorces one without knowing who the real father of her child
is. The immediate future will reveal the consequences this will have for normal
family life, the fundamental basis of all progress for a nation and a state.
How many children will be deprived of a proper and moral family upbringing, and
how many abandoned children will thus become a burden on the community and the
people!
The land reform, as approved by the National
Assembly, represents a great injustice to the Islamic Religious Community. All
the assets of the Vakufi (religious foundations) originated from these
foundations and belonged to the community. Their resources supported soup kitchens
for the poor, mosques, primary and secondary schools, and orphanages. They also
supported the staff of the Vakufi and the Islamic Religious Community.
The land reform stripped the Vakufi of all its
lands and related implements without any compensation, as if the Vakufi and the
Islamic Religious Community had stolen them. Such a land reform made it
impossible to maintain the normal operations of Muslim religious institutions
and to preserve the Muslim spirit among our people. Furthermore, it imposes tax
burdens on the maintenance of existing institutions at the expense of the
faithful, whose incomes are already diminished by the country's difficult
economic situation. We particularly abhor the atheistic and materialistic
spirit that is currently being propagated officially and unofficially in our
homeland.
We, the ulema, as doctors of Islamic law,
custodians of Islam, and representatives of the religion, condemn this
materialistic spirit, from which humanity should expect nothing good. At the
same time, we condemn all ideologies and all social systems based on atheistic
philosophy and secularism.
In view of the moral and material pressure that is
being exerted with ill intent on the Islamic religious community, it is clear
that Muslims in the Federal People's Republic of Yugoslavia are in a very
different situation than before. The current situation of Muslims differs only
in name from open persecution and the prohibition of Islam.
Whatever happens to us, we look to the future with
unwavering faith and hope, for we have been convinced countless times that the
vast masses of the people remain devoted to divine precepts and are so deeply
rooted in religious and ethical traditions that not even the most intense
atheistic propaganda can alter their convictions.
We deliver these words to you, Muslim brothers,
with the best of intentions and without any desire to provoke a conflict with
the national authorities. Our proposals have been made public with the aim of
normalizing relations and without any intention of inflaming passions.
Therefore, we demand full freedom of the Muslim press, of Muslim religious
schools, and free religious instruction in all primary and secondary schools.
We ask that the courts of our religious community be reinstated and that mixed
marriages for Muslim women be prohibited, at least until they reach the age of
majority.
We request the restitution of the confiscated
property of Vakufi, the reconstruction of all mosques that have been destroyed
or altered, and, among the first, the mosque in Zagreb. We demand the autonomy
of the Islamic Religious Community, for only in this way will the Muslim
population regain confidence in the national authority and its good intentions.
We hope that we have expressed what weighs on the heart of every Muslim and
that no one can accuse us of bias or pettiness. With the wish and invocation
that the Almighty and Merciful Allah show us the true path and give us patience
and comfort in the new year 1382 after Hidzra month of Muharram.
On behalf of the ulema of Bosnia-Herzegovina and
the Islamic Religious Community in the Federal People's Republic of Yugoslavia,
at the conclusion of a meeting with numerous distinguished Muslims from the
working class, artisans, and teachers, we have signed this circular letter, informing
our brothers of the current situation of the Community and its uncertain future
if each of us does not contribute to improving this state of affairs.
Given in Sarajevo, June 16, 1962.
Signatures follow: Hafiz Ibrahim Proho, Hafiz Kamil
Silajdzic, Hadzi Masid, Hadzi Muhamed Begler, Abdullah Dervisevic, and Hadzi
Hafiz S. Sahacic.
THE SUBJUGATED
PEOPLES OF YUGOSLAVIA AND THE ASSEMBLY OF EUROPEAN CAPTIVE NATIONS
Croatian-Latin
American Institute of Culture
From November 12 to 19, the Week of European
Captive Nations (ANCE) was held in Buenos Aires with the permission and support
of the Argentine government. Coinciding with these events and the presence of
delegates from the Central Committee of the United Nations General Assembly,
the formation of the Argentine Association of Friends of ANCE was publicly
announced. This association is comprised of prominent figures in the political
and cultural life of Argentina. On this occasion, the Argentine government was
asked to raise its voice in protest at the United Nations "against the
absurdity and abnormality of maintaining historical nations subjected to
captivity and slavery," victims of Soviet colonialism in Central and
Eastern Europe.
As is well known, exiles from Yugoslavia do not
participate in ANCE activities, which lends itself to confusing
interpretations, as if the peoples of communist Yugoslavia were not as captive
as other peoples under communist governments. Such blatant favoritism toward
the Yugoslav communist dictatorship by an international anti-communist
organization as prestigious as ANCE constitutes one of the most flagrant
anomalies regarding Belgrade's ambiguous stance following the exclusion of the
Yugoslav Communist Party from the Cominform.
The Croatian Latin American Institute of Culture,
lamenting this absurd situation, sent a letter on November 14th to Dr. Brutus
Coste, Secretary General of ANCE, pointing out the untenable nature of such a
practice, which is detrimental to the organization itself. Copies of this
letter were delivered to Dr. Walter J. Perkins, President of the Argentine
Association for the Self-Determination of Peoples, and to Dr. Manuel V.
Ordóńez, President of the Argentine Association of Friends of ANCE. These
distinguished Argentine figures expressed great understanding of the Croatian
perspective on the matter.
The following is the text of the memorial addressed
to Dr. Brutus Coste:
The Croatian Latin American Institute of Culture,
which brings together Croatian exiles and Argentinians of Croatian descent, is
pleased to extend its greetings to the distinguished representative of the
Assembly of European Captive Nations, wishing them every success in their noble
efforts to obtain the understanding, solidarity, and support of the people and
Government of the Argentine Republic in the struggle for the liberation and
self-determination of the European peoples under communist oppression.
Wishing only that this necessary and worthwhile
endeavor may receive unanimous support, we feel compelled to point out an
unjustified and detrimental absence from the events commemorating the Week of
European Captive Nations, an absence detrimental to the cause of the oppressed
countries.
This refers to the absence of the oppressed peoples
of Yugoslavia, noted by prominent figures in Argentine public life as early as
the inaugural ceremony. Standing before the monument to General José de San
Martín, alongside the representatives and raised flags of Albania, Bulgaria,
Czechoslovakia, Estonia, Hungary, Latvia, Lithuania, Poland, and Romania, there
were neither representatives nor flags of the captive peoples of Yugoslavia,
victims of communist tyranny, as prominent as the aforementioned nations.
Many also noted the absence of Croatia, which
actively participates in the frequent events organized by the representatives
and organizations of the captive nations. In this country, the struggle of the
oppressed peoples of Yugoslavia, and especially the Croatian people, is not
unknown, as a large, active, and well-organized group of Croatian exiles resides
here.
Our Institute, for example, sponsors the journal
Studia Croatica, published in Spanish, which addresses the problems of the
nations enslaved by communists. The Argentine public, starting from the
principle that freedom is indivisible, cannot separate the struggle of the
peoples of Yugoslavia for their liberation from the same struggle of the
countries that make up the ANCE, so the question arises: How is it possible
that within ANCE there is discrimination to the detriment of the peoples subjugated
in Yugoslavia, that is, in favor of communist Yugoslavia?
That question was posed to you spontaneously at the
press conference in the City Hotel. You correctly answered that in Yugoslavia
"the rights to self-determination are suppressed" and that its people
"must be helped, since their right is similar to that of any other people
on earth" (La Prensa, November 12, 1962). Your clear and defined position
encourages us to explain to you the reasons in favor of the participation of
the peoples of Yugoslavia in the work of the ANCE, from which they have been
excluded until now.
If, after the 1948 Cominform Resolution against the
leadership of the Yugoslav Communist Party, it might have been considered
appropriate and advisable to adopt a flexible and expectant attitude toward
communist Yugoslavia, under the assumption that its "national
communism" could be in the best interests of the free world, such reasons
and premises are now untenable. Even the democratic governments that provided
substantial aid to communist Yugoslavia have recently reiterated that the
government in Belgrade is as communist as that in the Kremlin.
Furthermore, communist Yugoslavia acts in
solidarity with the Soviet Union on all major issues of international politics.
It scandalously supported the Soviet repression of the Hungarian Revolution,
and now supports the Soviet position in the Cuban crisis. On the eve of the
Cuban Missile Crisis, on October 3rd, Tito and Brezhnev, Chairman of the
Supreme Soviet, issued a joint declaration expressing the solidarity of both
governments with the communist dictatorship in Cuba. In the same declaration,
they called on the Washington government to normalize its relations with Cuba
on the principles of "peaceful coexistence."
It is obvious, therefore, that the peoples of
Yugoslavia cannot be excluded from international action that strives for the
recognition of the right to self-determination of all European peoples under
the communist yoke. If it is absurd when communists insist on recognizing this
same right for all Afro-Asian peoples while upholding Soviet colonialism in Europe,
it is even more absurd that a relatively small country like Serbia maintains
entire populations and numerous national minorities in colonial dependency and
continues to receive not only abundant material assistance but also moral
support from democratic governments.
Furthermore, an attempt is made to conceal the fact
that Yugoslavia, in its structure and form of government, is nothing more than
a miniature and deteriorated version of the Soviet Union. While the Soviet
Union recognizes, at least formally, the independence of some nations
represented in the ANCE, the government of Yugoslavia deprives several peoples
and numerous national minorities, particularly the Albanian and Hungarian
minorities, of the right to self-determination.
The absence of representatives of the oppressed
peoples of Yugoslavia in the ANCE is sometimes justified by claiming that the
exiles from Yugoslavia failed to form a representative body (impossible to
constitute for the simple reason that there is no people of Yugoslavia) and
that including representatives of each people separately, for example the
Croats or Slovenes, would mean declaring themselves in favor of the
dismemberment of an independent country, recognized by all between the two
wars, which is also a victim of communist aggression.
Such criteria would be beyond reproach if
Yugoslavia were a nation-state. However, a rigorous application of these
criteria to a multinational state like Yugoslavia, created in 1918 and restored
in 1945 through the violation of the rights to political and national
self-determination, means sacrificing the fundamental principles upon which the
work of the ANCE is based to political opportunism. Furthermore, recognizing
the right to self-determination for the peoples of Yugoslavia does not imply
advocating their dismemberment, but rather the inalienable right of all peoples
to freely decide their political status.
To oppose the recognition of these rights today is
tantamount to adhering to the thesis of the Yugoslav monarchical dictatorship,
established in 1929 under the pretext of preserving the fictitious unity of the
Yugoslav people—a unity in which even those who upheld it did not believe. They
needed that theory to justify Serbia's hegemony over the other peoples and
national minorities in Yugoslavia and to maintain the situation that led to the
well-known bloody conflicts, which the communists exploited to seize power.
That Yugoslavia is not a nation-state but a multinational
one is recognized today by exiled representatives of all the parties in
Yugoslavia. No democratic group today denies the right to self-determination to
all the peoples of Yugoslavia, nor does the communist regime. Moreover, the
communists emphasize that pre-war monarchical Yugoslavia was a typical country
of national oppression. Article 1 of the 1946 Yugoslav communist Constitution,
a faithful copy of the 1936 Stalinist Constitution, states that Yugoslavia is
"a community of peoples," just like the Soviet Union.
The peoples of Yugoslavia, "by virtue of the
right to self-determination," are entitled to "the right of
separation." Consequently, Yugoslavia was constituted as a federation of
six "people's republics," with the borders of each republic defined
according to national criteria. Therefore, the "people's republics"
of Serbia, Croatia, Slovenia, Macedonia, and Montenegro would have the status
of nation-states, while the autonomous territories of Vojvodina and Kosmet
within the Serbian People's Republic would guarantee the national rights of the
Hungarian and Albanian minorities, respectively.
Of course, federalism in a communist state,
governed centrally by the monolithic communist party, is a mere form without
substance, so—as you rightly stated—in Yugoslavia, to this day, there has been
no possibility of exercising the right to self-determination. Nevertheless, by
formally recognizing the right to self-determination, the Yugoslav communists
acknowledged the multinational character of Yugoslavia.
Croatia was a kingdom associated with Hungary, and
then, until 1918, it was part of the Habsburg Danubian Monarchy. At the end of
the First World War, Croatia was deprived of the right to self-determination
and incorporated into the Yugoslav state, dominated by Serbia, although Croatia
and Serbia had never previously been part of a single state. Croatia was denied
all sovereign attributes, despite the fact that the overwhelming majority of
Croatians voted in every election between the two world wars for the Croatian
Republic Program, and despite their tenacious and sacrificial struggle during
the last war against the communists and against the restoration of Yugoslavia.
The Metropolitan of Croatia, Cardinal Aloysius Stepinac, emphasized before the
communist tribunal that the Croatian people have repeatedly and overwhelmingly
declared their support for their nation-state, to which they are entitled by
both human and divine law.
In this struggle for freedom and national rights,
the Croats gave hundreds of thousands of their lives. The communists were able
to subjugate Croatia by employing exceptionally brutal terrorist methods and
perpetrating massacres that bear all the hallmarks of genocide. Countless
Croatians were forced to emigrate and today live in every free country in the
world. Among them are distinguished cultural and political figures, potentially
valuable collaborators in the activities of the ANCE.
It follows, therefore, that there can be no valid
reasons for Croatia and the other captive peoples of Yugoslavia to be excluded
from the work and scope of the ANCE, and that, under the current circumstances,
this problem requires an urgent and just solution. On what principles is it
permissible to exclude entire peoples from the ANCE, victims of communist
tyranny like those who comprise it? Any discrimination against the captive
peoples of Yugoslavia calls into question the purity and justice of the ANCE's
motives and ideals.
Therefore, while we warmly welcome your noble
efforts in promoting the ANCE's cause in the Republic of Argentina, we consider
it imperative to end this discrimination, which could be interpreted as support
for the oppressive policies that curtail the rights of the peoples of
Yugoslavia, rights that must take precedence over the fiction of a nonexistent
Yugoslav nation.
We are well aware that the question of Croatian
representation in the ANCE must be resolved by its central body in New York.
Meanwhile, during the Week of European Captive Nations in Argentina, the right
to self-determination of all peoples, without exception, under communist
captivity, will be highlighted, particularly in the announced request to the
Argentine government to raise the plight of the European captive nations at the
United Nations and plead for their prompt liberation.
We are confident that you will appreciate, with
your characteristic high judgment, the reasons we have just presented on behalf
of this Institute, which, while bringing together exiled Croatians and
Argentinians of Croatian origin, does not claim to represent the cause and
interests of the Croatian nation. Our aim is for Croatia to be granted the same
rights as the other captive nations within the European Union.
Grateful in advance for the attention you may deign
to give to this presentation, and wishing you a swift and complete success in
your noble endeavors in favor of the rights and freedom of the captive peoples
with whom we feel entirely in solidarity, we greet you, distinguished doctor,
with our highest consideration and esteem.
REVIEW OF CROATIAN AND SERBIAN LITERATURE IN THE EL
ATENEO ENCYCLOPEDIA
Luis Gerzinic
In the third volume of
the magnificent El Ateneo Encyclopedia, an incomplete or inaccurate account of
Croatian literature was published. This is not due to the incompetence of the
author or editor, but rather a new manifestation of Serbian chauvinism against
Croatia. The El Ateneo publishing house obtained a substantially objective and
balanced review from its contributor, Luis Gerzinic, a professor of Slavic
languages and literatures, a qualified and impartial Slovenian specialist. His
article, without his consent or knowledge, was published in a distorted and
falsified form. Croatian Renaissance literature was lumped together with
Slovenian literature, while several prominent modern Croatian writers are
listed as Serbian playwrights or novelists. The editors of the El Ateneo
Encyclopedia were taken advantage of by a Serbian chauvinist who, in his
proselytizing, showed no respect for either historical truth or the trust
placed in him. Unfortunately, these are the usual methods of Serbian
propagandists and authors regarding Croatian literature, history, and culture.
As an illustration, we
publish the letter that the reviewer's author, Luis Gerzinic, addressed on
January 2, 1963, to Mr. Eustacio García of El Ateneo Publishing House,
clarifying Mr. Petkovic's role in the distortion of Slovenian and Croatian literature.
At our request, Mr. L. Gerzinic wrote a supplement to the aforementioned
letter, which we also publish.
Finally, we wish to
inform publishers in Latin American countries who strive to offer their readers
accurate data and information that they can find highly qualified advisors
among Croatian intellectual exiles regarding the culture and history of South
Slavic countries. It so happens that Yugoslav sources, primarily consulates and
embassies, provide inaccurate and distorted information that favors Great
Serbian expansionism.
This is because Mr. Eustacio García
El Ateneo Bookstore and Publishing House
Florida 340, Buenos Aires.
Dear Sir: I am writing to
you regarding Volume III of the El Ateneo Encyclopedia, to which I contributed
articles on Polish, Czech, Slovak, Bulgarian, Slovenian, Croatian, Serbian,
Lusatian, and Austrian literature, and I also oversaw the sections on Russian
literature—to which I added Ukrainian literature—and German literature.
I am sincerely pleased
with the excellent presentation of the work and wish you every success.
I understand that in
works of this kind, the editors have the right and the obligation to modify the
various contributions "provided that this represents some
improvement," whether within the individual articles or in the structure
of the work as a whole.
However, I believe that
all modifications of any significance should be decided "after consulting
the responsible specialist," that is, the author of each article.
Unfortunately, these
principles were not followed in the case of my articles, and the result is
poor, in some cases very poor.
Before pointing out the
main shortcomings, I must state that despite my repeated complaints and
numerous promises from Mr. Bozzi, I was not sent a single proof (with the
exception of the abridged introduction to Slavic literatures, which deals with
the orthographic issue). Nor was I given any information about the printing
process until I learned from another source that the work was practically
printed and that no further changes could be made.
From this source I also learned that in the
articles on Slavic literatures, the editors granted full powers (?) to Mr.
Petkovic (whom I don't know and who, it is said, had never studied Slavic
philology).
I would have liked to have met this gentleman when
he first appeared as supervisor and proofreader of the Encyclopedia. In a
direct conversation, we could have resolved any of his doubts and determined
the true value of his objections. I would have liked to meet Mr. Petkovic in time
all the more because Serbian literature was the only one for which I couldn't
find (even with the kind assistance of Dr. Debeljak) a qualified person to read
my respective article and supplement my information regarding Serbian literary
activity after 1941. (All the other Slavic literatures had been read by such
experts—their names are available—who also provided a large part of the graphic
material.)
But no: neither the Encyclopedia's management nor
Mr. Petkovic felt that the only correct course of action, and the one that
would benefit the work, would be to consult the author of the articles before
making any changes.
Unfortunately, the consequences were inevitable.
Below I outline the most serious ones; I can only briefly address the Croatian
and Serbian literatures, which are in a much worse state than the others; at
the moment I cannot go into greater detail since Mr. Bozzi did not give me the
section on pages 721-736 where these two literatures are found, although he did
send me all the other sections containing articles I wrote or supervised.
I. - Brief introduction on the adopted orthographic
system: from the first version, the assertion remains that the names of
literatures using the Cyrillic alphabet are transcribed in the Latin alphabet
with diacritics. These, as you will recall, were first accepted, but ultimately
rejected as a typographical impossibility.
II. - Slovenian Literature (pp. 718-720). 1. It
begins with the chapter entitled: Early Slavic Period—actually referring to the
literature of Dubrovnik and Dalmatia, 15th-18th centuries—for which someone
wrote, as if in introduction, "Who is responsible for this incredible
confusion? Who removed this flourishing period referred to in the introduction
from Croatian literature, of which it is one of the glorious titles, leaving
nothing there but the name of Marulic?" 2. Someone nonsensically changed
the lines dedicated to Kersnik and Ivan (not Josip) Tavchar. 3. Cankar's most
poetic drama has nothing to do with la dolce vita; its heroine is named Dida, a
name with no connection to life. 4. The artist who achieved unique effects by
combining satire with romantic yearning is not Zhupanchich but Cankar. Who
separated the last sentence belonging to Cankar, changing it into the first
sentence concerning Zhupanchich? 5. Who altered the text concerning Kette and
Murn, describing the former with an untrue and hollow phrase? 6. Bearing in
mind the space allotted to Slavic literatures, I should have carefully selected
the names. I have preferred to present the most representative ones,
characterizing them with at least one fitting adjective; an enumeration of
people of no importance on the world stage only serves to blur the picture and
make the reading unpleasant.
Furthermore, in the period after the Second World
War, it was necessary to maintain a fair balance between the quality poets and
writers writing in their respective countries and the émigrés. In my absence,
the following sentence was added to the characterization of the latter:
"Also noteworthy in Argentina is Stanko Kociper (1917), novelist and
playwright, and in Italy, V. Kos (1915), poet." Will the two individuals
included agree to this arrangement—it should be noted that the second is not a
poet but a singer and actor? But that is not the point; the crucial question
is: Can they be included in this reduced selection of contemporary Slovenian
writers, according to their objective importance, or would their inclusion
require a number of other names, both in Slovenia and among the émigrés, of equal
or greater merit, without considering the essential issue of the overall
balance of the article, which must offer a proportionate picture of Slovenian
literature as a whole?
Such an arrangement proved far worse in the case of
Serbian literature, as will be seen later.
III. - Croatian Literature (pp. 720). I am unable
to list the main errors and distortions in the Croatian and Serbian literatures
since I do not yet have—as I have already explained—the respective texts. The
following observations stem from a quick reading I was able to do in the
bookstore.
1. In general, Croatian literature was terribly
mutilated by the transfer of Dubrovnik-Dalmatia literature to Slovenian
literature.
2. The playwright Voinovic was also taken from
Croatia and placed within Serbian literature. The same happened with Nobel
laureate Ivo Andrić. How can we characterize acts of this nature? What
epithet can be given to the trend from which they arose?
3. Among other "improvements," I recall
the assertion that Vidrić is the best Croatian lyric poet. Undoubtedly, an
interesting thesis; but I am unaware of the arguments on which it is based.
IV. Serbian Literature. The Yugoslav
literatures—Slovenian, Croatian, and Serbian—emerged from my hands equal in
length, roughly corresponding to their importance. The "supervisor"
completely altered this proportion. Croatian literature was greatly reduced,
having vital parts cut out; Slovenian literature, as I have already mentioned,
had a foreign body tacked on at the beginning, and at the end, two names that
the "supervisor" fancied. Serbian literature, on the other hand, grew
excessively; but this quantitative advantage is associated with a qualitative
decline.
Indeed, the original balance between different
parts was lost, the well-considered proportion between the characterizations of
the various writers and periods disappeared. The "supervisor" added
the names of minor writers wherever space allowed, thus breaking even the
chronological order, and added adjectives (especially superlatives) and
comparisons of dubious value. And in the end, instead of completing my
information on current literature—if that was even necessary—he added countless
names, including his own. If the Encyclopedia's editors decided to adopt this
criterion for Serbian literature, why didn't they adopt it for the other
literatures as well? It's understood that in that case, all the articles would
have to be rewritten.
V. – In the other Slavic literatures, the
"supervision" isn't as noticeable. There are typographical errors
(e.g., Korneichul instead of -k (709), Tuwin (-m, 713)). The omission of the
pronunciation of names such as Chelchicky (p. 714, pron. Jelchitski), Mácha
(714, -ja), Vrchlicky (715, vrj-), Chech (715, chej), Machar (714, májar),
Olbracht (716, -jt), and Chalupka (716, Jálupka) is a mistake.
I will reserve a detailed analysis for a future
opportunity. The most serious errors can be partially corrected by inserting an
errata sheet in the volume. I am at your disposal to draft it.
I considered it my duty to clarify the stages prior
to printing and the current state of the relevant section of the Encyclopedia
El Ateneo; to protest against the procedures of the Encyclopedia's management
with one of its collaborators who were also employed by the company for over 12
years; to warn against possible criticisms that might exploit so
many—unnecessary!—flaws; to propose a way to correct the worst defects and
defend the seriousness and accuracy of the information in the Encyclopedia.
I am most happy to be available for a conversation
in which I could provide you with further explanations and in which we would
have the opportunity to arrive at the truth regarding any remaining unclear
issues.
I take this opportunity to greet you with my
highest esteem.
Additional Note: By comparing my original
manuscript with the current text of the El Ateneo Encyclopedia at the
bookstore, I was able to complete the information in my letter of January 2,
1963, regarding Croatian and Serbian literature:
Croatian Literature
1. When Vojnovic moved to
Serbian literature, he forgot to adjust the text that remained in Croatian
literature. Thus, the paragraph that ends with the poet S. S. Kranjcevic is
followed in the Encyclopedia by another paragraph that begins: "Beside him,
the skillful theatrical man M. Begovic sought new paths..." "Beside
him" referred to Vojnovic; the current connection with Kranjcevic is
false.
2. After Domjanic and
Matos, two poets were introduced, one (Vidric) described as "the greatest
Croatian lyric poet" and the other (Harambasic, a typical poet of
patriotism and freedom) as "the poet of platonic love."
3. In contemporary
literature, Sudeta became Sudec, and D. Cesaric was highlighted with these
words: "...called the Yugoslav Neruda (by whom?), with his concentrated
and lyrical metaphysical poetry he broke the mold of modern socialist
poets."
4. Among the émigrés,
there is no mention of the "Croatian Review," which for the past 13
years has gathered, and continues to gather, around its editor, the poet Vinko
Nikolic (who is also not mentioned), the best poets and prose writers of
contemporary Croatian literature in exile.
Father Rajmund Kupareo
even appeared as a pseudonym Kukareo.
Serbian Literature
1. To the original
paragraph on popular epic poetry, the last part of which discusses attempts to
organize the songs of the various cycles into an epic, another paragraph was
added: "Created later (when?), the epic (which one?) was divided into 10
cycles (!), from the time of the Nemanids to the Balkan Wars. It is considered,
along with the Nordic ballads, as the most important in European literature
(!)".
2. Njegos. To the
characterization of his Gorski vijenac, it was added that "it has been
compared to the Argentine Martín Fierro," a comparison that can only create
a misconception about the masterpiece of Serbian literature. A little further
on, it is stated: "In the field of philosophy (!), Njegos is the greatest
Slavic philosophical poet (!)".
3. The additions in the
second half of the article. In the first half, there is—in addition to those
cited so far—a paragraph about the first printed Serbian book; A mention of
Karadzic's vocabulary; Glisic as a humorist (alongside Sremac and Nusic); the
epithet "Serbian bard" applied to V. Ilic (in contrast, Santic's characterization
was omitted). In the paragraph dedicated to the playwright Vojnovic and taken
from Croatian literature—only the attribute "Croatian" was replaced
with "Serbian"!—the following sentence was casually inserted:
"King Nikola I Petrovic and D. Filipovic were excellent patriotic
poets."
4. After B. Stankovic,
the following paragraph was inserted: "Stjepan Mitrov, Ljubisa, and Petar
Kocic, along with L. Lazarevic, represent the pinnacle of narrative art (!). In
their exceptional (!) short novels, they depicted vigorous peasant types from
their respective regions. Also noteworthy were S. Rankovic, who introduced
naturalism to the novel, Lj. Nenadovic, with his travelogues, and J.
Ignjatovic. Literary criticism reached its zenith with J. Skerlic, Lj. Nedic,
A. Nikolic, P. Popovic, and B. Popovic. Historical literature is represented by
two leading figures (!): S. Stanojevic and V. Coravic, in addition to S.
Novakovic, N. Vulic, J. Radonic, V. Popovic, D. Stranjakovic, G. Ostrogorski,
N. Radojcic, and M. Dinic."
Several minor
writers—some of whom were already dead when B. Stankovic was born!—are thus
transformed into figures of great importance, later accompanied by literary
critics and even historians. Such things are occasionally recounted when
dealing with literatures that are only in their infancy or that contain very
little aesthetic value; for literature as it should be, however, this is an
affront, as are the exaggerations the reader finds in the quotations in all
points (1 to 6) of this Supplement.
5. This conglomerated
paragraph is followed by the paragraph that in the original was placed after
the paragraph dedicated to V. Ilic and A. Santic and characterized Ducic,
Rakic, and Crnjanski. Now we read: "R. Domanovic is the first Serbian
satirist. At the end of the last century and the beginning of this one, four
glories of Serbian poetry emerged, who, together with Jaksic, Zmaj, and Ilic,
form the constellation of the best South Slavic lyric poets (!!). J. Ducic,
called "the prince of verse..." M. Rakic is the most
reflective and profound Serbian lyric poet, with a strong social note (!). V.
Petrovic Dis is the great mystic (!), whose verses reflect the sadness of a
generation forged on the battlefield. D. Markovic, with his Monuments, revealed
himself as the best modern Serbian lyric poet (!) for his ethics, beauty, and
poetic richness..."
6° Finaliza la exposición de la literatura servia
con extensos párrafos en que se enumeran los literatos "en exilio",
entre ellos S. Jovanovic (notable jurista y político, aquí calificado
simplemente de "impecable estilista"). Entre los emigrados más
jóvenes (mezclados cronológica y geográficamente) destaca como "los dos
grandes poetas contemporáneos" a M. Petrovic (Canadá) y D. Kostic ("reside
en Belgrado").
We must thank the "reviewer" for those names gathered here—for
where else could they be found in published sources?—whose literary quality
justifies their inclusion in the Encyclopedia. The others, who are presented
undeservedly, will disappear in future definitive editions. I hope they will
not be the majority.
LETTER TO THE EDITOR
Elemér Homonnay
In our January-March 1962
issue, p. 81, we published the letter from Dr. Vladko Macek, president of the
Croatian Peasant Party, currently residing in Washington as a political exile,
in which he refutes the claims made by the English historian C. A. Macartney
regarding his interview and conversation with the Hungarian diplomat Baron
Gabriel Apor. These claims were cited by the Hungarian publicist and historian
Elemér Homonnay in his work "Hungarian-Croatian Relations after
1918," published in Studia Croatica Nos. 2-3, 1961, pp. 132-141. Following
Dr. V. Macek's statement, we received a letter from Mr. Homonnay in which he
first confirms that it is an exact quotation from Professor Macartney's work,
and continues verbatim:
"Dr. V. Macek is
certainly mistaken in not recalling his meeting with Baron Gabriel Apor in
Vienna, Austria, in 1930, when Dr. Macek spent a few days in the Austrian
capital on his way to Karlsbad, Czechoslovakia. Dr. Macek should remember this
meeting, given that it was planned and well-prepared. Likewise, Dr. Macek
should remember Baron Apor well, since he was not an unknown agent of Hungarian
secret diplomacy but one of the key figures responsible for the policy of the
Hungarian Ministry of Foreign Affairs—at the time, Director of the Political
Department. Baron Apor, therefore, did not go to Vienna on his own initiative
to meet with Dr. Macek; rather, his superiors sent him for this interview with
clear instructions." given. Consequently, Baron Apor met with Dr. Macek as
the official representative of the Hungarian Ministry of Foreign Affairs. Their
meetings were, of course, confidential. They met twice on two consecutive days.
The first meeting took place at the Pucher confectionery shop. The second at
the Piccolo confectionery shop, located on Maria Hilferstrasse.
Baron Apor, later
appointed Hungarian ambassador to the Vatican, and who still lives in Rome,
Italy, remembers this meeting and their conversations well. He confirms in its
entirety Professor Macartney's account of the meeting. He even provided some
new details about the meeting. Among other things, he had instructions to
inform Dr. Macek that the Hungarian army, limited by the Treaty of Trianon, was
not in a position to wage war against Yugoslavia alone. Therefore, he reminded
Dr. Macek that without Italy's active participation, Croatia's independence
could not be secured.
Perhaps Dr. Macek now
recalls his own words when he compared the situation of Croatia in Yugoslavia
and in Austria-Hungary: "Aber das war ja ein Idyll im Verhältniss zu dem
was wir heute erdulden müssen" [164].
The Macek-Apor
meeting was not, however, the only contact between the Croatian Peasant Party
and the Hungarian authorities. Antal Ullein-Reviczky, the Hungarian consul
general in Zagreb, was in constant contact with the party's leaders. Their
understanding closely followed the Vienna Agreement.[165]
At the same
time, the Hungarian Foreign Ministry and the Hungarian Revisionist League
provided strong and valuable support to Engineer Augustin Kosutic and Dr. Juraj
Krnjevic, representatives of the Croatian Peasant Party in exile. The Hungarian
Foreign Ministry instructed the League's representatives in London and Geneva,
Ivan Hordóssy and Andrey Tamás, to establish close contact with Engineer
Kosutic and Dr. Krnjevic. Consequently, Mr. Hordóssy mobilized the
pro-Hungarian parliamentary group of Sir Robert Gower and Lord Rothermere to
promote the Croatian case in London.
The lecture
given by Mr. A. Kosutic at the Royal Institute of International Affairs
received warm support and extensive coverage in the Hungarian press.[166] In
Geneva, Dr. Krnjevic met with Mr. A. Tamás several times. In 1934, Mr. Tamás
played a role in arranging meetings between Dr. Krnjevic and Dr. Tibor
Eckhardt, then head of the Hungarian Delegation to the League of Nations, who
was simultaneously concluding an agreement with Dr. Ante Pavelić.[167]
I remain, Mr.
Director, yours sincerely.
CHRONICLES AND COMMENTARIES
Exiles demand the right to self-determination for
Croatia
Numerous incidents on the occasion of the national
holiday of communist Yugoslavia
Every year, communist Yugoslavia
celebrates November 29, "Republic Day," as a national holiday to
commemorate the proclamation of the communist government in Yugoslavia in 1943
by the communist partisans of that time. This date is linked to the official
theory that on that day the Croats renounced their right to have their own
nation-state and joined the Yugoslav federation. With this supposed federal
pact, according to the official interpretation, Croatia's right to
self-determination was fulfilled, forever linked to Serbia in a common state,
which in fact means for the Croats the stripping away of their national rights
and, under the communist regime, of their political, individual, and religious
freedoms.
For these reasons,
November 29th is not a national holiday in the eyes of Croatians, but a day of
sadness and pain, a reminder of the double oppression that weighs them down.
Under a regime of
communist terror, Croatia cannot express these feelings. Only Croatian exiles
in the free world can voice them. Hence the protests and demonstrations that
have been taking place on this day in all the major centers of the free world,
where large groups of Croatian immigrants reside, their numbers constantly
increasing with the influx of new exiles. It turns out that Croatia provides
the largest number of political exiles after East Germany. But unfortunately,
these exiles sometimes do not receive the welcome they would like in Italy and
Austria, and forced repatriations occur, resulting in numerous tragedies.
In many cases, Tito's
agents organize these commemorative events in Western capitals, thus
constituting a challenge to the Croatian exiles, the adversaries of the
Yugoslav communist tyranny. This occurs especially in countries where numerous
agents of the communist regime operate to control refugees, sowing discord
among them and extorting them under the threat of reprisals against their
relatives in the oppressed homeland.
Furthermore, attacks have
been organized against certain Croatian exiles and their institutions. Suffice
it to mention the attempted kidnapping of an official of the Croatian society
in Săo Paulo, Brazil, and the criminal bombing of the Croatian Center in Buenos
Aires during a youth dance, which tragically resulted in the death of a young
girl and injuries to several other minors, provoking outrage among the
Argentine public. All of this, unfortunately, fuels incidents that Belgrade's
diplomatic missions seek to exploit against their victims.
This year, such incidents
also occurred in several cities, including Toronto, Canada; Sydney, Australia;
and Bad Godesberg, West Germany.
In Toronto, the former
head of the communist secret police in the Croatian provinces of Bosnia and
Herzegovina, currently the consul in Canada, extended invitations to celebrate
"Republic Day" even to certain Croatian refugees whose families were
victims of the policies of the very same consul. The Croatian exiles marched in
groups outside the hall where the event was being held. They carried signs and
distributed thousands of leaflets explaining the reason for their
demonstration.
A similar incident occurred in Sydney. When
Croatian émigrés marched in orderly columns carrying placards and distributing
leaflets, clashes broke out among those attending the commemorative event
organized by representatives of communist Yugoslavia. A major brawl erupted,
and portraits of Tito were taken down. The event was interrupted, and the
police, called by the organizers, arrested seven Croatian demonstrators, later
releasing them. Public opinion followed the details of the incident with
interest.
An incident in
the capital of West Germany
While these and other incidents passed without
serious consequences, in West Germany a group of young Croatian workers
employed in the Ruhr mining region demolished the former Yugoslav embassy
building, fatally wounding one of the building's caretakers. The violent nature
of the demonstration in Mehlen, near Bad Godesberg, where most of the
diplomatic missions accredited to the Bonn government are located, is due to
the activity of numerous agents from communist Yugoslavia and its proximity to
the subjugated homeland.
These agents reside in West Germany as
representatives of various import-export companies or as ordinary workers
seeking employment, many of them actually being police officers tasked with
monitoring Croatian exiles and sowing discord among them. It should be added
that the majority of the tens of thousands of Croatian political exiles who
fled when the communists seized power went to overseas countries. Germany is
home primarily to several thousand recent refugees, young people who fled their
homeland in recent years.
They were welcomed in Germany and found employment.
They have a large number of cultural and religious associations; They try,
within their means, to express not only their democratic and anti-communist
sentiments but also their Croatian patriotism, demanding that, by virtue of the
national principle and the right to self-determination, Croatia be established
as an independent and democratic state and forge close ties with the free
countries of Western Europe.
Incidents had also been recorded in previous years,
such as in 1961 in Stuttgart on "Republic Day." On that occasion, the
Yugoslav communists brought the Croatian folk dance troupe "Lado"
from Zagreb to glorify, through their performance, the events that almost all
Croatians consider the beginning of their current national tragedy. It was
clear that the agents of the Yugoslav communist government were attempting to
counter the accusations against their consul in Munich of having committed war
crimes against Croatian and German prisoners of war.
As a result of these charges, which had
repercussions in the Bavarian parliament, Consul Grabovac had to leave Germany.
There were also other similar incidents, which gave the Yugoslav and
international communist press ammunition to reiterate their tired attacks
against Croatian exiles. Croatian demonstrators in Stuttgart were attacked last
year, and one was seriously injured. The assailant, allegedly an agent of the
Yugoslav secret police, was sentenced by German courts.
All these circumstances contributed to the
organization of about thirty young Croatians in Dortmund and Cologne, who on
November 29th traveled in a chartered bus to Mehlem, near Bad Godesberg, to the
former Yugoslav embassy. It should be noted that the Bonn government broke off
diplomatic relations with Yugoslavia in 1957 following Belgrade's recognition
of the East German government. Since then, the Swedish embassy has represented
Yugoslav interests in West Germany. The building that formerly housed the
embassy was home to the Yugoslav trade office.
The demonstrators first broke the windows of the
building and invited the trade office employees outside, as their intention was
not to commit any violence against people, but rather to demolish the offices
of the former Yugoslav embassy and destroy the archives containing information
about Croatian exiles. (Rheinische Post, November 30, 1962; Deutsche Zeitung,
November 30, 1962; Neue Zürcher Zeitung, December 1, 1962)
The attackers then broke down the door, entered the
building, destroyed portraits of Tito, and burned the archives, apparently with
plastic bombs. Half of the building caught fire, while the other half was saved
by the fire department. Moma Popovic, the building manager, resisted the
attackers and was seriously wounded in the ensuing shootout. Two employees also
reportedly sustained minor injuries. Popovic succumbed to his wounds a few days
later. One of the attackers, accused of shooting him, claimed he acted in
self-defense, as he had been attacked first.
Georgijevic, the office manager, hid on the third
floor and called the police, who quickly intervened and arrested several
attackers still inside the building. The others waited nearby without fleeing,
stating that "they don't hide like communist secret agents." AFP
reported that one of the participants politely apologized to the owner of the
neighboring bar for the commotion and disorder they had caused. "We didn't
mean to harm anyone," he declared. "We only wanted to remind everyone
that our homeland is still under a dictatorial regime" (Le Figaro,
November 30, 1962; Stuttgarter Nachrichten, November 30, 1962; The Evening
News, November 29, 1962).
An official German source stated that the
government of the Federal Republic of Germany "disapproves" of the
attack, that the perpetrators would be punished according to the law, and that
the damage caused would be compensated. In that regard, he requested that the
Swedish embassy inform the Yugoslav government. It was also stated that this
constituted an abuse of the right to asylum and that the activities of Croatian
exile groups would be subject to stricter controls.
The head of the Yugoslav trade delegation, who
initially, along with his subordinates, told reporters that the attackers had
invited them to leave the building, later recanted, claiming that he had warned
the police beforehand about the planned attack. Dr. Valentin Porz, the Bonn
police chief, called a press conference and declared that Georgijevic was not
telling the truth. (It is obvious that Yugoslav officials are trying to imply
that the Bonn government supports the attacks by Croatian exiles.)
Regarding the Yugoslav delegation head's assertion
that the attackers were pro-fascist elements and war criminals who had escaped
punishment, those involved replied that they had been children during the war
and therefore could not participate in political struggles or acts of war, just
as they could not later in communist Yugoslavia. They claim to be unaffiliated
with any political organization and that they conceived and organized the
attack themselves, aware of the punishment awaiting them, but wanting to draw
public attention to their homeland, Croatia, deprived of the right to
self-determination and subjected to communist tyranny.
The Belgrade government declared itself
dissatisfied with the German government's excuse. The press unleashed a vicious
campaign against the West German government, resorting to familiar communist
accusations of allegedly maintaining Nazi elements. The East German press,
which typically launches similar campaigns, seized upon the Yugoslav
accusations as further evidence in support of its argument against West Germany
and the German refugees who find protection and refuge there.
The German press, and indeed the free press
worldwide, reported on the incident impartially, without concealing the fact
that the Croatian exiles were driven by patriotic motives, a fact even
acknowledged by those newspapers that criticized the attackers for abusing
their asylum rights (Die Welt, Hamburg, December 1, 1962).
Aleksandar Rankovic, head of the fearsome secret
police apparatus of communist Yugoslavia and Minister of the Interior, sent a
telegram to the Social Democratic Party of Germany, protesting the state of
affairs and the supposedly favorable conditions for the opponents of democracy.
The Social Democratic Party issued a statement declaring that it considered the
attack by the young Croatian patriots an abuse of the right of asylum. At the
same time, the party's leader, Erich Ollenhauer, declared that he did not
intend to reply to Rankovic's telegram and that his party "does not wish
to maintain relations with communist organizations and, moreover, will not
accept being lectured by these organizations on democracy." (Le Monde,
Paris, 3-12-1963).
Note of Protest from the Yugoslav Government
On December 10, 1962, the
Swedish chargé d'affaires delivered to the Federal Foreign Office of Germany a
note of protest from the Yugoslav communist government. Belgrade rebuked the
Bonn government for its treatment of Croatian exiles and demanded the cessation
of all their activities, not only political, but also religious and charitable,
given that all such activities were directed against "the state integrity
of Yugoslavia."
To better appreciate the
audacity of its authors, we will transcribe paragraphs from this note according
to the text published by the organ of the Yugoslav Humanist Party, Borba, on
December 11, 1962.
It is worth noting
beforehand that the Yugoslav communists were addressing a government, the
constant target of their harsh criticism, accusing it of being undemocratic. As
mentioned, Bonn broke off diplomatic relations with Belgrade in 1957, in
accordance with the Hallstein Doctrine. The Yugoslav communist government,
which had recognized the West German satellite government, consistently
supported Soviet policy on the Berlin question and declared itself opposed to
German unification through free elections. Now, the Yugoslav communists
demanded that the Bonn government prevent, within its jurisdiction, any
criticism of its dictatorial regime and prohibit Croats from invoking the right
to self-determination, because this affects "the integrity of the Yugoslav
state." They requested that the anti-democratic measures in force in
communist Yugoslavia be extended to all Croats residing in Germany.
In return, they continued
to attack the Bonn government as revanchist and militaristic, accusing it of
endorsing the Berlin Wall and plotting against German unification, as Tito did
during his visit to the Soviet Union, which coincided with the delivery of the
aforementioned note. The note also states that what happened in Bad Godesberg "provoked
the deepest indignation among the Yugoslav public." In reality, it is the
displeasure of the communists, since the subjugated people rejoice in the
difficulties faced by their oppressors.
The government of the
Federal People's Republic of Yugoslavia further states that provocations
against the sovereignty and integrity of the FPR of Yugoslavia, and against the
security of its citizens and property in the Federal Republic of Germany, have
become more frequent. The crime committed in Bad Godesberg, which constitutes
the most brutal anti-Yugoslav provocation in the Federal Republic of Germany
and a flagrant violation of international law, is not the first attack on the
Department for the Protection of Yugoslav Interests at the Embassy of the
Kingdom of Sweden in Bad Godesberg. The government of the Federal Republic of
Germany is aware that on April 10, 1961 (the anniversary of the proclamation of
the Independent State of Croatia), two incendiary mines were thrown at the
Yugoslav delegation building, which, thanks only to a fortunate confluence of
circumstances, did not have tragic consequences.
Since the participants were still children during
the last world war, the Yugoslav government cannot declare them war criminals,
but in its note it emphasizes "that it again draws the attention of the
German government that behind the provocations are Ustaše who, in the Second
World War, were part of the fascist military contingents and, as such,
committed numerous crimes, for which the Yugoslav courts declared them war criminals."
These elements established in the Federal Republic of Germany "a
widespread and subversive activity against the sovereignty and integrity of the
Federal People's Republic of Yugoslavia."
It can also be deduced from the note that the
Yugoslav government had previously intervened with the German authorities to
prohibit all political activity by exiles from communist Yugoslavia and that in
1955, that is, before the break in diplomatic relations between Bonn and
Belgrade, they received certain promises in this regard. The note states
"that almost all anti-Yugoslav activity in Germany, at least publicly, had
been suspended." However, "in recent years," meaning when
communist Yugoslavia took a firm stance against West Germany, Croatian
organizations resumed their struggle against the "integrity of
Yugoslavia" and even prepared "diversionary actions."
"Thus," the note states, "among
others, Catholic youth organizations were founded with branches in Cologne,
Dortmund, Duisburg, and other locations." Then there was the 'Croatian
Social Service' in Düsseldorf, the 'Croatian Brotherhood of Crusaders' in
Cologne, and other organizations." The note then mentions that numerous
Croatian newspapers with anti-Yugoslav slants were published in the Federal Republic
of Germany, despite the Yugoslav government's request that the printing of such
"newspapers and publications" be "prevented."
Not only that, but "the security organs of the
Federal Republic of Germany maintain a passive attitude toward anti-Yugoslav
provocations and, as a rule, intervene belatedly, even when warned in advance
about the possibility of such provocations." From these transcribed
remarks—whose purpose is to attribute to the government of the Federal Republic
of Germany the responsibility for the despair and reaction of the exiles
against the regime responsible for the deaths of hundreds of thousands of their
comrades and which deprives the Croatian people of the rights of association,
assembly, and the press—it can be deduced that Yugoslav secret agents in West
Germany had A dense network of espionage and control of anti-communist
refugees. To make matters worse, the Yugoslav communists expressed displeasure
that the German police did not act as an extension of the Yugoslav communist
police.
The cynicism of the Yugoslav tyranny knows no
bounds when, in the note, those responsible for the murder or expulsion of more
than 500,000 members of the ethnic German minority in Yugoslavia stated that
the Yugoslav government "showed, for its part, a willingness and made
great efforts to overcome, as soon as possible and completely, the grave past
and to improve understanding between the peoples of Germany and Yugoslavia...
and cooperation between the two countries notwithstanding the fact that they
did not maintain diplomatic relations." The Yugoslav government—the note
states—hoped that this would "contribute even to the improvement of
broader international cooperation" and that the West German government
"will, for its part, work to ensure that a number of outstanding problems
are resolved in a positive manner and that..." fashion to overcome the
remnants of a grave past."
Following these reproaches, supposedly made on
behalf of the people of Yugoslavia, the communist government in Belgrade,
determined to prevent the unification and electoral liberation of East Germany,
oppressed by Tito's friends and allies, takes note of the German government's
declaration that severe measures will be taken against the attackers of the
Yugoslav trade delegation building in Bad Godesberg, only to then proceed with
open provocation: "However, the government of the Federal People's
Republic of Yugoslavia notes that similar declarations were made regarding
anti-Yugoslav incidents in recent years, but there was no decrease, but rather
an intensification of anti-Yugoslav activities..."
The quoted passage exposes the true nature of
communist Yugoslavia. In the frequent protests of their own subjects, forced to
seek freedom outside communist Yugoslavia to denounce the crimes and abuses of
communist tyranny before the free world and to the best of their ability, and
to demand the right to self-determination for their homeland, Croatia, the
rulers in Belgrade see no fault of their own but instead blame their victims,
whose exasperation they hold responsible for the government of a free country
simply because it does not act in accordance with the wishes of the Yugoslav
communist police.
This incredible statement culminates in the demand
that "effective guarantees are essential to ensure that anti-Yugoslav
activities in the Federal Republic of Germany will be radically and permanently
prevented." It is not enough to punish those who participated in the
events in Bad Godesberg; it is "essential to prohibit and prevent the
activities of all immigrant organizations and publications that organize or
encourage criminal activity and acts against the sovereignty and integrity of
the Federal People's Republic of Yugoslavia." The familiar demand from the
exiles, whom the communist tyrants, perpetrators of so many horrendous crimes,
want to "prosecute," was also included.
In other words, they demand the prohibition of all
Croatian organizations in Germany, including those of a religious and
charitable nature. They demand the prohibition of all anti-communist activity
by associations and even individuals, and the suppression of all Croatian
newspapers, since there is no association or publication of the exiles that the
communists do not consider guilty of anti-Yugoslav activities.
Finally, the note states that this "is an
inescapable obligation of the Federal Republic of Germany" and proof that
its government is prepared to proceed in such a way that, at the very least,
the already irregular and unsatisfactory reciprocal relations do not worsen. It
is unnecessary to emphasize once again that the Bonn government is not
responsible for these "unsatisfactory relations," but rather the
communist government in Belgrade, which behaves as if the crime against half a
million Germans in Yugoslavia and a systematic campaign against West Germany,
presented as a threat to peace, did not exist, while East Germany is described
as a model of freedom and democracy and as a fait accompli, such that the
unification of Germany can only be achieved under a communist government.
It is obvious that the Bonn government will respond
with dignity to these provocations from communist adventurers who dare to ask a
free country to assume the role of the communist police and persecute the
exiles who, risking their lives, fled from Yugoslav communist tyranny. in order
to testify before the free world in favor of their subjugated homeland,
deprived of political freedoms and national rights. Tito's government, which
works against the unity of Germany, forcing the Bonn government to break off
diplomatic relations with it, demands that a free and democratic Germany defend
the integrity of the multinational and heterogeneous Yugoslav state against the
Croats who are simply asking for the application of the right to
self-determination, recognized by the Charter of the United Nations, to their
homeland. Communist Yugoslavia, a member of the UN, loudly supports the right
to self-determination of all peoples of the world, with the exception of those
peoples subjugated and held captive by communist Yugoslavia and the Soviet
Union.
Harmful Discrimination Against Refugees from
Communist Yugoslavia
The New York Times of October 8, 1962, published
the following news item:
"Two American
refugee aid organizations yesterday accused the State Department of
discriminating against 10,000 people who flee Yugoslavia each year. The
National Catholic Welfare Conference Relief Service and the International
Rescue Committee stated in a joint declaration that people are fleeing
Yugoslavia for the same reasons as those fleeing Eastern Europe and should
receive equal treatment. The declaration states that refugees from Yugoslavia
are classified by the State Department as economic refugees and are therefore
not entitled to aid under the program for political exiles.
As a consequence of this
policy, the declaration states, almost all refugees from Yugoslavia who arrived
in Austria or Italy were sent back, since they did not receive American
assistance in those countries. The statement from these two prestigious American
refugee aid organizations appealed to the State Department to change its policy
so that exiles from Yugoslavia can receive aid like political refugees."
On this vital issue for
the Croatian people, who provide the largest contingent of refugees from communist
Yugoslavia, we find more extensive information in the NCWC News Service. It is
a memorandum written for members of Congress in Washington by Bishop Edward E.
Swanström, executive director of the Catholic Relief Service and Rescue
Committee. This memorandum was sent to Secretary of State Dean Rusk, Attorney
General Robert F. Kennedy, and members of the Appropriations Committee of both
houses of Congress.
"The West's
ambiguous attitude toward communist Yugoslavia," the memorandum states,
"resulted in a similar attitude toward exiles from Yugoslavia... When we
deny exiles the reasons for their flight, we show ourselves incapable of
understanding why these people are fleeing communist countries and we turn our
backs on them. When we consent to the forced repatriation of refugees, we
contribute to the feeling of despair and thereby weaken the cause of democracy
within Yugoslavia and beyond."
The memorandum states:
"The opposition of these exiles from communism is denied because they are
poor." It then says: "Even the few refugees from Yugoslavia who are
granted political asylum are often classified by the United States Escape
Program in a lower category than refugees from other communist countries. Thus,
refugees from Yugoslavia are not considered refugees, or the small number who
receive asylum are treated as second-class refugees."
The memorandum states
that the proscription of religious freedom and the disregard for other
fundamental human rights "hardly differ in degree in Yugoslavia from how
it is practiced in the Soviet Union."
"The insidious propaganda of the Yugoslav
authorities," the memorandum continues, "to popularize the term
'economic exile' has been more than fruitful. The Yugoslav authorities
introduced this term into the language of the United Nations, the Office of the
High Commissioner for Refugees, and the terminology of certain officials in the
U.S. government.
They influenced the policies of countries that
until recently granted asylum to these refugees, to such an extent that most
exiles, instead of being accepted as such, are repatriated. They created a
situation where, while in Italy most exiles manage to stay, Austria, under the
pretext of the United States' ambiguous policy, orders the forced repatriation
of most of the exiles from Yugoslavia.
The document contains the accusation that, as a
consequence of the Yugoslav authorities' campaign, "there was a drastic
reduction in U.S. aid to exiles from Yugoslavia."
"The result of all this This is the source of
discontent among the honest, democratic masses of Yugoslavia, who see the U.S.
aiding the strengthening of a communist state while simultaneously denying
support to anti-communist elements fleeing the tyranny. All of this has caused
confusion among the American people. Those who direct American policy fail to
grasp that the basic philosophy of every communist country is the same, whether
it be the Soviet Union, China, or Yugoslavia. Current US policy is causing
confusion among exiles because of the criteria used to select the type of communism
and tyranny from which one must flee in order to be eligible for US aid.
The memorandum concludes with the following
question: "At a time when we are granting asylum to exiles from Castro's
communism, supported by Soviet communism and threatening the Western
Hemisphere, shouldn't the US take the correct position and grant full
recognition to refugees from Yugoslavia, currently linked to the Soviet Union
in a joint conspiracy to establish communism in the world?"
It should be added that the Austrian press reported
that 4,000 refugees arrived from Yugoslavia last year, of whom only 500 were
granted asylum. Also, in the early winter of 1962-63, several tragic accidents
occurred on the Yugoslav-Austrian border due to refugees freezing to death in
the Alps.
If, despite the forced repatriations and severe
penalties awaiting those repatriated, and despite the dangers of crossing the
border—those who evade the police risk perishing in the rugged mountains—some
4,000 people flee Croatia and Slovenia annually, it is difficult to accept the
argument that they are "economic exiles." This is especially true
given that in recent years it has become possible to travel legally abroad in
search of work. For example, thousands of workers who left with regular
Yugoslavian passports are employed in Germany, France, the Netherlands, and
other free European countries. The number of exiles who illegally cross the
Italian border or risk the Adriatic crossing in small boats exceeds the number
of those seeking refuge in Austria.It is not easy to understand the actions of
the Austrian authorities toward the exiles from Croatia and Slovenia,
especially considering the close ties that existed between Austria and these
two countries for centuries, and the fact that the fathers of many of them
served in the Austro-Hungarian army. For many centuries, Slovenia was an
integral part of Austria, while Croatia was linked to the Habsburg Empire as an
associated kingdom from 1527 to 1918.
For four centuries, the Croats shared both the good
and the bad with the Austrians. From now on, Austria's access to the sea will
also pass through the territory of Slovenia and Croatia. Does it make any sense
to sacrifice Christian and democratic principles, and long-standing
friendships, to appease the communist adventurers in Belgrade, who in Croatia
and Slovenia are violating not only individual and political rights, but also
national rights in favor of Russian and Serbian expansionism; adventurers who
contribute to subversive activities in all free countries?
Yugoslav
"Neutrality" and the Atomic Bases in Cuba
The position of the Yugoslav communist government
following the installation of bases for Soviet atomic missiles in Cuba
confirmed the validity of the distinction between neutrality and neutralism. If
neutral signifies a centrist position with a political inclination toward the
West, neutralist implies a centrist position with a political inclination
toward the East.
The communist government in Belgrade demonstrated,
through its stance and by means of comments in the controlled press and radio
and television, not only its inclination toward the Soviet Union but also its
adoption of Moscow's views, especially at the UN, while Soviet delegates denied
the veracity of American assertions regarding the atomic platforms in Cuba.
The main spokesman for the Yugoslav Communist
Party, Borba (Belgrade, November 24, 1962), questioned the American evidence.
Regarding President Kennedy's speech, he wrote: "Knowingly taking risky
paths in the labyrinth of current international relations is not a sign of
courage, much less of wisdom. It is a path with dangerous implications that,
more likely than not, leads to the loss of all control and responsibility and
has no other exit but the catastrophic abyss of humanity." In the same
issue, Borba expresses his discontent with the unanimous support of the members
of the Organization of American States for the U.S. position.
"To the astonishment of many observers
here," says Borba's correspondent in New York, "Brazil, Mexico, Chile,
and Ecuador, countries that had previously tried to distance themselves from
U.S. foreign policy regarding Cuba, also voted in favor of the OAS
resolution." The communist journalist interprets this unanimity as
insulting to the Latin American republics. Borba considers Stevenson's
performance in the Security Council negative. "When history records his
speech, it will surely not be remembered as an example of great diplomatic
skill."
Radio commentators, as usual, were far more radical
in their pronouncements. Every commentary regarding the blockade of Cuba began
with the ritual phrase: "The war hysteria in the United States is not
diminishing and is being fueled more and more" (Radio Zagreb, October 25,
1962, 10:00 AM broadcast).
That same day, the Zagreb newspaper Vjesnik wrote:
"If Cuba were, as Washington tries to prove, someone's military base, the
United States would have no justification for the action undertaken, except for
the argument of truth. It would lack arguments of strategic and moral justification.
Intercontinental ballistic missiles deprive the American action of its
strategic justification, and its military bases installed throughout the world
invalidate its moral justification."
When Khrushchev backed down, the Yugoslav press did
not attribute the resolution of the tension to Washington's energetic yet
moderate action, which enjoyed the solidarity of all the countries of the
Western Hemisphere. Instead, it presented the defeat of Castro and Khrushchev
as a "great statesman's achievement," a "noble and humane
sacrifice made for the sake of peace," and "a gesture that saved the
peace, which, through unilateral action—precisely with the aggression against
Cuba—had been brought to the brink of collapse." Tanjug, the official
Yugoslav news agency, reported on the matter on October 26, 1962: "Two
moments proved decisive in turning the situation around. The first was the
Soviet initiative to resolve the dispute peacefully, and the second was the
firm and decisive stance of the Soviet Union to respond to the application of
force with the full might of its weapons."
On the same day, radio commentators in Zagreb and
Belgrade were saying: "The danger has now subsided thanks to Premier
Khrushchev's composure and prudence, who responded to the brutal American
provocation with an invitation to negotiate. For this reason, he didn't lose
face. Someone will one day look back on his actions with disgust. Was it fear?
some are asking. Even if it was, it would be a noble and prudent fear. But this
isn't about fear. Or what is aggression? Is it a virtue?"
However, the usual incense, so dear to Tito's
megalomania, could not be omitted. The same commentator, echoing what had been
written by the controlled Yugoslav press, persuaded his listeners that, along
with Khrushchev, the main credit for preserving peace during the Cuban crisis
should be given to Tito, who, "on behalf of the majority of
humanity," called for the dispute to be resolved within the UN and
expressed "his deep concern for world peace."
Tito made an unprecedented effort "at the head
of the non-committal countries." "With Soviet realism and prudence,
and above all with their conciliatory approach, everything that could be
expected was achieved: peace and Cuba's independence were saved..." After
the Soviets, and perhaps even before them, the credit goes "to the 45
non-committal and neutral countries, including our country (Yugoslavia) with
the extraordinary activity of President Tito... Perhaps these countries deserve
our primary gratitude for the fact that the world, in a dramatic spasm,
realized that a solution must be found and that it could only be found outside
the framework of blocs."
Consequently, Khrushchev and Tito saved world peace
from the "aggression" and "brutal provocation" of
Washington, which had the unanimous support of Latin American republics,
reacting, to the astonishment of the Yugoslav communist leaders, against the
installation of nuclear bases in a country of the Western Hemisphere.
Walter Lippmann, Cuba, and Yugoslavia
The Yugoslav press,
controlled and manipulated by the government, frequently mentioned and
partially quoted Walter Lippmann's commentary on American aid to Yugoslavia and
Poland, published in the New York Herald Tribune on October 2, 1962. The
prominent American international relations expert advocated for the policy of
aid to the communist governments of Belgrade and Warsaw in the following terms:
"Congress, which failed to understand, has very effectively sabotaged
national policy. If aid were suspended, it would be a slap in the face to the
peoples of Eastern Europe," which would be "tremendous,"
especially with regard to Yugoslavia. "Ideologically, the Yugoslav leaders
are communists, but they are Yugoslav communists, not Muscovites. So, in
matters that do not concern Yugoslav national interests, they usually follow
the Soviet line. But when their national interests are at stake, they act
independently."
“Yugoslavia,” Lippmann
continued, “is not a member of the Warsaw Pact. Moreover, because we have shown
intelligence in equipping the Yugoslav air force, the Union, not the Soviet
Union, is the supplier of spare parts and replacement components. It would be
foolish to call that aid to communism. In reality, we have achieved the same
penetration into the communist orbit that Moscow achieved in our world through
Cuba.”
Lippmann’s comment
predates the Cuban Missile Crisis of October, in which—albeit in
passing—Yugoslavia supported the Soviet position. Subsequent events once again
refuted the deductions of the influential American commentator on international
affairs regarding relations in Eastern Europe. It became clear that his
comparison between American influence in Yugoslavia and Soviet influence in
Cuba is entirely inappropriate. Even before the Cuban Missile Crisis, it was
untenable, but now, in light of recent events, it seems tragicomic and clumsy.
Even before the Soviet
nuclear missile bases were established there, Cuba was a communist country,
allied with Moscow and in the process of adapting the Soviet model to both its
domestic and foreign policy. Yugoslavia, as Lippmann emphasizes, is also a
communist country, regardless of whether it is "Yugoslav" or
"Russian" communism. As for the political system, there is no
difference whatsoever, since the Yugoslav communist regime was conceived and
structured according to the Russian model.
It is not the supposed
Western form of communism, but a faithful copy of Bolshevism, which is
originally nothing more than the Russian version of Marxism, grafted onto
Russia's Byzantine-Mongolian heritage and its totalitarian, autocratic, and
Caesaropapist tradition. Yugoslav communism is of the same type, since the
Byzantine heritage of Serbia, the Russian exponent in the Balkans, prevails
there.
Therefore, the argument
that there is American penetration into the communist sphere through
Yugoslavia, identical or similar to that achieved by the Soviets in Cuba,
cannot be seriously sustained. Neither is the influence of the same nature, nor
does the Yugoslav form of communism bear any resemblance to American political
institutions.
Regarding Lippmann's assertion that suspending aid
to the communist governments of Yugoslavia and Poland would be tantamount to
"slamming the door in the face" of their respective peoples, and that
such an action would be "tremendous," it would be more accurate to
say that this aid does not benefit the oppressed peoples but rather their
communist oppressors. Therefore, it is not unreasonable to assume that these
peoples would feel relieved if Western democracies were to suspend aid to their
oppressors. This aid, even if reduced, if not accompanied by political
concessions, in fact benefits communism more than the people.
Consider the case of substantial shipments of food
to Tito's regime. It was said that this was a lesser evil compared to previous
financial aid and that it sought to alleviate the misery of the masses.
However, if the food shortages in Yugoslavia, which previously even exported
them, are attributed to communist experiments in agricultural policy, then the
aid provided facilitates the continued exertion of pressure on the peasants,
who constitute the majority of the population. This subsidy helps the Yugoslav
communist regime counteract peasant resistance to its tyranny. It should be noted
that such resistance to collectivization represents the most evident and
vigorous form of opposition to communism. With the suspension of American food
shipments, Belgrade would have to yield to the free peasants.
Thus, instead of helping the people, the United
States is in fact contributing to communist collectivization and weakening
peasant opposition. While plans to create and strengthen small agricultural
holdings in Latin America are being discussed within the framework of the
Alliance for Progress, the elimination of free peasants in Yugoslavia is being
indirectly supported. Therefore, providing unconditional and unchecked food aid
to Yugoslavia for the benefit of the peasantry contributes to the annihilation
of the main opponent of communism.
While Lippmann speaks in abstract terms about
"national interests" in Yugoslavia, which, according to him, in
certain cases conflict with Soviet interests, he forgets or ignores that these
"national interests" of Yugoslavia—that is, of the communist ruling
group—contradict the interests of the Western world. This is the case with
Great Serbian expansionism, which favors the communists and, even when it lacks
Russian support, is directed against Yugoslavia's western neighbors: Austria
and Italy, as well as against Greece and Albania, against Western countries in
general, and, only in temporary situations, against Soviet Russia. Ultimately,
both Russian and Serbian expansionism are identical in their anti-Western
tendencies.
In any case, Lippmann would have to prove that
Serbia has enduring "national interests" that conflict with the
interests of Russia or the Soviet Union, and that Serbia is not an active or
potential agent of Russian expansionism.
Regarding the alleged advantages Washington gained
by equipping the air force of a communist country free of charge, or at a
bargain price, if we are not mistaken, such advantages might have existed
during Stalin's regime, when the possibility, however remote, of his armed
intervention against the schismatic and "revisionist" Yugoslav
communists could not be ruled out.
However, with Stalin dead, those American aircraft
would be more likely to be used against a Western country than against a
communist one. In this case, the objection raised by US Congressman Michael A.
Feighan is valid, who argues that, according to the logic of those who advocate
providing aid to Yugoslavia on the pretext that otherwise it would receive aid
from the Soviets, Washington should give Tito atomic weapons, since there is a
theoretical danger that he could receive them from Moscow.
It doesn't matter where the weapons of communist
Yugoslavia come from, but against whom they will be used. It is more than
certain that Yugoslavia will never be, nor can it ever be, a Western ally like
Cuba is to the Soviets.
If the State Department doesn't believe this, let
it try to obtain Tito's permission to install American military bases in
Yugoslavia under the control of American military experts, just as the Soviet
Union did in Cuba.
US Senator Barry Goldwater wrote about this:
"In light of Tito's speech in Moscow, there can be no doubt which side
Yugoslavia would be on in the event of a military conflict between East and
West.
For example, if the Cuban Missile Crisis had
escalated into a full-blown war, on which side would the jet bombers we sent to
Yugoslavia have been deployed? On which side would the Yugoslav pilots, trained
in Texas, have flown if the Cuban Missile Crisis had ended in war?"
"I think it's safe to assume that every dollar and every piece of equipment
we sent to Yugoslavia under the foreign aid program is now part of the Soviet
bloc's arsenal" (Macedonian Tribune, Indianapolis, January 24, 1963).
First Congress
of Croatian University Students in Exile
We can classify the Croatian exiles from communist
Yugoslavia, residing on five continents, broadly into two groups. The first
group comprises the survivors of the several hundred thousand Croatians who
left their country in May 1945 with the arrival of the Serbian communists who
imposed a communist regime in Croatia. As is well known, more than 200,000
Croatians were forcibly repatriated from the British occupation zone of
Austria, most of them perishing in the massacres organized and perpetrated by
the communists.
The second group comprises recent exiles, mostly
young people who in recent years crossed the border at great risk,
unfortunately exposing themselves to forced repatriation under the pretext of
being "economic refugees." Some of them moved to Canada, Australia,
and North America, while most found work in Germany and France, where, we must
emphasize with satisfaction and gratitude, they receive friendly and generous
treatment.
Among these exiles are a considerable number of
intellectuals, many of whom are completing their studies or validating their
degrees without the assistance of democratic governments, which, on the
contrary, grant numerous scholarships and conduct cultural exchanges with
students and professors who arrive recommended by the Yugoslav communist
authorities. Nearly one hundred Croatian intellectuals are professors at
universities in free countries, primarily in the United States. In Latin
America, especially in Argentina, the opportunities for exiled European
intellectuals to continue their professional activities are quite limited.
Recently, there have been serious attempts to
organize Croatian students in the free world, an important development given
that the new exiles maintain contact with their colleagues in the oppressed
homeland. Students everywhere constitute a significant force of resistance due
to their youthful idealism and combative spirit. This tradition is deeply
rooted in Croatia, where all national movements have found their most
idealistic, dynamic, and enthusiastic followers among students.
An important step in the unification of exiled
Croatian intellectuals was the First Congress of Croatian Students in the Free
World, held in Paris on November 3 and 4, 1962. The reports presented and the
discussions centered on the main slogan: "Through culture to national
progress; through revolutionary struggle to freedom and the restoration of the
Croatian state."
The Congress took place in the Parisian suburb of
Asničres, where the mayor and current French Minister of Industry, Mr.
Bokanowski, made a room in the town hall available to the delegates. Numerous
students and guests from France participated in the Congress, along with
delegates from Great Britain, Spain, Austria, Italy, Switzerland, and Germany.
Prestigious Croatian intellectuals from various European countries also
attended, and numerous messages of support and greetings were received from
overseas countries.
The Congress was chaired by Engineer Zeljko Kovacic
(France), Carmen Glamuzina (Italy), and Nedo Gladic (West Germany).
During the first session, Krunoslav Masina (Paris)
spoke on the role and duties of Croatian students in the national struggle.
Ante Zoric (Vienna) addressed the cultural work of students. Jaksa Kusan
(director of the London-based newspaper Nova Hrvatska) spoke about the role of
intellectuals in the lives and activities of exiles. Carmen Glamuzina (Italy)
emphasized the need for reciprocal contacts and cooperation among refugee
students. Toni Kuaic and Grgo Topalovic addressed the situation of students in
Croatia.
On the second day of deliberations, the main
speaker was our contributor, Engineer Jure Petricevic, who addressed the topic
"The Current Situation of the Croatian People, the Aims and Means of Their
Struggle for Freedom." Reports from absent Croatian intellectuals were
read: "Political Strategy in the Croatian National Struggle," by Dr.
Ante Ciliga (Rome); "The Croatian Language and Croatian Nationality,"
by Dr. Ivo Perc (Vienna); "The Yugoslav Myth in Croatian Politics,"
by Dr. Ivo Korsky (Buenos Aires), and "For or Against Integration,"
by Mirko Mehes (Sudbury, Canada), were among the topics discussed. Other
subjects were also addressed, with the participation of the students present
and the Croatian intellectuals invited to the Congress.
An ad hoc committee drafted the papers and the
Declaration. It was concluded that it was necessary to form the Federation of
Croatian Students in the Free World and to make preparations for publishing a
newsletter in French on the situation in Croatia, in order to provide accurate
information to the French public, which was misinformed about the state of
affairs in Yugoslavia. The need for tolerance and cooperation among the various
political groups of Croatian exiles was emphasized.
The Congress welcomed the establishment of the
Croatian National Committee in New York (see Studia Croatica, vol. 7-8, p.
227). It expressed its appreciation for the selfless struggle and great
sacrifices of Croatian students in their captive homeland against communist
tyranny and Gran Serbian expansion. It paid tribute to the students who gave
their lives for the freedom of Croatia and to those imprisoned in communist
dungeons. In honor of fallen Croatian students, the Congress resolved to
declare the date of the death of Ivo Masina, a hero of the Croatian resistance
who was treacherously murdered in a communist prison, as "Croatian
University Students' Day." The Congress expressed its particular concern
for the suffering of Croatian Muslims under communist and Great Serbian
tyranny. Dervis Sehovic read the circular letter from Muslim religious
dignitaries, which was received with expressions of sympathy, respect, and
solidarity (see the text of the circular letter on pp. 334-37 of this issue).
BOOK REVIEW
Anton Zollitsch: Josef George Strossmayer
Ángel Belic, Buenos Aires
(Contributions to the
Confessional Situation of Austria-Hungary in the 19th Century and to the
Movement for Church Union among the Slavs in the Present - Donauschwabische
Verlagsgesellschaft, Salzburg 1962, Austria, pp. 56-).
On the occasion of the
Second Vatican Council, at the annual meeting of the "Federation of
Catholic University Students of Danubian Germans" (Verband Katolischer
Donauschwabischer Aliademiker) residing in Austria and Germany, which took
place in Salzburg in 1961, several reports were read concerning the religious
situation in the last decades of the existence of Austria-Hungary and on the
movement for ecclesiastical union among the South Slavs. Since the central
figure of this movement was the distinguished Croatian statesman, cultural
promoter, patron of the arts, and celebrated orator at the First Vatican
Council, Bishop of Djakovo, Josef Strossmayer, these reports were published in
German under the title Josef Georg Strossmayer, in the collection
"Donauschwabische Beiträge," volume 47. The interest of the Danubian
Germans in these issues stems from the fact that they are refugees from what is
now Yugoslavia, mostly from Vojvodina, and partly from Croatia, and
Strossmayer's father was descended from Germans who settled in the Danube
basin.
After a brief
introduction by Dr. Ivan Schrekeis, Egen Lendl, in a concise report, outlines
the religious landscape of Austria-Hungary, composed of a mosaic of nations and
religions. The account of the relations between Catholics, Orthodox, and
Uniates in the area now part of Yugoslavia is particularly interesting. Most of
the former Uniates, that is, Eastern Rite Catholics, embraced the Orthodox
faith under the influence of the Serbian Patriarch in Karlovci, who, fleeing
the Ottomans, had settled in the territory of the Austrian Empire in 1690. A
similar situation occurred with the Romanian Uniates, also under Serbian
influence.
In the following work,
the Croatian historian Ivan Vitezic explains the position of the Catholic Slavs
between East and West in light of the ideas and work of Bishop Strossmayer.
This bishop—a great Croat and Slav—could envision the future of his homeland,
Croatia, as inextricably linked to the fate of the other Slavs, both within and
outside the Habsburg monarchy. In the Union of Churches, he saw not only the
noblest goal in the religious sense, but also the surest path and firmest
guarantee that the Slavic peoples would occupy the place in the international
arena that belonged to them by virtue of their population size, location, and
capabilities.
He analyzes the secret
memorandum sent by Strossmayer on September 8, 1876, to the Russian government,
in which he advocates for the signing of a convention between Russia and the
Holy See. Such a convention would dispel the doubts of Catholics regarding
Russia. Strossmayer alludes to the fears that a complete and active integration
of the Orthodox Slavs into Europe would entail the danger of a particular
tyranny. Vitezic is very familiar with the situation in Croatia at the end of
the last century.
Josef Müller, author of the third work,
"Remembering a Great Figure," refutes the opinion of those Germans
for whom Strossmayer was a renegade for considering himself Croatian.
Strossmayer, who studied in Vienna, where he served as a professor of theology
and chaplain to the imperial court, had a profound knowledge of German culture
and was able to appreciate it properly. He knew that his father was of German
origin, and therefore his Croatian nationalism was of a spiritual and cultural
nature. He was bishop of a Croatian diocese and actively participated in the
Croatian national and revolutionary movements of the last century.
Consequently, he could not feel anything but Croatian.
In the fourth work, Anton Zollitsch, editor of the collection,
discusses the efforts of Catholic Slavs to achieve unity. He sheds light on the
figures of the SS. Cyril and Methodius, who some 150 years before the Eastern
Schism, switched from the Byzantine to the Roman Patriarchate, introducing the
Slavic language into the liturgy of the Roman Rite and thus creating a new
Christian world, something of a Roman-Byzantine synthesis.
An identical synthesis was formalized in the Union
of Brest in 1593, that is, 500 years after the schism, stipulating that the Christians
of Ukraine and Belarus would retain the Byzantine Rite and the Slavic language
in their church, while recognizing papal primacy. Since St. Methodius's
episcopal see was Velehrad in Moravia, the so-called Velehrad Congresses were
held from 1907 onwards, in which specialists in the problems of the Slavic
Christian East studied the possibilities of ecclesiastical union. It is very
interesting that the second congress with European repercussions already
aroused suspicion from Russia and Austria-Hungary. Russia feared
Austro-Slavism, and Austria-Hungary feared Pan-Slavism.
In his final paper, Ivan Tomas, a well-known
Croatian writer, discusses the dissenting Eastern Christians on the eve of the
Second Vatican Council and their reactions to it. Some believe that the
Orthodox Church wishes to break free from the narrow confines of a national
church. He recounts the interesting stance of the Orthodox clergy in Macedonia.
The Yugoslav communist authorities had proposed that they adopt a resolution
against the Holy See and the Council, which they refused. Tomas observes that
the contact between the Catholic Church and the Reformed churches is closer
than that between the Catholic and Orthodox churches, even though the
theological differences between the latter are much smaller.
Ante Smith Pavelic: Kairska Afera
Pedro Vukota, Buenos Aires
(The Cairo Scandal, in Croatian, Ed. Savremenikove
sveske, No. 2, Paris, 1961, pp. 120).
As the author points out
in the introduction, this is a chapter from a longer work on Yugoslav exiles
during the Second World War. The study of this subject is of particular
importance, given that the typically Balkan intrigues and conspiracies of
Serbian politicians, both before and during the war, were among the key factors
that led the Western Allies to abandon the government of King Peter in London
and that of General Draza Mihailović, his Minister of War, by recognizing
the counter-government of the communist guerrillas.
The end result was
communist domination in Serbia, Croatia, Slovenia, Macedonia, and Montenegro.
In his work "Great Britain and Draza Mihailović" (Studia
Croatica, Year 1, No. 1, pp. 43-57), Dr. Smith Pavelic noted that among the
many conflicts, clashes, quarrels, and intrigues occurring within the ranks of
exiled Yugoslav officials, the 1942 affair held a special place. Serbian exiles
in London called it the "Cairo Affair," while those in Cairo referred
to it as the "Cairo Affair." The "London Affair."
Sir George Rendell,
British ambassador to the Yugoslav government-in-exile, noted in his book *The
Sword and the Olive* (London, 1957) that, as a result of these conflicts and
scandals, the Yugoslav government had become so discredited that the British
were able to "abandon it after two years almost without a pang of
conscience and accept Tito's anti-monarchist revolution."
Relatively little has
been written to date about the Cairo Affair, and what little there has been
consists mainly of personal polemics among its protagonists. This work, for the
first time with critical analysis, unravels one of the darkest intrigues of the
Serbian exiles, the driving force behind the Yugoslav government-in-exile and,
consequently, primarily responsible for the unfortunate outcome of events.
The author does not
address the issue of the culpability of the protagonists in this scandalous
affair, limiting himself to recounting the facts. documented, already
published, or extracted from the diplomatic archives to which he had access as
a Yugoslav diplomatic official. Based on his marginal observations about the
cynicism of Slobodan Jovanovic, then president of the government-in-exile, and
about the intrigues of the Knezevic brothers,
it can be concluded that
he considers them primarily responsible. One of the Knezevic brothers was a
minister at the royal court, and the other, head of Professor Jovanovic's
military cabinet, effectively acting as minister of war (Draza Mihailovic, the
nominal holder of the war portfolio, was not in direct contact with his
government and often even he didn't know where he was).
The Cairo scandal may have arisen within the
context of traditional conflicts between Serbian military cliques, which held
considerable sway in the army of monarchical Yugoslavia, even though Serbs
constituted a minority of the population compared to Croats, Slovenes,
Macedonians, Montenegrins, and numerous other ethnic minorities. Conflicts
emerged from the outset, even among the conspiring officers who orchestrated
the coup of March 27, 1941, the immediate cause of the Axis invasion and the
swift disintegration of Yugoslavia. These conflicts only intensified in exile
within the ranks of the "Yugoslav army," composed of a small group of
Serbian officers and a few members of the Slovenian minority in Italy, who had
been taken prisoner in Africa.
The headquarters of this "army" was in
Cairo, where the "affair" erupted in early 1942, when the group led
by the Knezevic brothers overthrew the government of General Simovic, who had
signed Yugoslavia's surrender and fled to London. The appointment of S.
Jovanovic's government marked the beginning of an effort to completely
eliminate the influence of the older Serbian officers who had cooperated with
Simovic. These officers refused to comply with the decree appointing new
commanders, and as a result of this open insubordination, the British military
authorities had to intervene, appointing an English general as commissar
"to the Supreme Yugoslav Command in Cairo."
These conflicts led to the complete disintegration
of the already insignificant Yugoslav army. Many of the officers joined the
British army, demonstrating the British disapproval of S. Jovanovic's
government. That government was losing prestige despite its appeals to Draža
Mihailović to continue the fight. The aforementioned study by Dr. Smith
Pavelić reveals that Mihailović was collaborating with the Italian
and German occupation forces at that time.
The chauvinistic attitude of the Serbian ministers
and officers, who aspired to reestablish their hegemony, and their political
methods in the restored Yugoslavia—incomprehensible and abject not only to the
Croats and Slovenes directly affected, but also to the Western
Allies—inevitably led to the liquidation of monarchical Yugoslavia, paving the
way for communist tyranny. This is the conclusion reached after reading Dr.
Smith Pavelić's well-documented and impartial study.
Croatian Magazine, Volume Dedicated to Ivan
Mestrovic
J. G. Fratija (Ivo Bogdan), Buenos Aires
("The Croatian Review, Buenos Aires 1962, Year
XII, Vol. 4(48) pp. 297-520).
This year's final volume
of Croatian Magazine, published quarterly in Buenos Aires for the past 12
years, is entirely dedicated to Ivan Mestrovic, who died on January 16th in
South Bend, USA. Given its extensive nature and valuable contributions from
experts on the personality and work of the late visual artist, it deserves
special mention. The opening pages feature masterful notes in Spanish by the
eminent Argentine art critics Julio E. Payró and Romualdo Brughetti. The work
of José León Pagano on Mestrovic was published in Croatian translation. The
painter Joza [name missing] refers to Mestrovic's artistic work. Kljakovic, who
presents a concise overview of Mestrovic's entire oeuvre; then Zdatko Tomicic,
in a chapter of his extensive study on Mestrovic, compares him to Michelangelo;
Stanko M. Vujica, in a brief article on the secret of Mestrovic's art,
highlights the grand ideas and conceptions of this profound thinker and religious
spirit; Dominik Mandic, O.F.M., relates the relevant information about
Mestrovic's relief of the Stigmata of Saint Francis, located in the church of
Santa Maria Mediatrice next to the new curia of the Franciscan order in Rome;
Raimundo Kupareo, O.P., analyzes the idea of Christianity in
Mestrovic's art.
Regarding the personality
of the celebrated sculptor, his son Mate Mestrovic publishes salient details of
his father's life during the last year. Bogdan Radica traces the human and
artistic profile of Mestrovic, recounting his frequent interviews with the
sculptor. Ferid Sahovic and Charles Kamber Their notes highlight Mestrovic's
special interest in the Croatian Muslims of Bosnia and Herzegovina.
The poet and novelist
Antun Nizeteo discusses Mestrovic's literary work, with particular reference to
his literary style. Two of Mestrovic's literary works are also included:
"The Prayer on the Occasion of the Consecration of the Votive Church of Our
Lady in Biskupija near Knin, Erected in Memory of the Croatian King Zvonimir
(1075-1089)" and "Notes from a Journey through the East." In
this issue of the Croatian Review, we find testimonies, opinions, and judgments
from the distinguished Argentine sculptors Troiano Troiani, Alfredo Bigatti,
Humberto Eduardo Cerantonio, and Líbero Badii on the value of Mestrovic's art
and its influence on the Río de la Plata art scene. Several literary
compositions and poems inspired by Mestrovic's sculptures are also included.
The volume under review is rich in news and information related to the master's
death and his voluminous memoirs. about men and political events.
Finally, we mention the interesting collaborative
work by Ante Smith Pavelic and Bogdan Radica on "Mestrovic's Last Visit to
Croatia." This trip took place in 1959 and at the time generated
considerable discussion among political exiles from Yugoslavia. Mestrovic had
visited Cardinal Aloysius Stepinac during his confinement in Krasic and also,
at the invitation of the Yugoslav dictator Tito, at his residence in Brioni.
This work is a supplement to Mestrovic's memoirs,
containing accounts of his encounters with prominent contemporary political
figures. The courageous conduct of the prisoner Stepinac and his insistence on
forgiving his persecutors and praying for them deeply impressed Mestrovic.
Since Stepinac had rejected Mestrovic's previous suggestions to soften his
opposition to the regime, which would improve his personal situation, the
cardinal asked him at this meeting if he approved of his inflexible stance
toward the communist regime, and Mestrovic replied that he did.
Stepinac repeatedly stated that no physical
suffering could make him waver in his decisions and that he would oppose all
provocations and threats from his persecutors. He showed Mestrovic a fresh
wound on his hand and told him that a militiaman, shortly before, while
delivering a court summons, had deliberately burned him with a cigarette as an
insult and provocation.
Mestrovic had several meetings with Tito. Tito
spoke to him about Stalin, Djilas, and Stepinac. Regarding Stalin, he
emphasized how he had brutally rejected the Yugoslav request to support his
position in the Triestine interdict. For this reason, he had invited Tito to
Moscow, which Tito declined. Tito remembered the conversation he had had
shortly before at the Belgrade train station with Georgi Dimitrov, the
Bulgarian communist leader and former secretary of the Communist International.
Dimitrov was en route to Moscow, invited by Stalin,
to discuss the creation of the Yugoslav-Bulgarian federation. Before the train
departed, Georgi Dimitrov embraced Tito and told him he knew he would not
return. Dimitrov's prediction came true. He fell ill in Moscow and died
unexpectedly. Upon receiving Stalin's invitation, Tito remembered Dimitrov's
words and decided not to go. He knew the methods of Soviet diplomacy all too
well. Shortly afterward, Yugoslavia was excluded from the Cominform.
Tito condemned Djilas's article on the Hungarian
Revolution, in which he predicted the collapse of communism, as a
"cardinal sin." Regarding Cardinal Stepinac, Tito told him that he
respected his character and courage. Mestrovic got the impression that Tito had
to take action against Stepinac "under pressure from the Serbs, who, after
the condemnation of Draza Mihailovic, were demanding the head of a prominent
Croat." Mestrovic was particularly concerned about the plight of the
Croats in communist Yugoslavia and complained to Tito that Croatia's name and
interests were constantly being sidelined and that in official Yugoslav
publications,
Istria and Dalmatia were listed separately as if
they were not parts of Croatia. He told him that he was aware of the efforts to
Serbize Bosnia, but that the Croats would never agree to Bosnia becoming an
integral part of Serbia. "These and similar attempts," Mestrovic
continued, "demonstrate that there are great chauvinists among the Serbian
communists." Tito initially responded with the French phrase, "A qui
le dites Vous," and then continued in Croatian: "I know that many
Serbian communists are, at heart, Chetniks" (Serbian nationalist
militiamen).
During the conversation, Tito remarked that the
Chetniks were no better than the Croatian Ustaše, to which Meštrović
replied that the Ustaše defended Croatian territory, while the Chetniks fought
in Croatian regions as well. Tito agreed with this argument and complained that
Croats were not adequately represented in the civil service due to their
negative and reserved attitude toward the regime. He lamented that Croats did
not want positions in the civil service, especially in the communist militia,
the political police, and the army, and even avoided joining the diplomatic
service and the communist party. This attitude was also reflected in their
flight from the country. "Most of the exiles are Croats..." To Tito's
arguments it should be added that such a Croatian attitude is consistent with
their struggle for political and national freedoms, curtailed in both communist
and monarchical Yugoslavia.
It is interesting to note that Tito reiterated his
invitation to Mestrovic to return to Yugoslavia, where he would enjoy all the
privileges. Mestrovic always rejected such calls, declaring that he could not
enjoy privileges in a country where Croatian patriots were unjustly persecuted.
As is well known, Mestrovic was one of the Croats who, during the First World
War, worked for the creation of Yugoslavia, believing that Croats, in a common
state with Serbia, would have their individual and national rights and freedoms
guaranteed. It is important to emphasize, however, that he not only refused to
return to Yugoslavia but also renounced his Yugoslav nationality and became an
American citizen. Indeed, with this act, he unequivocally condemned the very
idea of a Yugoslav state that had inspired him in his youth.
The Yugoslav communists could not forgive him for
this, yet despite everything, Tito tried to persuade him to return to
Yugoslavia, arguing that his American citizenship would not be an obstacle and
that he could retain it should he return.
Upon his return from Yugoslavia, Mestrovic told his
friends that even those Croats who had fought alongside Tito's partisans in the
war had told him that the communists were persecuting them for being Croats,
and that was why they had joined the opposition. He also came to the
conviction, through his contact with the leaders of the communist regime, that
Belgrade would be very careful before submitting to Moscow, "because if
they were to depend on Moscow again, many leaders would lose their positions
and perhaps even their lives."
The volume of Hrvatska Revija mentioned above
publishes abundant graphic and illustrative material related to Mestrovic's
life and work, also reproducing his later sculptures.
Charles Zalar: Yugoslav Communism - A Critical
Study
Ivo Bogdan, Buenos Aires
(Prepared for the Administration of the Internal
Security Act and other Internal Security Laws of the Committee on the Judiciary
of the United States Senate; U.S. Government Printing Office, Washington 1961,
pp. XII-387).
This is a comprehensive and meticulously documented
study of Yugoslav communism from its origins to the date of the book's
publication. Its author, Charles Zalar, a Slovenian national, is a former
Yugoslav diplomat in exile who began his career as a supporter of the
pro-Yugoslav Slovenian Liberal Party, later becoming involved with the
Slovenian Catholic movement, which tends to assert Slovenia's national
identity.
The book, in addition to a brief foreword by Thomas
J. Dodd, Vice Chairman of the Senate Committee on Internal Security, contains a
preface by the same author, headed by the motto "No bene pro toto Libertas
venditur auro" (Freedom is not sold for gold). The book is divided into
three parts. The first summarizes the history of the communist revolution in
Yugoslavia from the founding of the Communist Party to its seizure of power in
1945.
In several chapters, the author reviews the
political process in Yugoslavia from 1918 to 1941, highlighting the abnormal
relations between the peoples of the multinational Yugoslav state, which the
communists exploited to rise to power. In the third chapter, Zalar recounts the
guerrilla warfare and the struggles between the peoples of Yugoslavia, while in
the fourth chapter he addresses the agreements that preceded the communist
takeover and the restoration of Yugoslavia.
The second part covers the internal and external
policies of communist Yugoslavia between 1945 and 1953. This period is divided
into two chapters. The first deals with the close collaboration with the Soviet
Union, and the second with Yugoslavia's political and economic isolation
between 1948 and 1953, when Yugoslavia enjoyed the political and economic support
of Western countries.
The third part comprises the period from 1953 to
1961, the year in which the writing of the book in the epigraph was completed.
This division, seemingly incomprehensible at first glance, stems from the fact
that in 1953 the Yugoslav communists amended the 1946 Constitution, a faithful
copy of the Soviet Constitution. This amendment was criticized by the Soviet
government and other communist leaders as revisionism and later, in the era of
de-Stalinization, described as the specific Yugoslav path to socialism. A
separate chapter is dedicated to Titoism in world politics.
After a brief summary and final conclusions, Zalar
ends his extensive study by adding a very useful bibliography that includes, in
addition to books and monographs, reports and articles published in newspapers
both in Yugoslavia and abroad. He also provides essential information about
prominent figures in Yugoslav politics, whether or not they adhered to
communist ideology.
As we have noted, the book under review is a critical
study of Yugoslav communism in its socioeconomic, legal, and political aspects.
It was written with great effort and diligence, providing valuable and abundant
data. The author's democratic convictions and Slovenian patriotism are
reflected in his viewpoints. This means that Zalar adopts a critical stance not
only toward the current communist regime but also toward the regimes that
preceded it, holding them responsible for the situation that led to the
communist seizure of power.
Such an objective, impartial, and reliable account,
in its basic outlines, provoked bitter reactions in the newspapers of Serbian
exiles, insulting the author in unprintable terms, which proves that they still
cling to their Great Serbian and anti-democratic position. Certain assertions
and interpretations of specific events could not be fully shared by the Croats.
It seemed that the author, who is Slovenian and
before the war had collaborated with the regimes of monarchical Yugoslavia,
which the Croats opposed, hardly understands the peculiar situation of Croatia
exposed to the assaults of Great Serbian expansionism. Slovenia, separated from
Serbia by Croatia due to its geographical location, feels Serbian pressure much
less than the Croats. Hence, not entirely objective assessments of the Croatian
opposition. As this is an intricate cultural, political, and national issue, it
would take too long to point out all the errors of that nature.
It goes without saying that this unofficial
publication from the US Senate is highly relevant, given the controversies and
debates surrounding the appropriateness of Washington's aid to communist
Yugoslavia. Charles Zalar's merit lies in having provided several compelling
arguments against unconditional support for Tito.
Anton Knezevic: Die Turzismen in der Schprache der
Kroaten und Serben
(Verlag Anton Hain, KG, Meisenheim/Glan, 1962, pp.
520)
The
five-century domination of the Ottoman Turks in the Balkans, and their shorter
rule in Central Europe, left multiple traces, even in the languages of the
respective peoples. In the book mentioned above—Turkisms in the Languages of
Croats and Serbs—we find the result of an in-depth study of the influences of
the Turkish language and, through it, of Persian and Arabic. It is natural that
we find more traces and influences in the speech of Muslims, especially in
Bosnia and Herzegovina, where a large group—almost a million Muslims in
diaspora—of Croatian origin and language resides. However, Turkisms are also
present in other, predominantly Christian regions; they are even found in the
languages of Slavic peoples who were never part of the Ottoman Empire.
Professor A.
Knezevic's work consists of three parts. In the first, he deals with Turkisms
in their true sense, that is, those that are a direct inheritance from the
Ottoman Turkish conquerors. The author highlights the characteristics of the
Turkish language in its development in the Balkans. The second part deals with
geographical designations and place names, particularly in Bosnia and Kosovo.
The third part contains a long list of Turkic loanwords, and the final pages
list the sources consulted.
Adhering to his
stated purpose, the author has provided ample material for a comprehensive
study of the influence of Turkish, Persian, and Arabic in Croatia and Serbia,
identifying distinct trends in linguistic evolution and emphasizing the need
for concerted efforts by Slavicists and Orientalists. His work will greatly
facilitate the study of Croatian and Serbian by foreign Slavicists, clarifying
the origin and meaning of Turkic loanwords, which are foreign to other Slavic
languages.
This
considerable effort by the Croatian scholar, who currently lives and teaches in
Germany, is also a valuable contribution to the Croatian national cause, as it
gives due recognition to the Islamic component of the Croatian nation.
[1] See details of the handover on pp. 349-356 of
this issue.
[2] Text of the note
according to the Borba newspaper of December 11, 1962. Full quotations, pp.
351-56 of this issue.
[3] Croatian exiles in
Germany point out that one of the aims of the attack on the Yugoslav trade
delegation in Bad Godesberg was to destroy documentation relating to the
activities of Croatian refugees, zealously collected by agents of the Yugoslav
political police. These agents operate in West Germany disguised as
representatives of commercial enterprises or as workers seeking employment,
intriguing and provoking frequent clashes with anti-communist Croatian exiles.
This was repeatedly reported in the newspapers of the Croatian exiles (Hrvatska
Drzava, Munich; Danica, Chicago) as well as in the German newspapers
("Deutsche Zeitung", November 30, 1962).
[4] "It is difficult
to establish the exact number of protests sent from Belgrade to Bonn during the
last five weeks (...). Relations between the two capitals are tense, to the
point that a break would have been inevitable had it not already occurred in
October 1957, after Yugoslavia recognized the Pankow government." Le
Monde, Paris, January 11, 1963.
[5] Cf. "The Farce of
Political Amnesty in Yugoslavia," Studia Croatica No. 7/8, p. 238.
[6] The Bonn government is
well aware of these crimes, having recently published extensive documentation
on the tragic fate of the 500,000 members of the ethnic German minority in
Yugoslavia (Dokumentation der Vertreibung der Deutschen aus Ost - Mitteleuropa.
Das Schicksal der Deutschen in Jugoslavien. Documentation on the expulsion of
Germans from Eastern and Central Europe. The fate of Germans in Yugoslavia).
[7] Cf. The editorial
"Unpunished Crimes," Studia Croatica, No. 6.
[8] L'Aurore, Paris,
November 30, 1962, published the statement of an eyewitness to the event:
"I saw about thirty men, between 20 and 30 years old, get off (the bus
that brought the demonstrator workers from the Ruhr mining region). They formed
lines carrying banners, and I thought it was some kind of student farce."
Le Monde, Paris, December 1, 1962, reported that the attack was carried out by
"about thirty young men." The same information was reported in dispatches
by the AP, UP, and AFP news agencies, and was also published in the Latin
American press. It is understood that this information was also disseminated by
German newspapers (Frankfurter Allgemeine, November 30, 1962). In contrast, the
controlled and directed Yugoslav press did not mention this aspect at all.
[9] See: "Harmful
Discrimination..." pp. 356-58 of this volume.
[10] Dobrisa Cosic, the
most prominent Serbian communist writer, stated in an article that sparked
heated debates that "the struggle against frenzied nationalisms"
constitutes the most important internal problem in communist Yugoslavia. “Don’t
you see those vampires?... Don’t you see that many of them don’t have mustaches
or beards? They’re just young ghosts, snotty kids. The bearded ones, of course,
will die one day, but those who are growing up…” (Nasa Sodobnost, Ljubljana,
December 1961). In his Split speech, delivered on May 6, 1962, and scarcely
reported by the world press, Tito strongly condemned the emergence of “national
chauvinism” even within the ranks of the communists in Croatia, which threatens
“the brotherhood and unity of our peoples.” Like Cosic, Tito sees the greatest
danger in the strengthening of national consciousness among young people: “One
feels distressed,” Tito said, “seeing how this chauvinism is winning over our
youth” (S. C., No. 7/8, p. 188).
[11] Robert E. Sherwood:
Roosevelt and Hopkins - An Intimate History, Barcelona 1950, Vol. II, p. 242.
[13] Art. I, para. 2 of the
Charter.
[14] Article I of said
Constitution states that "The Federal People's Republic of Yugoslavia is a
federal people's state in republican form, a community of peoples with equal
rights, who, by virtue of the right of self-determination, including the right
of secession, expressed their desire to live together in the Federal
State."
[15] In fact, at least in
Croatia, there was no such unanimity. The communist government, to give a
certain appearance of free elections, placed so-called "black ballot
boxes" next to the ballot boxes for the official candidates so that
voters, not without risk, could cast their negative votes. In Croatia, many
abstained from voting, despite mandatory voting, or cast blank ballots,
according to the official results, which were undoubtedly corrected or adjusted
in favor of the official list. There was no possibility of controlling or
verifying the official data.
[16] Official data from the
1948 census.
[17] Cf. Memorandum to the
Participants in the Conference of Non-Committed Countries, S.C. No. 5, p. 321
and Memorandum to Prime Minister John Diefenbaker, S.C., Nos. 7-8, p. 215.
[18] This term was used in
an important document, the Resolution of the Fifth Congress of the Communist
International. It states that the victorious powers of the First World War, in
the 1919 peace treaties, "had created new small imperialist states by
annexing territories with foreign populations." It also mentions
Yugoslavia. "Consequently, the communist parties of Central Europe and the
Balkans have a duty to support, by all means, revolutionary national movements
of oppressed peoples. The application of the right to self-determination to all
peoples; including the right to secession” must… be made manifest through the
realization “of the state separation of the oppressed peoples from the state
formation of Poland, Romania, Czechoslovakia, Yugoslavia, and Greece.” “The
Congress charges the communist parties of Poland, Romania, Yugoslavia,
Czechoslovakia, and Greece with waging a vigorous struggle against this
colonialism.” (Thessen und Resolutionen des V. Weltkongresses der
Komunistischen Internationale, Hamburg 1924, pp. 124-133).
[19] See note 12 and the
study by the same author.
[20] Chapter VII of the
“Protocol of the Crimean Conference,” Edward R. Stettinius: Roosevelt and the
Russians - The Yalta Conference, Barcelona, 1950, p. 225.
[21] Ibid., p. 216.
[22] Churchill: Second
World War, V 470.
[23] Sacha Simon, permanent
special correspondent in Belgrade for the newspaper The Parisian newspaper Le
Figaro informed its editorial staff: "The Foreign Ministry representative
stated that Bonn is not taking the necessary strong measures to contain the subversive
and criminal activity of the 'Ustachi' refugees in Germany. This would be one
of the reasons preventing the re-establishment of normal diplomatic relations
between the two countries" (Le Figaro, Paris 12/17/1962).
[25] The aforementioned
Belgrade note of December 10, 1962, expressly acknowledges that the German
authorities, prior to the rupture of diplomatic relations, were taking measures
against Croatian exiles in response to repeated demands from Belgrade. In this
regard, they cite the note from the Bonn government addressed to the Belgrade
government on April 4, 1955, communicating that the German authorities had
taken the necessary measures to prevent activities by Croatian émigrés
"against the integrity of the Yugoslav state." Belgrade, in its note
of December 10, 1962, acknowledges that "during the period in which these
measures were being implemented, all anti-Yugoslav activity, at least publicly,
was suspended in the Federal Republic of Germany." Only after the rupture
of relations, the note notes, "did the Croatian quisling elements in
Germany resume their anti-Yugoslav activity."
[26] Borba, Belgrade. 11/14/1961.
[27] Jovan Djordjevic: La Yougoslavie, démocratie socialiste, Presses
Universitaires de France, Bibbliothčque de la Science Politique, Paris, 1959,
p. 72.
[28] Ibid., p. 77.
[29] Indeks, Federal
Institute for Statistics, Belgrade, 11/1962, 44-47.
[30] Annuaire Statistique
des Nations Unies, 1961, pp. 53-57.
[31] Vjesnik, 19-XII-1962
(article by K. Dzeba).
[32] The Statistical
Yearbook of Yugoslavia, 1962, p. 65. Statements by Finance Minister Mincev in
the parliamentary debates on the 1963 plan. Vjesnik, December 29, 1962.
[33] The Statistical
Yearbook of Yugoslavia, 1962, p. 65. Statements by Finance Minister Mincev in
the parliamentary debates on the 1963 plan. Vjesnik, December 29, 1962.
[34] From the parliamentary debates, Vjesnik,
December 30, 1962.
[35] Vjesnik, December 19,
1962 (from the parliamentary debates).
[36] O. Blagojevic:
Investments in Agriculture, Belgrade 1959, p. 227; Investments 1947–58. The
Yugoslav Investment Bank, Belgrade 1959.
[37] The Statistical
Yearbook of Yugoslavia for 1958, 1960, and 1962.
[38] According to the
statement by the Minister of Economy, M. Todorovic; Vjesnik, April 8, 1962.
[39] From the meeting of
the Executive Committee of the Socialist Alliance of the Working People of
Yugoslavia; Vjesnik, December 11, 1962.
[40] Ekonomska Politika,
weekly, Belgrade 11-10-1962.
[41] VII Congress of the
Yugoslav Communist Alliance, Kultura, Belgrade, 1958, p. 54. Tito's speech
before the National Assembly.
[42] S. Popovic: Technical
work equipment. "Ekonomist", Belgrade, 1-2 1959
[43] From Tito's speech at
the IV Plenary of the Central Committee of the Yugoslav Communist Alliance,
Vjesnik 25/VII/1962.
[44] Vjesnik, 14/X/1962.
[45] Ibid.
[46] Vjesnik, 2/XII/1962.
[47] Vjesnik, 30/XII/1962.
[48] Vjesnik,
December 10, 1962.
[49] Vjesnik, December 19,
1962.
[50] Vjesnik, November 10,
1962.
[51] Vjesnik, December 11,
1962. It should be noted that industrial wages in Yugoslavia ranged from 8,000
to 25,000 dinars (US$10.70 to US$32.00, respectively) for 67.5% of the total
workforce. (Indeks, November 1962, p. 50).
[52] Vjesnik, December 20,
1962 (article by K. Dzeba).
[53] Ante Kadic is an
assistant professor of Slavic languages and literatures at
Indiana University, USA. The author thanks the American Philosophical Society
for making the research necessary for this work possible.
[54] V. Jagic: "Hrvatska glagolska knjizevnost", in Vodnik's
Povijest hrvatske knjizevnosti, Zagreb 1913, pp. 9-60.
[55] F. Sisic: Povijest Hrvata u vrijeme narodnih vladara, Zagreb 1925. About King Zvonimir and his violent death, see the
recent study by Stipe Gunjaca: "Kako i gdje je svrsio hrvatsiki kralj
Dimitrije Zvonimir", Rad, 288 (1952), pp. 205-324 (Rad refers to the
annals of the Zagreb Academy of Sciences and Arts).
[56] G. Novak: Prosilost
Dalmacije, I. Zagreb 1944, pp. 115-16; M. Kostrenicic: "Postanak
dalmatinskih sredovjecnih gradova", in Sisicev Zbornik (The Sisic
Symposium), Zagreb 1929, pp. 113-19; idem, "Slobode dalmatinskih gradova
po tipu trogirskom", Rad, 239 (1930), 56-150.
[57] Lj. Karaman: Eseji i Clanci, Zagreb 1944, pp. 40-49. Cvito
Fiskovic: "Nasi primorski umjetnici od 9 do 10 stoljeca", Hrvatsko
Kolo, No. 2, 1948, pp. 241-65.
[59] Cf. Numerous studies
by Petar Skok, especially his work "O simbiozi i nestanku starih Romana u
Dalmaciji i na Primorju u svijetlu onomastike," Razprave, IV, Ljubljana
1928, pp. 1-42, and his book: Slavenstvo i romanstvo na Jadranskim otocima:
Toponomastika Ispitivanja, Zagreb 1950, Vol. I-II.
[60] Cf. Viktor Novak:
"The Slavonic-Latin Symbiosis in Dalmatia During the Middle Age",
Slavonic and East European Review, XXXII, No. 78, December 1953, p. 17.
[61] According to the
chronicle of one of the participants in that Crusade, Geoffrey de
Villehardouin, the Doge himself called Zadar "Jadres en Esclavonie";
cf. P. Skok; Tri starofrancuske kronike o Zadru u godini 1202, Zagreb 1951, p.
84.
[62] For almost every
Dalmatian city, the picture of Croatian penetration can be reconstructed based
on records of names and surnames. Cf. Grga Novak: Proslost Dalmacije I, Zagreb
1944, 175-80 (chapter VIII: Croatization of the Romanized Cities in Dalmatia).
[63] Benedetto Ramberti,
Secretary of the Venetian Senate, passing through Dubrovnik in 1534 on his
journey to Turkey, observed that all the women in Dubrovnik spoke Croatian and
their husbands spoke Croatian and Italian; cf. V. Novak: "The Slavonic
Latin Symbiosis in Dalmatia...", p. 19; on Ramberti, see Jorjo Tadic:
Promet putnika u starom Dubrovniku, Dubrovnik 1939, pp. 212-13, and P.
Matkovics in Rad, 56 (1881), 203-32. The Venetian Giovanni B. Giustiniano
reported to his government in 1553 that in Split, Trogir, Sibenik, Zadar, and
Dubrovnik, all the common people spoke Croatian; see Commissiones et relationes
Venetae, II, S. Ljubic, Zagreb 1877, 1902 -. Regarding Split, he said that all
its customs were Slavic and that the language of the people "is so sweet
and gentle that it is the first among all the Dalmatian dialects, just as the
Tuscan language is the final flower of the Italian language" (p. 215).
[64] In an appeal sent to
the Pope from Dalmatia in 1604, probably by Father Katic, it is stated that
only a small number of Croats know Italian, mostly merchants and nobles,
"but the common people, the young nuns, the noblewomen, and the monks do
not know a word of Italian," in Ljubo Karaman: Dalmacija kroz vjekove u
historiji umjetnosti, Split 1934, p. 132, No. 2; M. Vanino: "Dalmacija
zahtijeva biskupe vjeste hrv. jeziku," Croatia sacra, III, Zagreb 1933, p.
94.
[65] M. Perojevic: Petar
Kruzic, kapetan i knez grada Klisa, Zagreb 1931, pp. 180-209.
[66] A popular poet
expressed the daily reality in these terms: "Blood with our lunch, blood
with our dinner. All the food is soaked in blood. We wash our hands and faces
with blood." C. Fiskovic; op. cit., p. 259.
[67] Dubrovnik paid tribute
first to Venice (1205-1358), then to the Hungarian-Croatian kings (until 1526),
and finally to the Turkish sultans.
[69] It is not my purpose
here to enter into a discussion about the significance of the Italian
Renaissance in the history of Western Europe. I prefer to refer to the last two
chapters of W. K. Ferguson’s The Renaissance in Historical Thought, Boston
1948, pp. 290–385. The Dalmatian poets in Latin, at least from the religious
point of view, must be considered as continuators of the Middle Ages.
[70] Cf. An exhaustive,
interesting and very debatable article by Giovanni Maver: "The Croatian
letteratura in rapporto alla Italian letteratura", Italia e Croazia, Rome
1942, XX, pp. 455-522. Also M. Deanovic: "Les influences italiennes sur l'
ancienne littérature Yougoslave du littoral adriatique", Revue de
littérature comparée, XIV, 1934, 30-52.
[71] Josip Torbarina, id.,
part I: "Relations between Dubrovnik and Italy", pp. 19-87; Jorjo
Tadic, op. cit., p. 207.
[72] A. Cronia: Storia della Letteratura serbo-croata, Milan, 1956,
correctly says: "Sopra tutto a Padova, dove intere generazioni di Dalmati
si temprarono e si immortalarono pasgando dal Banco dello scolaro alla catedra
del maestro" (p. 34).
[73] B. Croce: Poesia popolare e poesia d' arte, in the chapter
"Latin Poetry" states that: "La lingua latina fu, tra l'altro,
per secoli, un modo di scambio nella republica letterario-scientifica, e anche
nel mondo della politica", 3rd ed., Bari 1952, p. 439.
[74] "Nessuno infatti di questi autori negň la proper Croatian
nazionalitŕ..." Franjo Trograncic: Storia della letteratura croata, Rome
1953, pp. 119-20.
[75] Cf. J. Torbarina: Italian influence..., passim, especially p. 50,
where he quotes Archbishop Beccadelli: "Questo č un paese da Schiavoni
cioč da robusti, e non da par nostri deboli."
[76] Cf. M. Kombol: Poviest
hrv. knjizevnosti, Zagreb 1945, pp. 58-74 ("Humanizam i njegovi
odjeci"), Ante Kadic: "Croatian Renaissance", Studies in the
Renaissance VI, 1959, 29-33.
[77] Grga Novak, its modern
editor, Zagreb 1951, offers a reliable picture of Dalmatia and Hvar during the
first half of the 16th century. Novak's study includes Pribojevic's Latin text
and its Croatian translation by Veliko Gortan.
[78] De origine
successibusque Slavorum, Zagreb 1951, p. 58.
[79] De origine successibusque
Slavorum, Zagreb 1951, p. 58.
[80] This poem had its
third edition in Basel in 1538. Cf. Dj. Korbler: "Jakov Bunic Dubrovcanin:
Latinski pjesnik", Rad, 180, 1910, pp. 58-134.
[79] De origine
successibusque Slavorum, Zagreb 1951, p. 58. [81] F. Racki: "Iz djela E. L Crijevica dubrovcanina",
Starine, IV, 1872, pp. 155-200; G. N. Sola: "Aelii Lampridii Cervini
Operum latinorum pars prior", Archivio storico per la Dalmazia, XVI-XIX,
1934.
[83] Sisgoric's work: De
situ Illyriae et civitate Sibenici a 1487 was published by Srepel in Gradja za
povijest knjizevnosti hrv., II, 1899, 1-12. In its last extremely interesting
chapter, 17 ("De moribus quibusdam Sibenici") we read this phrase
relating to popular amatory poetry: "Petulans deinde iuventus,
cupidinibusque capture, voce valens amatorium carmen tale noctu decantant quale
vix cultus Tibullus aut blandus Propertius aut lascivus Licoridis Gallus aut
Lesbia Sappho decantaret" (in Gradja, II, 11).
[84] In the same chapter on
popular customs, Sisgoric states: "Siquidem proverbiis Illyricis utuntur,
quae nos dicteria diximus, et ex lingua vernacula in latinum vertimus." It
is a pity that this only translation has been lost.
[85] Branko Vodnik:
Povijest hrvatske knjizevnosti, Zagreb 1913, p. 77.
[86] An incomplete
selection of Pannonius's elegies and epigrams was published in Zagreb in 1951
by the Academy of Sciences and Arts in the series entitled Hrvatski Latinisti
(Croatian Latinists). Alongside the Latin text was published the Croatian
translation by the poet Nikola Sop. In an excellent preface, the Latinist
Mihovil Kombol describes Pannonius's political service to the court of King
Matthias Corvinus and emphasizes his place among the Neo-Latin poets. For
Kombol, Pannonius's greatest poetic achievements are his III, X, and XIV
elegies (Pjesme i epigrami, p. XVI).
[87] Cesmicki is
characterized by his dense and highly picturesque verses about the Bosnian
landscape:
Pars fuit Illyrici, quam
nunc vocat incola Bosnam,
Dura, sed argenti munere
dives humus.
Non illic viries spacioso
margine campi,
Nec sata qui multo foenere
reddat ager.
Sad regidi montes, sed saxa
minantia coelo,
Castella et summis imposita alta jugis...
Cf. Pjesme i epigrami, pp.
36 and 322.
[88] Ante Kadic:
"Croatian Renaissance", Studies in the Renaissance, VI (1959, 34-35).
[89] See Zbornik Marka
Marulica 1450-1950, Zagreb, 1950; the, M. Kombol's introduction to Judita, ed.
V. Stefanic, Zagreb, 1950, pp. 9-22; Cvito Fiskovic: "Prilog zivotopisu
Marka Marulica Pecenica," in Republika, VI (1950), 186-204. Marko Marulic's
name appears in very few European and American encyclopedias, so Mirko
Usmiani's article in Harvard Slavic Studies, III (1957), 1-48, devoted entirely
to Marulic's bibliography, is commendable.
[90] Mirko Deanovic aptly
observes that none of those Italian humanists left a significant trace in
Marulic's works (in Revue de lit. comparée, 1934, p. 40).
[91] Petar Kolendic:
Maruliceva oporuka, Split, 1934. It is obvious from his will that Marulic's
interest in Italian literature was extremely limited; He translated Petrarch's
poem "Vergine bella" into Latin.
[92] Marulic's words in his famous poem "In
somnium diurnum"; cf. Zbornik, p. 8.
[93] Ksenija Atanasijevic: Penseurs Yougoslaves, Belgrade, 1937, pp.
19-43.
[94] Animadversio in eos
qui beatum Hieronyrum Italum esse contendunt; see I. Lucic: De regno Dalmatiae
(Amstedolami, 1666), which also includes Marulic's Latin translation of Regnum
Dalmatiae et Croatiae gesta.
[95] Some other books by
Marulic, in order of importance, would be: Evangelistarium (Venice, 1516); Quinquaginta
parabolae (Venice, 1510); De humilitate et gloria Cristi (Venice, 1519). Those
Latin books earned him glory as "fidei propugnator acerrimus, princeps
suae aetatis philosophus, sacrarum literarum scientia nemini secundus" or
"post divum Hieronyrum Dalmatiae secunda gloria"; cf. Jezic, Hrvatska
knjizevnost, p. 71. M. Srepel published several Latin poems by Marulic in
Gradja, 2 (1899), 13-92.
[96] Ante Kadic: "St.
Francis Xavier and Marko Marulic", Slavic and East European Journal,
Spring 1961, pp. 12-15; Franjo Galinec: "Marulic kao teoloski ugled i
knjizevni izvor", Vrela i Prinosi, V (Zagreb, 1935), 79-92.
[97] We transcribe one of
his short poems in Latin (Zbornik, p. 10):
Quaeris cur conjunx te
dilexerat olim
Nunc fugit et duris litibus
exagitat.
Verius haud quicquam possum
tibi dicere, Marce:
Dilexit iuvenem, never
fugit illa senem.
Omnibus hoc vitium est miseros odere maritos,
Aetas longa quibus languida membra facit.
Vis tu pace frui, cum sit tibi candida barba,
I procul, atque alio Vivere says crazy.
[98] M. Srepel, in Gradja, 4 (1904), 189-215.
[99] Usmiani states that
"Marulic was the first humanist to compose a poem of such length and scope
and the only one who chose his hero from the Old Testament," Harvard
Slavic Studies, III, 1.
[100] J. Badalic, in
Davidias, pp. 9, 278.
[101] Franjo Fancev: Gradja
za pjesnicki leksikon hrv. jezika, in Gradja, 15 (1940) 182-200.
[102] Cf. Kombol: Povjest
hrv. knjizevnosti, pp. 82-87, and especially Petar Skok: "O stilu
Maruliceve Judite," in Zbornik, pp. 165-241, where he states that
Marulic's originality lies primarily in his style.
[103] Marulic, Judita, ed.
Marcel Kusan with introduction by P. Kasandric (Zagreb, 1901); idem, Judita,
ed. V. Stefanic with Introd. by M. Kombol (Zagreb 1951).
[104] Milan Resetar, ed.
Pjesme Siska Mencetica, Dzore Drzica i ostale pjesme Ranjinina Zbornika (Zagreb
1937), with a magnificent introduction.
[105] J. Torbarina: Italian
influence on the poets of the Ragusan Republic, pp. 91-137; It should be noted,
however, that an old theory of Jagic ("Trubaduri i najstariji hrvatski
lirici", Rad, 9 1869, 203-33) was taken up by M. Murko: "Nekoliko
rijeci o prvim dubrovackim pjesnicima", in Resetarov Zbornik (Dubrovnik,
1931), pp. 233-43, suggesting that the first poets of Dubrovnik were under the
influence of the troubadours via Naples.
[106] Cf. Dragoljub
Pavlovic: Dubrovacka poezija (2nd ed.; Belgrade, 1956), pp. 60-62, 193-98.
[108] Giovanni Maver:
Letteratura serbo-croata (Milan, 1960), p. 117.
[109] Ribanje, which was
published in 1874 by S. Ljubic in the collection Stari pisci hrvatski,
reappeared (Zagreb, 1953) in the series on Croatian authors, in a photostatic
reproduction of the earlier edition published by the Academy of Zagreb. Cf.
also Ribanje i ribarsko prigovaranje, ed. Ramiro Bujas, Zagreb, 1951.
[110] The fishermen were
not real, but "totally distorted," according to Marin Franicevic, insofar
as they are obedient and loyal to their master. What about the class struggle?
Cf. Enciklopedija Jugoslavije, s. v. Hektorovic, III (1958), 667.
[111] Cf. Dragutin Subotic,
Jugoslav Popular Ballads (Cambridge, 1932), p. 147; H. Munro and N. Kershaw Chadwiek:
The Growth of Literature (Cambridge, 1936), II, 300; Matija Murko: Tragom
srpsko-hrvatske narodne epike, Zagreb, 1951, I-II, passim.
[112] M.A., Petkovic:
Dubrovacke maskerate, Belgrade, 1950, pp. 29-94; Cronia: Storia della
serbo-croata letteratura, pp. 46.
[113] Trograncic: Croatian
Letteratura, pp. 74-77.
[114] Cf. Resetar, Djela
Marina Drzica.
[115] Prior to the Council
of Trent, the general situation among the lower Catholic clergy in Dubrovnik
was rather dubious from a moral point of view. See A. Theiner: Vetera monumenta
Slavorum meridionalium historiam illustrantia, II, Zagreb, 1875, pp. 330-36. Visitor apostolicus exponit statum republicae ragusinae rationemque
reformationis: "Il clero ha molti preti di mala vita, per il piů
ignoranti, concubinari o al men con donne suspetosissime in casa, poverissimi
per il piů servono alli nobili nelle cose profane e vile", Tomo Matic:
"Vjera i crkva", Rad, 231 (1925), 250-83; Ivan Vitezic: La prima
visita apostolica posttridentina in Dalmazia (Rome, 1957), pp. 29-34.
[116] In Djela Marina
Drzica, Stari pisci hrvatski, VII, ed. Milan Resetar, Zagreb, 1930, p. CXXVII; Marin
Drzic, ed. Miroslav Pantic, Belgrade, 1958, p. 60.
[117] C. Jirecek:
"Beiträge zur ragusanischen Literaturgeschichte", Archiv für
slavische Philologie, XXI (1899), 483-93; Jorjo Tadic: Promet putnika u starom
Dubrovniku, p. 292.
[118] Resetar, in Djela Marina Drzica.
[119] Ibid.
[120] "Messe Marino Raguseo rectore di Sapiantia che intervenne
alla comedia si citi e si riprenda in collegio", the National Archive of
Siena, Balia, 123 (previously 99), letter 39b-40b. P. Skok was the first to write (Razprave, 1930, pp.
39-41) about Drzic's presence in the performance of the comedy banned by the
censor. We know that on February 9, 1542, Drzic was not a mere spectator but
played the role of the lover ("Magnificus Rector Sapientiae qui amasium in
ea comedia egit") Fondo del Capitano di Giustizia (Capitaneus iusticie
Senarum), register 58, p. 69.
[121] The notarial records
for the years 1541–45, relating to the University of Siena, currently kept in
the archives of the Curia archivescovile, were examined by Dr. Ubaldo Morandi
(archivist in Siena), without finding any indication that Drzic obtained a
degree.
[122] Torbarina, op. cit., pp. 138–39; Arturo Cronia: "II
petrarchismo nel Cinquecento serbo-croato", Studi Petrarcheschi, I (1948),
242–45 ("Ben little remains, communicate, say year, say sentito and di
spontaneo in Darsa")
[123] Jorjo Tadic: Dubrovacki portreti, Belgrade,
1948, pip. 101-11; Reset, op. cit.
[124] These letters were
discovered by Professor Jean Dayre (Marin Drzic conspirant ŕ Florence",
Revue des études slaves, filza 54 (previously 77), fasc. 65 ("Lettera di
Marino Darsa Raguseo del 1566 long, e molto singolare e originale al Granduca
Cosimo primo nella quale gli propose la maniera di impadronirsi della
Repubblica di Ragusa, e nella quale spiega le cose del governo presente); the
second (July 3), the third (July 23) and the fourth (August 28) are preserved
in Mediceo, filza 522 (previously Carteggio universale, filza 192).
[125] Jorjo Tadic:
Dubrovacki portreti, pp. 124-25.
[126] Stari prisci hrvatski,
VII.
[127] Revue des études slaves, X, 30; Dubrovacke studije, pp. 22-23.
[128] Marin Drzic pjesnik
dubrovacke sirotinje, Zagreb, 1950; also in Hrvatsko Kolo, Nos. 2-3, 1949, pp,
312-43.
[129] Dragoljub Pavlovic:
"Novi podaci za biografiju Marina Drzica", in Iz knjizevne á kulturne
istorije Dubrovnika (Sarajevo, 1955), now reprinted in Marin Drzic, ed Pantic;
pp. 20 ("Father Marió Darsa, chaplain of the Reverend Patriarch of this
city of Venice").
[130] Ante Kadic:
"Marin Drzic, Croatian Renaissance Playwright", Comparative
Literature, Fall, 1959, p. 349-50.
[131] This criterion is so
common in Italy that even a scholarly professor like Arturo Cronia, in his
review of Serbian-Croatian literature, writes about Drzic: "Scarsa la
originalitŕ, ché quasi tutto, dalla typologia alla phraselogia, č desunto dall'
Italian", Letteratura serbo-croata, Milan 1956, pp. 57-58; cf. also his
article: "Per una retta interpretazione di Marino Darsa", Rivista di
letterature moderne, IV (1956), 203.
[132] Djela Marina Drzica, ed. Reset, p. 105.
[133] Since Creizenach made
some ambiguous statements about Drzic's Plakir (in Geschichte des neuen Drama,
II, 499-90), many Croatians presumed that there was a real similarity between
Drzic's Plakir and Shakespeare's A Midsummer Night's Dream. Some critics
maintain that Shakespeare, in writing his comedy, drew on an unknown Italian
source. Did Drzic use the same source? Perhaps the Italian original can be
found.
[134] Dragoljub Pavlovic: "Komedija u nasoj renesansnoj
knjizevnosti," in Marin Drzic, ed. Pantic, p. 211.
[135] Pavle Popovic
considers Omakala to be a "comic character"; Nevertheless, he
observed that his criticism of the Dubrovnik ladies is serious, although likely
to provoke laughter ("Jedna pastorala Marina Drzica", Godisnjica
Nikole Cupica, XLIV, 219-33, reprinted in Marin Drzic, ed. Pantic, pp. 169-71).
[136] "Il ne copie pas ses modčles, il les adapte, au contraire,
afin que ce cadre puisse répondre aux exigences locals de Raguse et c'est ainsi
qu'il crée ses pičces originals, des tableaux riches et vivants, chroniques
dramatisées de sa ville." Mirko Deanovic, "Les influences italiennes
sur I'ancienne littérature Yugoslave du littoral adriatique", Revue de
Littérature Comparée, XIV, 1934, 46.
[137] Reset: Djela Marina Drzica, p. 47. The relaxation of Ragusa's youth is considered by
certain critics as an implicit social censure; cf. Kombol: Novela od Stanca,
Zagreb, 1949, pp. 42-43, and F. Svelec: "Neke misli o Drzicevoj Noveli od
Stanca", Republika, 1954, p. 638.
[138] See Petar Kolendic: "Premijera Drziceva Dunda Maroja",
Glas, 1951, p. 53.
[139] Milan Bogdanovic: Stari i novi, IV, 188; Eli Finci: "Marin
Drzic; Dundo Maroje", Knjizevnost, Nos. 7-8, 1949, pp. 112-17; Vise manje
od zivota, Belgrade, 1955, pp. 21-30; Zivko Jelicic: "Ljudi nazbilj i
ljudi nahvao u Drzicevoj komediji", reproduced from the magazine
Mogucnosti, Split, 1957, Nos. 8-9.
[140] Djela Marina Drzica, ed. Reset, pp. 256-58; Dundo Maroje,
Belgrade, 1951, pp. 20-22.
[141] Dragoljub Pavlovic:
op. cit., p. 18. Y. Marchiori: "Riflessi del Teatro
Italiana nel Dundo Maroje", p. 25; Kombol: Poviest hrv. kjnizevnosti, p.
104.
[142] In Rivista di
letterature moderne, 1953, p. 203. "Change the vernice to such a scene,
change the name to such personaggio raguseo, change the form to such allusione
alla societŕ ragusea, e avrete il correspondente Italiano."
[143] "Riflessi del Teatro Italiana nel Dundo Maroje di Marino
Darsa", Rivista Dalmatica, Nos. 2-3, 1958.
[144] Cf. Franjo Svelec in
his recent and meticulous study: "Dundo Maroje u raspravi Jolande
Marchiori", Zadarska revija, Nos. 3-4, 1960.
[145] Besides Calandria
(printed in Siena in 1521), Drzic may have seen Gl'ingannati, the finest
Sienese comedy; an interesting comparative study could be written on the
external similarities between Drzic's play and Gl'ingannati. Cf. Ireneo Sanesi, Comedie del Cinquecento, I, Bari 1912, 409; Mario
Apollonio: Storia del teatro italiano, II, Florence, 1951, 1958-63. Luigi Russo
writes about Calandria: "La Leggerezza gioiosa che percorre la Calandria č
testimonianza di ispirazione genuine, ma non di ispirazione profonda",
Commedie Fiorentine del `500 (Florence, 1939), p. 193.
[146] "Sva je ukradena iz njekoga libra starijeg neg je staros -iz
Plauta", Djela Marina Drzica, ed. Reset, p. 200.
[147] "Skup Marina Drzica prema Plautovoj Aululariji", Rad, 99
(1890), 185-237.
[148] "Die Aulularia des Plautus in einer südslavischen Umarbeitung
aus der Mittel des XVI. Jahrhunderts", in Festschrift Johannes Vahlen (Berlin, 1900), p.
637; translated into Croatian by M. Kombol: Izabrani kraci spisi Vatroskcva
Jagica, Zagreb 1948, p. 352.
[149] "Problem odnosa
Drziceva teatra rema talijanskoj dsnjizevnosti," Zadarska revija, No. 1,
1958, pp. 10–28 ("The author concludes that Drzic's Skup, based on a theme
by Plautus, is an independently constructed play, linked to the Italian
playwrights by the use of the same technique—generally used in European drama
at that time—and by the common source for the basic plot taken from
Plautus," p. 29).
[150] Milan Resetar:
"Jezik Marina Drzica," Rad, 248 (1933), 99–100; Vera Javarek aptly
notes: "Each of its many and diverse minor characters possesses its own
appropriate style of speech," Slavonic and East European Review, No. 88,
1958, pp. 155-56.
[151] Planine was
photostatically reproduced by the Zagreb Academy, 1952.
[152] V. Stefanic, Planine
Zagreb, 1942, pp. 10-19; Gojko Ruzicic: "Jezik Petra Zoranica",
Juznoslovenski filolog, X-XI.
[153] Cf. Stephen
Fischer-Galati: Ottoman Imperialism and German Protestantism (Cambridge 1959).
[154] Cf. Josip Horvat:
Kultura Hrvata kroz 1000 godina, I, Zagreb 1939, p. 33.8
[155] M. Kombol: "Dinko Ranjina i talijanski petrarkisti", in
Gradja, 11, 1932, 64-94; Torbarina: Italian Influence..., pp. 142-97.
[156] Jean Dayre:
Dubrovacke studije, Zagreb, 1938, pp. 73-88.
[157] Jorjo
Tadic: Dubrovacki portreti, Belgrade, 1948, pp. 316-48; Torbarina:
"Tassovi soneti i madrigali u cast Cvijete Zuzoric", in Hrvatsko
Kolo, XXI, 1940, 69-96; Ante Kadic: "Cvijeta Zuzoric, legenda i
stvarnost", in Hrvatska Revija, V, No. 3, 1955, 285-90.
[158] M. Kombol: "Talijanski utjecaji u Zlataricevoj lirici",
Rad, 247, 1933, 212-51; cf. also André Vaillant: La langue de Dominko Zlataric,
Paris, 1928.
[159]
Torbarina, Italian Influence..., pp. 202-25.
[160] In 1942,
in the notorious collection of articles Italia e Croazia, which celebrated the
annexation of Dalmatia to Italy, Giovanni Maver wrote: "Dalmatian-Romagan
literature in Croatian has, compared to Italian literature, only one essential
difference—the language" (p. 485; cf. also p. 481). In his recent book,
Letteratura serbo-croata (Milan, 1960), he is more subtle, circumspect, and
less biased (cf. pp. 115-16).
[161] A. Cronia: La fortuna del Petrarca fra gli Slavi meridionali, in
Annali della Cattedra Petrarchesca, Vol. IV, 1932, and
also in a separate book (Arezzo, 1933).
[162] See by
the same author: "Agricultural Policy in Yugoslavia," Studia
Croatica, Year II, Nos. 2-3, pp. 117-29.
[163] All data
for the years 1959, 1960, and 1961 are taken from the FAO's monthly economic
and statistical bulletin: Bulletin mensuel économique et statistique agricole,
No. 3, March 1962, Rome.
[164] "For
it was a true idyll compared to what we have to endure today." Letters
from Baron Gabriel Apor to Elemér Homonnay, dated October 30, 1962, and
November 29, 1952.
[165] C. A.
Macartney; October Fifteenth, Edinburgh, University Press, 1957, Vol. I, p. 86;
Antal Ullein-Reviczky: Guerre Allemande - Paix Russe, Neuchatel, Switzerland,
1947, p. 99.
[166] Pesti
Hirlap: "Kossutics eloadása az angol külügyi társaságban" (Kossutic's
lecture at the English Institute of International Affairs) 11-I-1933; Dr.
József Bajza: Jugoszlávia belpolitikája 1932 április 4 után" (The internal
politics of Yugoslavia after April 4, 1932); Magyar Szemble, 1934.
[167] Letter
from Andrés Tamás to Elemér Homonnay, dated 11-26-1962.